Cyclops Review, The
- Publisher
- Signature Editions
- Initial publish date
- Oct 2002
- Category
- Canadian
-
Paperback / softback
- ISBN
- 9781894177139
- Publish Date
- Oct 2002
- List Price
- $13.95
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Description
The Cyclops Review is a collection of new poetry and prose which features an eclectic mix of literary writers. From emerging writers, publishing their work for the first time, to established award-winning poets, fiction writers and playwrights, this collection captures the spirit of the small press publishing experience. Whether the authorial voice is emerging or established, what is consistent is the astounding literary diversity and quality of this collection.
CONTRIBUTORS:
Stephanie Bolster Daniel Brooks Robert Budde Jason Camlot Corey Frost Kate Hall Adrienne Ho Clive Holden Catherine Hunter Monique MacLeod Daphne Marlatt Chandra Mayor David McGimpsey rob mclennan Daniel David Moses Hal Niedzviecki John K. Samson Steve Smith Michelle Sterling Kate Sterns
About the authors
Jon Paul Fiorentino
Jon Paul Fiorentino’s first novel is Stripmalling (ECW, 2009). His most recent book of poetry is The Theory of the Loser Class (Coach House Books, 2006). He is the author of the poetry book Hello Serotonin (Coach House Books, 2004) and the humour book Asthmatica (Insomniac Press, 2005). His most recent editorial projects are the anthologies Career Suicide! Contemporary Literary Humour (DC Books, 2003) and Post-Prairie — a collaborative effort with Robert Kroetsch, (Talonbooks, 2005).
Robert Kroetsch
Robert Kroetsch is a Canadian novelist, poet, and non-fiction writer. In his novel, The Words of My Roaring (1966), he began to use the tall tale rhetoric of prairie taverns. Both The Studhorse Man (1969), which won the Governor General’s Award, and Gone Indian (1973) call the conventions of realistic fiction hilariously into question.
In 2004, he was made an Officer of the Order of Canada.
Jon Paul Fiorentino's profile page
Stephanie Bolster’s first book, White Stone: The Alice Poems (Signal/Véhicule), won the Governor General`s Award and the Gerald Lampert Award in 1998 and will appear in French with Les Éditions du Noroît in autumn 2007, translated by Daniel Canty. She has also published Two Bowls of Milk (McClelland & Stewart), which won the Archibald Lampman Award and was shortlisted for the Trillium Award, and Pavilion (McClelland & Stewart). Her work has appeared in literary journals internationally and has also garnered her the Bronwen Wallace Award, the Norma Epstein Award, and The Malahat Review`s Long Poem Prize. Her several chapbooks include, most recently, Biodôme (above/ground) and Past the Roman Arena and the Cedar of Lebanon (Delirium). She is the editor of The Ishtar Gate: Last and Selected Poems (McGill-Queen’s) by the late Ottawa poet Diana Brebner and is currently editing an anthology of poetry and prose excerpts pertaining to zoos. Raised in Burnaby, B.C., she now lives in Montréal, where she teaches in the creative writing programme at Concordia University.
Stephanie Bolster's profile page
Daniel Brooks has worked as a director writer, actor, producer, and teacher. He is a mainstay of this countryâ??s theatre, working with a network of Ontario-based writers, playwrights, and directors who virtually define the current scene (Guillermo Verdecchia, Daniel MacIvor, and John Mighton among them). He has been co-director of the Augusta Company and da da kamera, and playwright-in-residence at Tarragon Theatre. He is currently Artistic Director of Necessary Angel Theatre Company.
Among his works as a writer are The Return of Pokey Jones (Poor Alex Theatre, 1985), The Noam Chomsky Lectures (with Verdecchia, Great Canadian Theatre Company, 1992), The Lorca Play (with MacIvor, Theatre Centre, 1992), Here Lies Henry (with MacIvor, Buddies in Bad Times, 1996), and Insomnia (with Verdecchia, Theatre Centre, 1997).
He has also directed several works, notably MacIvorâ??s House (1992), Mightonâ??s Possible Worlds (1998), Faust (Tarragon Theatre, 1999), Soulpepperâ??s production of Becketâ??s Endgame (1999), and Mightonâ??s Half Life.
Daniel has won several awards, including the Chalmers (for Noam Chomsky, Here Lies Henry, House), the Dora Mavor Moore Award three times for directing, the Edinburgh Fringe First Award (Here Lies Henry); and has been nominated for the Governor Generalâ??s Literary Award (Noam Chomsky). In October 2000, he won the Capital Critics Circle Award for his direction of Possible Worlds. In October 2001, he received the first Elinore and Lou Siminovitch Prize in Theatre.
