Now with a new foreword by Peter Wohlleben, the international bestselling author of The Hidden Life of Trees and The Inner Life of Animals.
The story of a single tree, from the moment the seed is released from its cone until, more than five hundred years later, it lies on the forest floor as a nurse log, giving life to ferns, mosses, and hemlocks, even as its own life is ending. This new edition has been updated and revised to reflect the effects of climate change on forests.
About the authors
Dr. David Suzuki has made it his life's work to help humanity understand, appreciate, respect and protect nature. A scientist, broadcaster, author, and co-founder of the David Suzuki Foundation, he is a gifted interpreter of science and nature who provides audiences with a compelling look at the state of our environment, underscoring both the successes we have achieved in the battle for environmental sustainability, and the strides we still have to make. Both inspiring and realistic, he offers leading-edge insights into sustainable development and model for a world in which humanity can live well and still protect our environment.
He is familiar to television audiences as host of the CBC science and natural history television series The Nature of Things, and to radio audiences as the original host of CBC Radio's Quirks and Quarks, as well as the acclaimed series It's a Matter of Survival and From Naked Ape to Superspecies. David was the recipient of The Canadian Academy of Cinema and Television's 2020 Lifetime Achievement Award.
An award-winning writer and former faculty member of Harvard University, Tara Cullis has been a key player in environmental movements in the Amazon, Southeast Asia, Japan and British Columbia.
She was a founder of the Turning Point Initiative, now known as the Coastal First Nations Great Bear Initiative. This brought First Nations of British Columbia’s central and northern coasts into a historic alliance, protecting the ecology of the region known as the Great Bear Rainforest.
In 1990 Dr. Tara Cullis co-founded, with Dr. David Suzuki, the David Suzuki Foundation to “collaborate with Canadians from all walks of life including government and business, to conserve our environment and find solutions that will create a sustainable Canada through science-based research, education and policy work.” Tara founded or co-founded nine other organizations before co-founding the David Suzuki Foundation.
Tara has been adopted and named by Haida, Gitga’at, Heiltsuk, and Nam’gis First Nations.
Miriam Fernandes is a Toronto-based artist who has worked as an actor, director, and theatre-maker around the world. Recent directing and creation credits include Hayavadana (Soulpepper Theatre), Nesen, (MiniMidiMaxi Festival, Norway) The First Time I Saw the Sea (YVA Company, Norway). She is currently is co-writing/adapting for the stage the ancient epic, Mahabharata (Why Not Theatre/Shaw Festival), is developing a Deaf/hearing production of Lady Macbeth (in partnership with 1S1 Collective), and is the co-writer of What You Won’t Do for Love with Drs. David Suzuki and Tara Cullis. Miriam is the recipient of the JBC Watkins Award and was nominated for the inaugural Johanna Metcalf Performing Arts Prize. She is also the co-artistic director of Why Not Theatre and has trained with Anne Bogart’s SITI Company, and is a graduate of École Internationale de Théâtre Jacques Lecoq in Paris.
Toronto-based stage director Ravi Jain is a multi-award-winning artist known for making politically bold and accessible theatrical experiences in both small indie productions and large theatres. As the founding artistic director of Why Not Theatre, Ravi has established himself as an artistic leader for his inventive productions, international producing/collaborations and innovative producing models which are aimed to better support emerging artists to make money from their art.
Ravi was twice shortlisted for the 2016 and 2019 Siminovitch Prize and won the 2012 Pauline McGibbon Award for Emerging Director and the 2016 Canada Council John Hirsch Prize for direction. He is a graduate of the two-year program at École Internationale de Théâtre Jacques Lecoq. He was selected to be on the roster of clowns for Cirque du Soleiiel. Currently, Sea Sick, which he co-directed, will be on at the National Theatre in London, his adaptation of The Indian epic Mahabarata will premier at the Shaw Festival, and What You Won’t Do For Love, starring David Suzuki will premier in 2021.
Wayne Grady is the general editor of this series of literary anthologies devoted to the world's natural wonders. One of Canada's foremost popular science writers and the winner of three Science in Society awards from the Canadian Science Writers' Association, he is the author of twelve nonfiction books on such diverse adventures as hunting dinosaurs in the Gobi Desert, investigating global warming at the North Pole, and discovering the wild in an urban metropolis. His books include the bestselling Tree: A Life Story, written with David Suzuki, and Bringing Back the Dodo. His most recent book is the award-winning The Great Lakes: The Natural History of a Changing Region. He lives near Kingston, Ontario.
Peter Wohlleben is the author of numerous books, including the New York Times bestseller The Hidden Life of Trees and its follow-ups The Inner Life of Animals and The Secret Wisdom of Nature. Peter lives in Germany next to a big, magical forest. He is currently working on another book for kids, all about tree children.
In this slight, lovely book, [Suzuki and Grady] tell the tale of one Douglas-fir tree that lived for more than five centuries. . . . Bateman’s misty drawings offer portraits of the tree’s companions - woodpeckers, eagles, mice, ferns - whose lives are more fleeting . . . This book is both a touching look at a single tree and an articulate testimony to nature’s cyclic power. — Publishers Weekly
“Read Tree. You will find wonder, magic and awe instead of the usual flight-or-fight responses elicited when we read about our ailing natural world. David Suzuki and Wayne Grady have hit exactly the right note.” — Globe and Mail