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Children's Nonfiction Alphabet

A Brazilian Alphabet for the Younger Reader

by (author) P.K. Page

Porcupine's Quill
Initial publish date
May 2005
Alphabet, Other, General
  • Paperback / softback

    Publish Date
    May 2005
    List Price

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Recommended Age, Grade, and Reading Levels

  • Age: 3 to 6
  • Grade: p to 1


'P. K. Page's A Brazilian Alphabet succeeds in being both whimsical and elegiac at once. This mixture of pleasures gives us the feeling we are reading a text long remembered and well-loved, while at the same time charming us with surprises.'

About the author

P. K. Page has written some of the best poems published in Canadaover the last five decades. In addition to winning the Governor General's awardfor poetry in 1957, she was appointed a Companion of the Order of Canada in1999. She is the author of more than a dozen books, including tenvolumes of poetry, a novel, selected short stories, three books for children,and a memoir, entitled Brazilian Journal, based on her extended stay in Brazilwith her late husband Arthur Irwin, who served as the Canadian Ambassador therefrom 1957 to 1959. A two-volume edition of Page's collected poems, The Hidden Room (Porcupine's Quill), was published in 1997. In addition to writing, Page paints, under the name P. K. Irwin. She has mounted one-woman showsin Mexico and Canada. Her work has also been exhibited in various group shows, andis represented in the permanent collections of the National Gallery ofCanada, the Art Gallery of Ontario, and the Victoria Art Gallery, amongothers. P. K. Page was born in England and brought up on the Canadian prairies. She has livedin the Maritimes and in Montreal. After years abroad inAustralia, Brazil and Mexico, she now makes her permanent home in Victoria, British Columbia.

P.K. Page's profile page


  • Commended, Alcuin Society
  • Commended, Unisource Litho Award

Editorial Reviews

'The book consists of 26 poems with accompanying illustrations, and each translates a Brazilian word. Each contains four lines, though rhythmically they tend to split into couplets, the verse offering children the pleasure of a simple metre, but sufficiently varied in its emphases to give pleasure to the prosodically sophisticated. They are simple but never condescending. Recommended for those who have learned to read, but age is less important than being the children of cultivated parents who want their offspring to appreciate books and art.'

Canadian Book Review Annual

'Christine Irwin, P. K. Page's grand-daughter, writes, in her own memoir, ''Ours hardly seemed to be grandparents in any recognizable sense of the word. So very grand. So exquisite. So formidable.'' The grandchildren were fascinated by their grandparents luggage. What was in it? As she grew Christine discovered some of the contents: ''Kaleidoscopes and flying goats, for example. Also angels and emperors, milk-skinned women, and snow, whiter than swan's down. Gardens drenched in colour. Animal balladeers and rebel troops. Ararat, and glass air, bright as a glistening wing. A shrubful of perfect kisses. Grey flies dancing in the evening sun. Peacock blues and greens and the raucous shriek of jay.'' In the small suitcase of this alphabet we all -- adults, children, travellers, book collectors, budding linguists -- get a glimpse of a long, richly lived life.'

Quill and Quire

'This is a sublime push-me / pull-me book evoking both the innocence and plainness of your great-grandparent's first primer, but brimming with biting humour and a linguistic heft that's all 21st century.'

Edmonton Journal

'This charming compilation, with its textured linen-like pages and sewn binding, is a work of art. Long-forgotten engravings gathered from ancient books and periodicals adorn one side of each double-page spread per letter -- delicate grey, tone-on-tone etchings on a butter-cream canvas depict a distant culture. Elegant calligraphy (though at times a challenge to decipher) with its graceful curves represents each letter of the alphabet. Page purposely chose the original Portuguese spellings to complement the 19th-century illustrations.'

Globe and Mail

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