Daniel has also worked in film, notably with Bruce McDonald (whose film Highway 61 was inspired by Pokey.)
His highly innovative work has travelled across Canada and around the world. He is married to Jennifer Ross. They have two daughters, and live in Toronto.
Jason Camlot is the author of three previous collections of poetry, The Debaucher (Insomniac Press, 2008), Attention All Typewriters (DC Books, 2005), and The Animal Library (DC Books, 2001). He co-edited the essay anthology Language Acts (Vehicule Press, 2007), about English-language poetry in Québec, and has done extensive research into sound recordings of 19th- and 20th-century poetry. Jason teaches Victorian literature, among other things, at Concordia University in Montreal. He edits the Punchy Poetry imprint for DC Books.
Kate Hallâ??s poems have appeared in many journals, including The Colorado Review, jubilat, Swerve, The Denver Quarterly, Open City, LIT and Boston Review. She has won the Irving Layton Award and the David McKeen Award and travelled on the storied Wave Books poetry bus tour in 2006. She was co-editor of the Delirium Press chapbooks and co-hosted the Departure Reading Series in Montreal, where she now lives and teaches at McGill University.
Clive Holden writes fiction and poetry and has made two experimental films, Gordon's Head and Hitler!, both of which are about his relationship with his schizophrenic brother, Niall.
Catherine Hunter's last poetry collection, Latent Heat, won the McNally Robinson Manitoba Book of the Year Award. Four of the poems in St. Boniface Elegies, originally published in Contemporary Verse 2, won the Manitoba Magazine Award for Best Poem or Suite of Poems and earned Honorable Mention in the National Magazine Awards. Her most recent novel, After Light (Signature), spans four generations of an Irish-American-Canadian family in a tale of love, war, trauma, and the power of art, and was a finalist for the Margaret Laurence Award for Fiction, the Carol Shields Winnipeg Book Award, the McNally Robinson Book of the Year Award, the Mary Scorer Award for Best Book by a Manitoba Publisher, and the High Plains Book Award for Best Woman Writer. She has also published several mysteries with Ravenstone/Turnstone, and recorded a spoken word CD (Rush Hour, from Cyclops Press, with a bonus track by The Weakerthans). Her writing has appeared in the literary journals The Malahat Review, Prism International, Essays on Canadian Writing, Matrix, West Coast Line, Prairie Fire, CV2, and Grain, and the anthologies The Echoing Years: Contemporary Poetry from Canada and Ireland; Post Prairie: An Anthology of New Poetry; Best Canadian Poems 2013; Best Canadian Poems 2015; and (forthcoming) Best Canadian Poems 2019. She edited Exposed, an anthology of five new women poets, and Before the First Word: The Poetry of Lorna Crozier, and for ten years she was the editor of The Muses' Company poetry press. Since 1991, she has enjoyed teaching literature and creative writing at the University of Winnipeg.
Catherine Hunter's profile page
Monique MacLeod's profile page
Daphne Marlatt was born in Melbourne in 1941 and spent much of her childhood in Malaysia before emigrating to Canada in 1951. Marlatt was at the centre of the West Coast poetry movement of the 1960s, studying at the University of British Columbia and with many of Donald Allen’s New American Poets, most notably Robert Creeley and Robert Duncan. Much of her postmodernist writing would be attuned to the adjustments, struggles, and accomplishments of immigrants. While Marlatt attended UBC (1960–1964), her literary associations with the loosely affiliated Tish group encouraged her non-conformist approach to language and etymological explorations.She was a co-founding editor of two literary magazines: periodics and Tessera. She co-edited West Coast Review, Island, Capilano Review, and TISH. In 2004 she was appointed as the first writer-in-residence at Simon Fraser University in three decades. She directed the Fiction stream of the Banff Writing Studio from 2010 – 2012.Her early writing includes prose narratives on the Strathcona neighborhood of Vancouver and of the former Japanese-Canadian fishing village of Steveston, and several poetry books. Selected Writing: Network is a collection of her prose and poetry, published in 1980. More of her writing can be found in The New Long Poem Anthology: 2nd Edition (2000), edited by Sharon Thesen. Daphne Marlatt’s This Tremor Love Is (2001) is a memory book – an album of love poems spanning twenty-five years, from her first writing of what was to become the opening section, A Lost Book, to later, more recent sequences.Marlatt has been a featured poet on the Heart of a Poet series, produced in conjunction with Bravo! TV. Her recent work includes The Gull, the first Canadian play staged in the ancient, ritualized tradition of Japanese noh theatre, and winner of the prestigious 2008 Uchimura Naoya Prize.In 2006, Marlatt was appointed to the Order of Canada in recognition of a lifetime of distinguished service to Canadian culture. In 2009, she was awarded the Dorothy Livesay Prize for Poetry, for her innovative long poem The Given, and in 2012 she received the George Woodcock Lifetime Achievement Award.
