Description
Laurier Poetry Pack #4 consists of 5 volumes from the Laurier Poetry series. Volumes contained in Laurier Poetry Pack #4: 9780889204904 The More Easily Kept Illusions; 9781554580385 Fierce Departures; 9781771121323 Sonosyntactics; 9781554580460 The False Laws of Narrative; 9781771124119 Social Poesis
About the authors
Leslie C. Sanders is a professor at York University, where she teaches African American and Black Canadian literature. She is the author of The Development of Black Theatre in America, the editor of two volumes of Langston Hughes’s performance works, and a general editor of the Collected Works of Langston Hughes. She has written essays on African American and Black Canadian literature.
Dionne Brand is internationally known for her poetry, fiction, and essays. She has received many awards, notably the Governor General’s Award for Poetry, the Trillium Award (Land to Light On), 1997), the Pat Lowther Award (thirsty, 2005), the City of Toronto Book Award (What We All Long For, 2006), and the Harbourfront Festival Award (2006), given in recognition of her substantial contribution to literature. She is a professor in the School of English and Theatre Studies at the University of Guelph.
Leslie C. Sanders' profile page
The author of more than twenty books of poetry, fiction and books for children, Gary Barwin is a writer, musician and multimedia artist from Hamilton, Ontario and the author of the nationally bestselling novel, Yiddish for Pirates (Penguin Random House Canada) which won the Stephen Leacock Medal for Humour, the Canadian Jewish Literary Award was shortlisted for the Scotiabank Giller Prize and the Governor General’s Award; and For It is a Pleasure and a Surprise to Breathe: New and Selected Poems, ed. Alessandro Porco (Wolsak and Wynn, 2019.)
A finalist for the National Magazine Awards (Poetry), he is a three-time recipient of Hamilton Poetry Book of the Year, has also received the Hamilton Arts Award for Literature and has co-won the bpNichol Chapbook Award and the K.M. Hunter Arts Award. He was one of the judges for the 2017 CBC Poetry Prize. Barwin has been Writer-in-Residence at Western University, Hillfield Strathallan College and McMaster University and the Hamilton Public Library. His writing and recordings have been published/released in hundreds of magazines and journals internationally—from Readers Digest to Granta. He is on the organizing committee for Hamilton’s LitLive Series and regularly presents, performs and exhibits in the city.
Louis Cabri is author of The Mood Embosser, which was awarded the 2002 book of the year by Small Press Traffic (San Francisco), and â??that canâ??t (forthcoming). He edited, from Philadelphia, the poetsâ?? newsletter PhillyTalks and co-edited, from Ottawa/Calgary, hole magazine and books. He teaches literary theory, Canadian and US modern and contemporary poetry, and creative writing at the University of Windsor.
Fred Wah has been involved with a number of literary magazines over the years, such as Open Letter and West Coast Line. Recent books are the biofiction Diamond Grill (1996), Faking It: Poetics and Hybridity (2000), a collection of essays, and Sentenced to Light (2008), a collection of poetic image/text projects. He splits his time between the Kootenays in southeastern B.C. and Vancouver.
Heather Milne is an assistant professor in the English Department at the University of Winnipeg. Her essays on women's writing have appeared in journals such as Canadian Poetry, Canadian Literature, a/b: Auto/biography Studies and Open Letter. She is currently working on a book-length study of 21st-century innovative North American feminist poetics.
Al Purdy’s down-to-earth voice populates thirty-three books, including The Cariboo Horses (1965), North of Summer (1967), Sex & Death (1973), and Piling Blood (1984). The two major collections of his work are The Collected Poems of Al Purdy (1986) and Beyond Remembering: The Collected Poems of Al Purdy (2000). Purdy died in Sidney, BC, on April 21, 2000.
Robert Budde teaches creative writing and critical theory at the University of Northern British Columbia in Prince George. He has published four books (two poetry—Catch as Catch and traffick, and two novels—Misshapen and, most recently, The Dying Poem). He maintains two online literary journals at and .
Russell Morton Brown is a professor in the department of English at the University of Toronto. An editor for the University of Toronto Quarterly, the editor of The Collected Poems of Al Purdy, and co-editor with Donna Bennett of the New Anthology of Canadian Literature in English, he was also Editorial Director of Poetry at McClelland and Stewart for five years.
Dionne Brand is internationally known for her poetry, fiction, and essays. She has received many awards, notably the Governor General’s Award for Poetry, the Trillium Award (Land to Light On), 1997), the Pat Lowther Award (Thirsty, 2005), the City of Toronto Book Award (What We All Long For, 2006), and the Harbourfront Festival Award (2006), given in recognition of her substantial contribution to literature. She is a professor in the School of English and Theatre Studies at the University of Guelph.
