About the Author

Louise H. Forsyth

Louise H. Forsyth has always loved performance and theatre. As an amateur lover of the stage, she has acted, sung, danced, written, directed, produced, translated, stage managed, served as props manager, and hung out as much as she could as spectator. Woven into an amateur obsession with theatre has been her professional life, where she wrote two theses on the classic French writer of theatrical comedy, Molière, taught courses and supervised theses in theatre, drama, and dramatic literature, wrote scholarly studies about French and Québec playwrights, and theorized about acting and dramatic writing. Her areas of academic specialization are feminist performance and dramaturgy in Québec. Along with her passion for what the women of Québec have written for theatre, she has been engaged for quite some time with developing theories of dramaturgy and acting au féminin, along with revealing the sources of tenacious sexism in the practices and conventions for doing theatre, for studying and evaluating it, and for recounting its history. In short, she has been wondering for quite some time why womenâ??s roles have tended to remain stereotypical in works for stage, TV and film, why theatre done by womenâ??when its perspective is explicitly derived from a womanâ??s point of viewâ??is still easily dismissed with a summary shrug as deserving only condescending scorn, why womenâ??s theatrical experimentation is so rarely discussed by scholars as serious theoretical work or used by them in their own theoretical reflections, and why the silence of critics on women and their richly creative activities has not yet been overcome when it comes to their accounts of theatre history.

Books by this Author
Mobility of Light

Mobility of Light

The Poetry of Nicole Brossard
also available: Paperback
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Marginal Way by Nicole Brossard; translated by Anne-Marie Wheeler

intention extreme beauty

landscape you add it to the light

of the penchant

the hour is propitious beyond reality

the cosmic body approaches far off

in the marginal way, flagrant attitude


it's not familiar in shadow

the cliff

boundaries destroy sight

yet being I say traverse the echo

aerial feminine in the equation above

the seas, syllable here hope

my mind stirs woman essential


if in shadow I think of passion

on the back of fragments in full quietude

it's an aspect of reading

a position taken to see there

matter on boundaries cleaves eyes

I exist live to air

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