Chandra Mayor is a Winnipeg poet and editor. She has worked with dark leisure, Contemporary Verse 2, and Prairie Fire. Her work is included in the Cyclops Review. Her first collection of poetry, August Witch, was released in Fall 2002.
Born in Ottawa in 1970 at the late lamented Grace Hospital on Wellington Street near Parkdale Avenue, rob mclennan currently lives in directly between Ottawa`s Chinatown and Little Italy neighbourhoods, and was called "Centretown`s poet laureate" by David Gladstone in The Centretown Buzz in the mid-1990s. The author of twelve previous trade poetry collections in Canada and England, he has published poetry, fiction, interviews, reviews and columns in over two hundred publications in fourteen countries and in four languages, and done reading tours in five countries on two continents. The editor/publisher of above/ground press and the long poem magazine STANZAS (both founded in 1993), the online critical journal Poetics.ca (with Ottawa poet Stephen Brockwell) and the Ottawa poetry annual ottawater (ottawater.com), he edits the ongoing Cauldron Books series through Broken Jaw Press, edited the anthologies Evergreen: six new poets (Black Moss Press), side/lines: a new canadian poetics (Insomniac Press), GROUNDSWELL: the best of above/ground press, 1993-2003 (Broken Jaw Press) and Decalogue: ten Ottawa poets (Chaudiere Books), and runs the semi-annual ottawa small press book fair, which he co-founded in 1994, currently under the umbrella of the small press action network - ottawa (span-o), which he also runs. Fall 2007 sees the appearance of a new poetry collection with Ireland`s Salmon Publishing, a collection of literary essays appears with Toronto`s ECW Press, and a title for Vancouver publisher Arsenal Pulp Press, Ottawa: The Unknown City. His online home is at www.track0.com/rob_mclennan, and he often posts reviews, essays, rants and other nonsense at www.robmclennan.blogspot.com.
Daniel David Moses, playwright and poet, is a Delaware who was born at Ohsweken, Ontario on the Six Nations lands. Now living in Toronto, he writes and works with Native and cross-cultural organizations. He is the author of Coyote City, nominated for the 1991 Governor General's Award for Drama, and The Dreaming Beauty, Big Buck City, Almighty Voice and His Wife, and The Mite Lines, a book of poetry. He is co-editor with Terry Goldie of An Anthology of Canadian Native Literature in English.
Daniel David Moses' profile page
Hal Niedzviecki is a writer, speaker, culture commentator and editor whose work challenges preconceptions and confronts readers with the offenses of everyday life. He is the author of eleven books of fiction and nonfiction, including Trees on Mars: Our Obsession with the Future (2015), and the publisher/founder of Broken Pencil, a magazine of zine culture and the independent arts. Hal's writing has appeared in newspapers and journals across the world including The New York Times Magazine, The Guardian, Utne Reader, The Globe and Mail, The Walrus, and Geist. Hal lives and works in Toronto.
Hal Niedzviecki's profile page
John K. Samson is the singer and songwriter for the venerated indie rock outfit The Weakerthans, and his poetry and prose has appeared in Matrix Magazine, Geist, The Believer, and Post Prairieâ”An Anthology of New Poetry. He lives in Winnipeg, where he’s also the managing editor and co-founder of ARP, a small publishing house.
Excerpt: Cyclops Review, The (edited by Jon Paul Fiorentino; by (author) Stephanie Bolster, Daniel Brooks, Robert Budde, Jason Camlot, Corey Frost, Kate Hall, Adrienne Ho, Clive Holden, Catherine Hunter, Monique MacLeod, Daphne Marlatt, Chandra Mayor, rob mclennan, David McGimpsy, Daniel David Moses, Hal Niedzviecki, John K. Samson, Steve Smith, Michelle Sterling & Kate Sterns)
The Most Spontaneous Thing
Adrienne Ho
Walking toward Bank Street in winter, cold showing in our breaths. You leapt
pressed my back down against what would have been a raised flowerbed in summer, your mouth planting kisses.
The whole few seconds, I was thinking: what if someone's looking, what if in my backpack I carried some blown glass ornament you didn't know about?
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