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category: Drama
published: May 2008
ISBN:9780887547515

Sharon Pollock

edited by Sherrill Grace & Michelle La Flamme, series edited by Ric Knowles

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anthologies (multiple authors), canadian, drama
0 of 5
0 ratings
rated!
rated!
list price: $25.00
edition:Paperback
also available: eBook Paperback
category: Drama
published: May 2008
ISBN:9780887547515
Description

Includes:"Lizzie Borden Took an Ax": Enacting Blood Relations by Madonne Miner (1986)(Im)possible Worlds: The Plays of Sharon Pollock by Denis Salter (1989)Musings of a Political Playwright: A Conversation with Sharon Pollock by Pat Quigley (1990)Dead or Alive? Feeling the Pulse of Canadian Theatre by Sharon Pollock (1991)Reflections of a Female Artistic Director by Sharon Pollock (1992)Theatre by Default: Sharon Pollock's Garry Theatre by Rita Much (1995)Daddy's Girls: Father-Daughter Incest and Canadian Plays by Women by Jerry Wasserman (1995)Borderline Crossings in Sharon Pollock's Out-Law Genres: Blood Relations and Doc by Rosalind Kerr (1996)"Painting the Background": Metadrama and the Fabric of History in Sharon Pollock's Blood Relations by Herb Wyile (1997)"Women and Madness": Sharon Pollock's Plays of the Late 1980s and Early 1990s by Craig S. Walker (2000)Sharon Pollock: Transfiguring the Maternal by Cynthia Zimmerman (2001)Staging the Intersections of Time in Sharon Pollock's Doc, Moving Pictures, and End Dream by Anne Nothof (2001)Imagining Canada: Sharon Pollock's Walsh and Fair Liberty's Call by Sherrill Grace (2003)Appropriated Voice in Sharon Pollock's Angel's Trumpet by Anne Nothof (2004)Indigenous Women Living Beyond the Grave: From Pollock to Pechawis by Michelle La Flamme (2007)Critical Perspectives on Canadian Theatre in English sets out to make the best critical and scholarly work in the field readily available. The series publishes the work of scholars and critics who have traced the coming-into-prominence of a vibrant theatrical community in English Canada. Herb Wyile Cynthia Zimmerman

About the Authors
Sherrill Grace, OC, holds the title of University Killam Professor at the University of British Columbia, where she has taught Canadian Literature and Culture for more than 35 years. She is also Professor of English, Distinguished University Scholar, and a Fellow of the Royal Society of Canada.
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Ric Knowles is a freelance dramaturge and University Professor Emeritus at the University of Guelph. He is the award-winning author or editor of twenty books on theatre and performance, including Fundamentals of Directing, Judith Thompson, The Masks of Judith Thompson, "Ethnic," Multicultural, and Intercultural Theatre (with Ingrid Mündel), The Shakespeare’s Mine, Asian Canadian Theatre (with Nina Lee Aquino), Staging Coyote’s Dream (two volumes, with Monique Mojica), and Performing Indigeneity (with Yvette Nolan). He is also founding editor of the series Critical Perspectives on Canadian Theatre in English and New Essays on Canadian Theatre.
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Michelle La Flamme is an educator and performer who is committed to social justice issues. She was born and raised in the unceded Coast Salish territory (also known as Vancouver, BC) and completed her PhD at UBC in 2006. Her teaching and research focuses on Canadian literature, hybridity theories, and Aboriginal theatre. An ardent Canadianist, she has travelled to Poland, The Netherlands, and Germany to lecture on Canadian literature and Aboriginal theatre praxis. She is currently an associate professor at the University of the Fraser Valley.
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Contributor Notes

Sherrill Grace is Professor of English and Distinguished University Scholar at the University of British Columbia. She specializes in Canadian literature and culture and her most recent books include Canada and the Idea of North (2001; 2007), Inventing Tom Thomson (2004), and Theatre & AutoBiography (2006), co-edited with Jerry Wasserman. She has just published Making Theatre: A Life of Sharon Pollock (2008) and is doing research for a book on Canadian representations of war. She is the winner of the 2008 Canada Council Killam Prize in Humanities.

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