Rachel Zolf’s powerful follow-up to the Trillium Award-winning Human Resources is a virtuoso polyvocal correspondence with the daily news, ancient scripture and contemporary theory that puts the ongoing conï¬?ict in Israel/Palestine ï¬�*rmly in the crosshairs. Plucked from a mineï¬�*eld of competing knowledges, media and public texts, Neighbour Procedure sees Zolf assemble an arsenal of poetic procedures and words borrowed froma cast of unlikely neighbours, including Mark Twain, Dadaist Marcel Janco, blogger-poet Ron Silliman and two women at the gym. The result is a dynamic constellation where humour and horror sit poised at the threshold of ethics and politics.

'Neighbour Procedure … pack[s] an intellectual punch that reminds us, once again, of the powerhouse generations of innovative feminist poets that continually challenge and transform our understanding of what poetic texts can do.'

– Matrix Magazine

‘This is an extraordinary collection of poems, and yet I hesitate in saying this, since something happens to poetry in these pages, so I no longer know what precisely poetry is or can be. In fact, Rachel Zolf brings an incredible range of readings to bear on the poetic line. If there is a mixing of media within these lines, there is also a proliferation of tongues, an effort to let language collide to produce a more acute and anguished experience of war. Israel and Palestine recur in the fits and starts of meditation offered here where language follows unpredictable sequences and finds itself suddenly stuttering in its vowels. There is mourning, rage and some brave and difficult effort to speak across traditions, languages, to avow loss, to expose the colder rationalities of occupation and war, and a linguistic fathoming of the ethics of proximity. This is courageous and moving work that feels like the struggle of a lifetime condensed into potent lines.’ – Judith Butler

‘Politics and poetry are a volatile mix. Yes, except that the voices of war and terrorism are themselves defiantly both. Zolf shows us this truth, and so her lyrics s(t)ing, acidly.’ – George Elliott Clarke, author of George and Rue

‘Neighbour Procedure is the most realized conceptual-modular book of political poetry I’ve read to date; Zolf’s language-motion escapes several nation-states’ culture capture zones while re-threading the very notion of “self�*-representational purposivity.’ – Rodrigo Toscano

‘This book is a sharp, painful cry against the tyranny of the monologic.’ – Charles Bernstein

‘There is a madness in thinking the problem of Israel and Palestine can be thought through or sorted out, a philosophical conundrum or puzzle of language; and there's a despair in thinking that reason has lost its right, leaving all to violence. In Neighbour Procedure, Zolf chooses madness, but yields to despair her suspicion that reason never had a right – only a discourse of ruins, monuments and counter-monuments to hope.’ – Benjamin Friedlander

Rachel Zolf’s writing practice explores interrelated materialist questions concerning memory, history, knowledge, subjectivity, and the conceptual limits of language and meaning. She is particularly interested in how ethics founders on the shoals of the political. Her books of poetry include Neighbour Procedure (2010); Human Resources (2007), which won the Trillium Book Award for Poetry and was shortlisted for a Lambda Literary Award; Masque (2004), finalist for the Trillium Book Award for Poetry; and Her absence, this wanderer (1999). Among her many collaborations with other artists, she wrote the film The Light Club of Vizcaya: A Women's Picture, directed by New York artist Josiah McElheny, which premiered at Art Basel Miami 2012. She has taught at New York’s The New School University and the University of Calgary.

Rachel Zolf's profile page