Laurier Poetry Pack #5
- Publisher
- Wilfrid Laurier University Press
- Initial publish date
- Jul 2021
- Category
- Canadian
-
Shrink-wrapped pack
- ISBN
- 9781771122931
- Publish Date
- Jul 2021
- List Price
- $74.99
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Description
A bundle of Laurier Poetry books for course use that includes Fierce Departures (Dionne Brand); Sonosyntactics (Paul Dutton); The More Easily Kept Illusions (Al Purdy); False Laws of Narrative (Fred Wah0; and Sohkeyihta (Louise Bernice Halfe).
About the authors
Al Purdy’s down-to-earth voice populates thirty-three books, including The Cariboo Horses (1965), North of Summer (1967), Sex & Death (1973), and Piling Blood (1984). The two major collections of his work are The Collected Poems of Al Purdy (1986) and Beyond Remembering: The Collected Poems of Al Purdy (2000). Purdy died in Sidney, BC, on April 21, 2000.
Robert Budde teaches creative writing and critical theory at the University of Northern British Columbia in Prince George. He has published four books (two poetry—Catch as Catch and traffick, and two novels—Misshapen and, most recently, The Dying Poem). He maintains two online literary journals at and .
Russell Morton Brown is a professor in the department of English at the University of Toronto. An editor for the University of Toronto Quarterly, the editor of The Collected Poems of Al Purdy, and co-editor with Donna Bennett of the New Anthology of Canadian Literature in English, he was also Editorial Director of Poetry at McClelland and Stewart for five years.
Dionne Brand is internationally known for her poetry, fiction, and essays. She has received many awards, notably the Governor General’s Award for Poetry, the Trillium Award (Land to Light On), 1997), the Pat Lowther Award (Thirsty, 2005), the City of Toronto Book Award (What We All Long For, 2006), and the Harbourfront Festival Award (2006), given in recognition of her substantial contribution to literature. She is a professor in the School of English and Theatre Studies at the University of Guelph.
Leslie C. Sanders is a professor at York University, where she teaches African American and Black Canadian literature. She is the author of The Development of Black Theatre in America, the editor of two volumes of Langston Hughes’s performance works, and a general editor of the Collected Works of Langston Hughes. She has written essays on African American and Black Canadian literature.
Born in Swift Current, Saskatchewan in 1939, celebrated Canadian poet Fred Wah was raised in the interior of British Columbia. He is the author of over 20 published works of poetry and prose-poetry, including the award-winning creative non-fiction Diamond Grill, the tenth anniversary edition of which was released in the fall of 2006. Other notable titles by Wah include his book of poetry Waiting For Saskatchewan (Turnstone Press), winner of a Governor General’s Award in 1985, and Faking It: Poetics and Hybridity, winner of the Gabrielle Roy Prize for Writing in Canadian literature. In 2008, he published a collection of poetic image/text projects titled Sentenced to Light (Talonbooks), and in 2010, he won the Dorothy Livesay BC Book Prize for poetry for is a door (Talonbooks).Fred Wah was one of the founding editors of the poetry journal TISH. After graduate work in literature and linguistics at the University of New Mexico in Albuquerque and the State University of New York in Buffalo, where he worked with Robert Creeley and Charles Olson, he returned to Canada. He has been involved in teaching internationally in poetry and poetics since the early 1960s. In 2011, Wah became Canada's Parliamentary Poet Laureate, the fifth poet to do so. In 2013, he was made an Officer in the Order of Canada. Fred Wah currently works and lives in Vancouver.
