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Children's Fiction Humorous Stories

Jacob Two-Two and the Dinosaur

by (author) Mordecai Richler

illustrated by Dusan Petricic

Publisher
Tundra
Initial publish date
Sep 2009
Category
Humorous Stories, General, General
  • Hardback

    ISBN
    9780887769269
    Publish Date
    Sep 2009
    List Price
    $13.99
  • Paperback / softback

    ISBN
    9780887767128
    Publish Date
    Mar 2004
    List Price
    $7.99

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Recommended Age, Grade, and Reading Levels

  • Age: 8 to 12
  • Grade: 3 to 7

Description

When his parents bring a little green lizard home from their vacation in Kenya, Jacob Two-Two is thrilled. But as the days pass, he realizes that Dippy isn’t just an ordinary lizard at all. In fact, it becomes obvious to Jacob that Dippy’s not so little either. As Dippy grows bigger and bigger, he begins to attract some very big attention from some very important people. Before Jacob realizes, he is on the run from the entire government of Canada – and with a full-grown dinosaur!

About the authors

Mordecai Richler (1931-2001) wrote ten novels; numerous screenplays, essays, children's books; and several works of non-fiction. He gained international acclaim with The Apprenticeship of Duddy Kravitz, which was later made into a movie. During his career, he was the recipient of dozens of literary awards, including two Governor General's Awards, The Giller Prize and the Commonwealth Writers Prize. Mordecai Richler was made a Companion of the Order of Canada in 2001.

Mordecai Richler's profile page

Duan Petricic was born in Belgrade, Yugoslavia, but loved to pretend that he grew up in Zemun, an old city located just across the river (and now a part of Belgrade). As a boy he did all the forbidden things that children do, but what Duan loved most was to draw. He started drawing at age four and, encouraged by his parents, he never stopped. He found inspiration in everything, and drawing became a way to communicate with the people around him. Two books that were very important to his childhood were an old encyclopedia with lots of pictures and The Boys from Pavel’s Street by Ferenc Molnár. Early on, he was moved by the drawings found within the encyclopedia. As he grew older, he adored many artists, including Leonardo da Vinci, Dürer, and Picasso. Duan has been illustrating children’s books for many years. He has received numerous honors and awards for his work, in North America and internationally, including an IBBY Certificate of Honour and an Alberta Book Award for On Tumbledown Hill (Red Deer Press). The Longitude Prize (FSG) was selected as a Robert F. Siebert Honor Book for a Distinguished Informative Book for Children in the US. His beautiful, evocative illustrations for Mattland (2009) by Hazel Hutchins and Gail Herbert garnered Duan the Amelia Frances Howard-Gibbon Illustrator’s Award from the Canadian Library Association as well as the Marilyn Baillie Picture Book Award. His illustrations for Better Together (2011) by Sheryl and Simon Shapiro were described as “sublime” by Kirkus Reviews. When it came time to reissue Robert Munsch’s Mud Puddle (2012), Duan was Annick’s first choice to reillustrate the classic. The results are a fresh and energetic look that will delight a whole new generation of young Munsch fans. Duan’s latest book, The Man with the Violin (2013), was greeted with rave reviews, including starred reviews in Kirkus and uill & uire. Written by Kathy Stinson, this beautifully evocative picture book tells the true story of world-renowned violinist, Joshua Bell, who conducted an experiment by anonymously playing his priceless violin in the Washington D.C. subway station. Luckily for Duan, his profession is his favorite hobby and he is happy when at work. To young artists he would give this advice: “Think, think, think, think, draw!” Duan lives in Toronto where he is a regular contributor as an editorial cartoonist in the Toronto Star.

Dusan Petricic's profile page

Editorial Reviews

“There is a reckless momentum to Richler’s narrative, a rhythm of slap-dash invention that mimics the frantic pace of childhood fantasy. Yet Richler’s tale is well-ventilated with adult wit.”
Maclean’s

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