Leslie C. Sanders is a professor at York University, where she teaches African American and Black Canadian literature. She is the author of The Development of Black Theatre in America, the editor of two volumes of Langston Hughes’s performance works, and a general editor of the Collected Works of Langston Hughes. She has written essays on African American and Black Canadian literature.
Paul Dutton is a poet, fictioneer, essayist, musician and former member of the Four Horsemen poetry/performance group. Born in Toronto where he continues to live, he is the author of several books including Visionary Portraits (The Mercury Press), Right Hemisphere Left Ear (Coach House Press), The Book of Numbers (Porcupine’s Quill), The Plastic Typewriter (Underwhich Editions), and Aurealities. His first novel is Several Women Dancing.
Born in Swift Current, Saskatchewan in 1939, celebrated Canadian poet Fred Wah was raised in the interior of British Columbia. He is the author of over 20 published works of poetry and prose-poetry, including the award-winning creative non-fiction Diamond Grill, the tenth anniversary edition of which was released in the fall of 2006. Other notable titles by Wah include his book of poetry Waiting For Saskatchewan (Turnstone Press), winner of a Governor General’s Award in 1985, and Faking It: Poetics and Hybridity, winner of the Gabrielle Roy Prize for Writing in Canadian literature. In 2008, he published a collection of poetic image/text projects titled Sentenced to Light (Talonbooks), and in 2010, he won the Dorothy Livesay BC Book Prize for poetry for is a door (Talonbooks).Fred Wah was one of the founding editors of the poetry journal TISH. After graduate work in literature and linguistics at the University of New Mexico in Albuquerque and the State University of New York in Buffalo, where he worked with Robert Creeley and Charles Olson, he returned to Canada. He has been involved in teaching internationally in poetry and poetics since the early 1960s. In 2011, Wah became Canada's Parliamentary Poet Laureate, the fifth poet to do so. In 2013, he was made an Officer in the Order of Canada. Fred Wah currently works and lives in Vancouver.
Rachel Zolf’s writing practice explores interrelated materialist questions concerning memory, history, knowledge, subjectivity, and the conceptual limits of language and meaning. She is particularly interested in how ethics founders on the shoals of the political. Her books of poetry include Neighbour Procedure (2010); Human Resources (2007), which won the Trillium Book Award for Poetry and was shortlisted for a Lambda Literary Award; Masque (2004), finalist for the Trillium Book Award for Poetry; and Her absence, this wanderer (1999). Among her many collaborations with other artists, she wrote the film The Light Club of Vizcaya: A Women's Picture, directed by New York artist Josiah McElheny, which premiered at Art Basel Miami 2012. She has taught at New York’s The New School University and the University of Calgary.
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Scandal at the Alphorn Factory
New and Selected Short Fiction, 2024-1984
Imagining Imagining
Essays on Language, Identity and Infinity
duck eats yeast, quacks, explodes; man loses eye
The Most Charming Creatures
Poems
Bird Arsonist
Laurier Poetry Pack #5
Nothing the Same, Everything Haunted
The Ballad of Motl the Cowboy
For It Is a Pleasure and a Surprise to Breathe
New and Selected Poems
A Cemetery for Holes
No TV for Woodpeckers
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To Paris Never Again
Laurier Poetry Pack #5
We Go Far Back in Time
The Letters of Earle Birney and Al Purdy, 1947-1984
Poems for All the Annettes
The Al Purdy A Frame Anthology
Turvey
The More Easily Kept Illusions
The Poetry of Al Purdy
The More Easily Kept Illusions
The Poetry of Al Purdy
Yours, Al
The Collected Letters of Al Purdy
Necropsy of Love
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Salvage
Readings from the Wreck
Sans Souci
And Other Stories
A Map to the Door of No Return
Notes to Belonging
Nomenclature: New and Collected Poems
Laurier Poetry Pack #5
An Autobiography of the Autobiography of Reading
What We All Long For / Love Enough
Two Toronto Novels
Bread Out of Stone
Recollections, Sex, Recognitions, Race, Dreaming, Politics
The Blue Clerk
Ars Poetica in 59 Versos
The Unpublished City
Volume II
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Laurier Poetry Pack #5
Music at the Heart of Thinking
Improvisations 1–170
beholden
a poem as long as the river
Scree
The Collected Earlier Poems, 1962–1991
Toward. Some. Air.
Remarks on Poetics of Mad Affect, Militancy, Feminism, Demotic Rhythms, Emptying, Intervention, Reluctance, Indigeneity, Immediacy, Lyric Conceptualism, Commons, Pastoral Margins, Ambivalence, Desire, Disability, The Digital, and Other Practices
Permissions: TISH Poetics 1963 Thereafter -
False Laws of Narrative, The
The Poetry of Fred Wah
The False Laws of Narrative
The Poetry of Fred Wah
is a door