Gary Barwin is a writer, composer, and performer. He is the author of numerous books and chapbooks of poetry and fiction including the poetry collections frogments from the frag pool: haiku after basho (written with derek beaulieu) and Raising Eyebrows and Outside the Hat (Coach House Books) and the fiction collections Doctor Weep and other strange teeth, Big Red Baby (The Mercury Press), and Cruelty to Fabulous Animals (Moonstone Press). He is the author of The Mud Game, a novel written with Stuart Ross (The Mercury Press). Barwin is also the author of several books for children including Seeing Stars, a young adult novel (Stoddart Kids) nominated for an Arthur Ellis Award and the CLA YA Book of the Year, and Killer Poodle Made Me Island King (Fox Meadow), co-winner of the Muskoka Novel Marathon 2003. Barwin received a PhD in Music Composition and currently teaches music at Hillfield-Strathallan College and creative writing at McMaster University. Barwin lives in Hamilton, where he has cultivated vague but colourful illusions about his writing. Please don’t tell him.
Louise Halfe has three book publications to her credit. Bear Bones & Feathers was published by Coteau Books in 1994. It received the Canadian Peoples Poet Award, and was a finalist for the Spirit of Saskatchewan Award in that year. Blue Marrow was originally published by McLelland & Stewart in 1998; its revised edition was released by Coteau Books in September 2004. It was a finalist for both the Governor General’s Award for Poetry and the Pat Lowther Award, and for the 1998 Saskatchewan Book of the Year Award and the Saskatchewan Poetry Award. Her most recent work, The Crooked Good, was published in 2007. Louise Bernice Halfe's Cree name is Sky Dancer. She was born on the Saddle Lake Reserve in Two Hills, Alberta in 1953. At the age of seven, she was sent to the Blue Quills Residential School in St. Paul, Alberta. She left residential school of her own accord when she was sixteen, breaking ties with her family and completing her studies at St. Paul's regional high school. It was at this time that she began writing a journal about her life experiences. Halfe made her debut as a poet in Writing the Circle: Native Women of Western Canada, the acclaimed anthology of life-writings by Native women. In 1993 she was awarded third prize in the League of Canadian Poets' national poetry contest and was Saskatchewan’s Poet Laureate for 2005-2006.
Louise Bernice Halfe's profile page
Paul Dutton is a poet, fictioneer, essayist, musician and former member of the Four Horsemen poetry/performance group. Born in Toronto where he continues to live, he is the author of several books including Visionary Portraits (The Mercury Press), Right Hemisphere Left Ear (Coach House Press), The Book of Numbers (Porcupine’s Quill), The Plastic Typewriter (Underwhich Editions), and Aurealities. His first novel is Several Women Dancing.
David Gaertner is a settler scholar of German descent and an assistant professor in the First Nations and Indigenous Studies Program at the University of British Columbia. His research and teaching investigate new media and digital storytelling within a decolonial framework. He blogs at novelalliances.com.
Leslie C. Sanders is a professor at York University, where she teaches African American and Black Canadian literature. She is the author of The Development of Black Theatre in America, the editor of two volumes of Langston Hughes’s performance works, and a general editor of the Collected Works of Langston Hughes. She has written essays on African American and Black Canadian literature.
Dionne Brand is internationally known for her poetry, fiction, and essays. She has received many awards, notably the Governor General’s Award for Poetry, the Trillium Award (Land to Light On), 1997), the Pat Lowther Award (thirsty, 2005), the City of Toronto Book Award (What We All Long For, 2006), and the Harbourfront Festival Award (2006), given in recognition of her substantial contribution to literature. She is a professor in the School of English and Theatre Studies at the University of Guelph.
Leslie C. Sanders' profile page
Louis Cabri is author of The Mood Embosser, which was awarded the 2002 book of the year by Small Press Traffic (San Francisco), and â??that canâ??t (forthcoming). He edited, from Philadelphia, the poetsâ?? newsletter PhillyTalks and co-edited, from Ottawa/Calgary, hole magazine and books. He teaches literary theory, Canadian and US modern and contemporary poetry, and creative writing at the University of Windsor.
Fred Wah has been involved with a number of literary magazines over the years, such as Open Letter and West Coast Line. Recent books are the biofiction Diamond Grill (1996), Faking It: Poetics and Hybridity (2000), a collection of essays, and Sentenced to Light (2008), a collection of poetic image/text projects. He splits his time between the Kootenays in southeastern B.C. and Vancouver.
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