• Age: 17 to 18
• Grade: 12

The collected longer poems of brilliant Canadian poet Sharon Thesen

Refabulations collects and reanimates the longer and serial poems from Sharon Thesen’s œuvre, from her first book in 1980 to today. It is a record of a life in language, created by a dexterous and renegade poet whose mind is ever at work in the poem. A self-described “receiver,” Thesen energizes her decades of vital work by providing new neighbours and contexts for a body of poetry that has always recognized disaster, laughed at folly, and made its home in the vigour of the Now. Refabulations includes a short introductory essay by the editor, Erín Moure, an afterword-interview with the poet, and a bibliography.

Sharon Thesen
Sharon Thesen was born in Tisdale, Saskatchewan, in 1946. She moved to the British Columbia Interior in 1952 and lived in Prince George and Kamloops before settling in Vancouver in 1966. She is the author of several books of poetry and the former editor of the Capilano Review. She currently teaches English at Capilano College in North Vancouver and writes reviews for the Vancouver Sun.

Sharon Thesen is a poet, editor, and writer who was based in Vancouver, BC, before coming to UBC Okanagan in 2005. She is the author of eight books of poetry, the most recent The Good Bacteria (House of Anansi). Her books include a selected poems, News & Smoke, and several titles from the 1980s and '90s from Coach House Press in Toronto.

Sharon has been involved in the Canadian and Vancouver poetry scene for many years. As an editor, she has published two editions of The New Long Poem Anthology, a Governor-General’s Award-winning edition of Phyllis Webb’s poetry (The Vision Tree), and, from 2001 to 2005, the literary and visual arts magazine The Capilano Review. She co-edited, with Ralph Maud, a correspondence between the poet Charles Olson and book designer Frances Boldereff (Charles Olson and Frances Boldereff: A Modern Corresepondence, Wesleyan University Press).

Sharon co-edits, with Nancy Holmes, Lake: a journal of arts and environment, which is housed in the Faculty of Creative and Critical Studies at UBC Okanagan, and continues to be a contributing editor of The Capilano Review.

Her book A Pair of Scissors won the Pat Lowther Memorial Award, and The Good Bacteria was a finalist for the Governor-General’s Award, the ReLit Award and the Dorothy Livesay Prize. Two earlier books also were finalists for the Governor-General’s Award, and in 2002 Sharon was a member of the jury, along with American poet Sharon Olds and Irish poet Michael Longley, for the prestigious Griffin Prize for Excellence in Poetry.

In addition to teaching literature and creative writing at Capilano College, Sharon has taught poetry workshops at a number of summer writing colonies, including the Banff Writing Studio, Echo Valley and St. Peter’s College, and for many years has informally mentored younger poets and writers. She has given readings at the International Festival of Authors in Toronto, the Blue Metropolis Writers’ Festival in Montreal and the New Zealand Writers’ Festival in Wellington, NZ.

Sharon’s research interests are modern, postmodern, and contemporary poetry and poetics, lyric essay and philosophical autobiography, the relationship between poetic imagination and “the real,” and the Canadian long poem. She is also interested in the aesthetics of theological and mystical writings by women, as well as the relationship between psychology and ecology, and eco-poetics. She is married, with one son and one stepson. She lives in Lake Country, BC.

Sharon Thesen's profile page

A central figure in contemporary poetry and one of the most iconoclastic figures in Galician and European literature, Chus Pato's sixth book, m-Tala, broke the poetic mould in 2000. Hordes of Writing, the third text in her projected pentology Method, received the 2008 Spanish Critics' Prize for Galician Poetry, and the Losada Di?guez literary prize in 2009. Pato continues to refashion the way we think of the possibilities of poetic text, of words, bodies, political and literary space, and of the construction of ourselves as individual, community, nation, world. She brings us face to face with the traumas and migrations of Europe, with writing itself, and the possibility (or not) of poetry accounting for our animal selves. Secession is Pato's ninth book and her fourth to be translated into English.

Montreal poet Erín Moure has published seventeen books of poetry in English and Galician/English, and thirteen volumes of poetry translated from French, Spanish, Galician and Portuguese into English, by poets such as Andr's Ajens, Nicole Brossard, Rosala de Castro, Louise Dupr?, and Fernando Pessoa. Her work has received the Governor General's Award, the Pat Lowther Memorial Award, the A.M. Klein Prize, and has been a three-time finalist for the Griffin Prize. Moure is currently revising the bilingual French/English impossible play Kapusta, a sequel to The Unmemntioable, for publication in 2015, and is translating Chus Pato's Carne de Leviatan into English as Flesh of Leviathan, to appear in 2016. She is also working on a new book of poems called The Elements, and on a translation of Wilson Bueno's Mar Paraguayo.

Erin Moure's profile page