Mad Shadows
- Publisher
- McClelland & Stewart
- Initial publish date
- Aug 2008
- Category
- Family Life, 20th Century, Classics
-
Paperback / softback
- ISBN
- 9780771093524
- Publish Date
- Aug 2008
- List Price
- $19.95
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Description
A harrowing pathology of the soul, Mad Shadows centres on a family group: Patrice, the beautiful and narcissistic son; his ugly and malicious sister, Isabelle-Marie; and Louise, their vain and uncomprehending mother. These characters inhabit an amoral universe where beauty reflects no truth and love is an empty delusion. Each character is ultimately annihilated by their own obsessions.
Acclaimed and reviled when it exploded on the Quebec literary scene in 1959, Mad Shadows initiated a new era in Quebec fiction.
About the authors
Born in 1939 in Québec, Marie-Claire Blais continues to dominate the literary landscape. Having published her first novel at the age of twenty, she has gone on to publish twenty novels to date in France and Quebec—all of which have been translated into English—as well as five plays and several collections of poetry. All of her writings have met with international acclaim.Talon has published her American Notebooks, a fascinating autobiographical account of the intellectual flowering of a great writer.Winner of the Prix Médicis, the Prix Belgo-Canadien, the Prix France-Québec, and many others, Blais continues to devote herself to work that is proud and exacting. Most recently, she has been invited, as one of the very few foreigners allowed, to join Belgium’s Academy of French Language and Literature.
Marie-Claire Blais' profile page
Daphne Marlatt was born in Melbourne in 1941 and spent much of her childhood in Malaysia before emigrating to Canada in 1951. Marlatt was at the centre of the West Coast poetry movement of the 1960s, studying at the University of British Columbia and with many of Donald Allen’s New American Poets, most notably Robert Creeley and Robert Duncan. Much of her postmodernist writing would be attuned to the adjustments, struggles, and accomplishments of immigrants. While Marlatt attended UBC (1960–1964), her literary associations with the loosely affiliated Tish group encouraged her non-conformist approach to language and etymological explorations.She was a co-founding editor of two literary magazines: periodics and Tessera. She co-edited West Coast Review, Island, Capilano Review, and TISH. In 2004 she was appointed as the first writer-in-residence at Simon Fraser University in three decades. She directed the Fiction stream of the Banff Writing Studio from 2010 – 2012.Her early writing includes prose narratives on the Strathcona neighborhood of Vancouver and of the former Japanese-Canadian fishing village of Steveston, and several poetry books. Selected Writing: Network is a collection of her prose and poetry, published in 1980. More of her writing can be found in The New Long Poem Anthology: 2nd Edition (2000), edited by Sharon Thesen. Daphne Marlatt’s This Tremor Love Is (2001) is a memory book – an album of love poems spanning twenty-five years, from her first writing of what was to become the opening section, A Lost Book, to later, more recent sequences.Marlatt has been a featured poet on the Heart of a Poet series, produced in conjunction with Bravo! TV. Her recent work includes The Gull, the first Canadian play staged in the ancient, ritualized tradition of Japanese noh theatre, and winner of the prestigious 2008 Uchimura Naoya Prize.In 2006, Marlatt was appointed to the Order of Canada in recognition of a lifetime of distinguished service to Canadian culture. In 2009, she was awarded the Dorothy Livesay Prize for Poetry, for her innovative long poem The Given, and in 2012 she received the George Woodcock Lifetime Achievement Award.
Excerpt: Mad Shadows (by (author) Marie-Claire Blais; afterword by Daphne Marlatt)
One
The
train
was
leaving
town.
Lying back with his head against his mother’s shoulder, Patrice followed the dappled countryside with a melancholy expression. Behind his forehead everything grew confused, like a billowing stormcloud on a screen. He watched in silence and did not understand, but his idiot face was so dazzling that it made one think of genius. His mother caressed the nape of his neck with the palm of her hand. With a gentle slip of her all-too-supple wrist she could lower Patrice’s head to her bosom and hear his breathing more easily.
On the other side, aloof and motionless, her daughter Isabelle-Marie sat pressing her sharp features against the window. Louise often said to herself, “Isabelle-Marie never really had the face of a child . . . But Patrice . . . Oh, Patrice!”
Isabelle-Marie was thirteen. She was tall and emaciated; her alarming eyes, so often full of anger, seemed glued to black bone. When she scowled, the lower part of her face twisted into a look of fierce contempt. It was almost frightening.
Her mother Louise, who was rich and owned many farms, gave her daughter all the most menial chores in order to devote her life and her remaining youth to Patrice. One could see that Louise believed in herself and above all, to the point of obsession, in the beauty of Patrice.
In the seats nearby, the passengers were looking at her son. Weary of having nothing to think about, the child yielded to sleep, gently, with a drop of perspiration on his brow. Louise wiped the drop away with the tip of her finger and smiled with pride at the thought that the beauty of her son was becoming ever more devastating, to even the coldest onlooker.
“Patrice . . . such a magnificent child!”
At the same moment, Isabelle-Marie thought, Patrice, the Idiot!
Patrice did not seem to worry about himself. He pressed even closer to his mother, his large green eyes empty as the night. Now and then his eyelashes and his cheeks would tremble, suddenly, and not in unison. His forehead was white, intact, and soft as the thigh of a swan. His bare lips curved without the slightest trace of tension. Never was there a sign of life on these lips. The lips of a corpse. Isabelle-Marie cast a sly look at him.
“A Beautiful Beast!” she muttered between her teeth.
Louise did not question the intelligence of her ten-year-old Adonis. He spoke very little, but she attributed this speechlessness, like the silence of the gods, to unconcern.
His extraordinary beauty satisfied her every wish. Nevertheless, Patrice was an idiot. Isabelle-Marie knew that behind his pale forehead was the deep stupor of an inactive mind, the lethargy of a dead brain. How cold it must be beneath his skin, she thought and was ashamed to see him sleeping peacefully, protected by his mother’s shoulder. She knew that the woman’s eyes, indeed her whole being, rested on this solitary and fragile beauty.
The passengers never stopped looking at Patrice. Isabelle-Marie began to blush. She felt sick to her stomach. Soon she saw nothing outside the window. A strange desire to die came over her. She rose and pressed against the cold glass. Her bruised cheek shivered. In an awkward attempt to hide her trembling, Isabelle-Marie clawed at the pane with her nails, trying to hold onto it . . . Louise did not see her. Louise never really dared look at her. Finally Isabelle-Marie buried her face in her hands.
“Mother, I have a fever.”
Bewildered, physically terrified by the people around her, she heard a woman cry out, “What a handsome son you have!”
And Louise, in her contented voice, answered, “Isn’t he, though?”
Isabelle-Marie fainted.
When she opened her eyes, they were drawing into the station. The other passengers, she was relieved to discover, had forgotten about the beauty of her brother. They walked hurriedly toward the station, paying no attention to one another. Isabelle-Marie began to breathe again. Blood warmed her legs and she felt a sense of release, a crazy desire to burst out laughing now that the torture had ceased.
“What is it, Isabelle-Marie?” asked Louise in a deceitful tone of voice.
“Nothing at all, Mother. Only a slight dizziness . . .”
Louise held her son’s hand nested in her own and the two of them slipped through the crowd, oblivious of the smoke that filled the air. The blond child followed indolently, his head resting against his mother’s elbow. Isabelle-Marie was sorry that the sun cast such an aura of innocence over Patrice’s hair. She followed her brother, awkward in her black dress . . . and more awkward still in the flesh.
