Robert Budde teaches creative writing and critical theory at the University of Northern British Columbia in Prince George. He has published four books (two poetry—Catch as Catch and traffick, and two novels—Misshapen and, most recently, The Dying Poem). He maintains two online literary journals at and .
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Alison Calder teaches English at the University of Manitoba and is a winner of the Bronwen Wallace Memorial Award for poetry.
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Louise H. Forsyth, now retired, has been a member of the Canadian Association for Theatre Research from the beginning. She had the privilege of teaching drama, poetry, women’s, and gender studies at Western University and the University of Saskatchewan. She has held several administrative positions and published articles, books, translations, and scholarly papers on Québec women writers of theatre and poetry, including the three-volume Anthology of Québec Women’s Plays in English Translation, Marie Savard’s Bien à moi (Mine Sincerely), Nicole Brossard: Essays on her Works, and Mobility of Light: The Poetry of Nicole Brossard. She lives in Calgary.
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Catherine Hunter is a poet, novelist, editor of the Muses’ Co. Press, and associate professor of English at the University of Winnipeg. Her most recent work is the novella In the First Early Days of My Death.
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Susan Knutson, a professor of English at Université SainteAnne, is currently working on a history of “Carnivalesque Old Women from Antiquity to the Present.” In her spare time she acts in Les Araignées du bouiboui.
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Susan Knutson, a professor of English at Université SainteAnne, is currently working on a history of “Carnivalesque Old Women from Antiquity to the Present.” In her spare time she acts in Les Araignées du bouiboui.
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Nicole Markotic is a poet, novelist, and critic. Her poetry books include Bent at the Spine (BookThug), Minotaurs & Other Alphabets, and Connect the Dots (Wolsak & Wynn); her novels are Yellow Pages (Fitzhenry & Whiteside) and Scrapbook of My Years as a Zealot (Arsenal Pulp Press).
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Laura Moss is a member of the English Department at the University of British Columbia, and is on the editorial boards of ARIEL: A Review of International English Literature and Studies in Canadian Literature. She edited Frances Brooke’s The History of Emily Montague, and her articles on international authors have appeared in journals and books.
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Owen Percy is a teacher, writer, editor, and critic of North American and postcolonial literature. He earned his Ph.D. in Canadian literature and literary culture from the University of Calgary in 2010. He is a professor of literary studies at Sheridan College in Brampton, Ontario
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Leslie C. Sanders is a professor at York University, where she teaches African American and Black Canadian literature. She is the author of The Development of Black Theatre in America, the editor of two volumes of Langston Hughes’s performance works, and a general editor of the Collected Works of Langston Hughes. She has written essays on African American and Black Canadian literature.
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