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list price: $35.00
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category: Drama
published: May 2009
ISBN:9781770918542

The Shakespeare's Mine

Adapting Shakespeare in Anglophone Canada

edited by Ric Knowles

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anthologies (multiple authors), canadian
0 of 5
0 ratings
rated!
rated!
list price: $35.00
edition:Paperback
also available: Paperback
category: Drama
published: May 2009
ISBN:9781770918542
Description

Claiming the right to the language of Shakespeare and the power that it represents in our culture, this collection of Anglophone Canadian adaptations manages to talk back to that authority in some surprising ways. From an adaptation of Hamlet that draws from the plays Viking origins to a rettelling of Othello in modern-day Harlem, the plays published here all serve as examples of different ways in which Canadian playwrights have addressed the strange doubleness and rejecting, citing, and rewriting, declaring Shakespeare as their own.Includes:Cruel Tears by Ken Mitchell and Humphrey & the DumptrucksClaudius by Ken GassMad Boy Chronicle by Michael O'BrienHarlem Duet by Djanet SearsShakespeare's Will by Vern ThiessenDeath of a Chief by Yvette Nolan and Kennedy C. MacKinnon

About the Author
Ric Knowles is a freelance dramaturge and University Professor Emeritus at the University of Guelph. He is the award-winning author or editor of twenty books on theatre and performance, including Fundamentals of Directing, Judith Thompson, The Masks of Judith Thompson, "Ethnic," Multicultural, and Intercultural Theatre (with Ingrid Mündel), The Shakespeare’s Mine, Asian Canadian Theatre (with Nina Lee Aquino), Staging Coyote’s Dream (two volumes, with Monique Mojica), and Performing Indigeneity (with Yvette Nolan). He is also founding editor of the series Critical Perspectives on Canadian Theatre in English and New Essays on Canadian Theatre.
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Contributor Notes

Ric Knowles is of anglo-Scottish heritage, and is Professor of Theatre Studies at the University of Guelph, editor of Canadian Theatre Review, and past editor of Modern Drama (1999–2005). He is author of The Theatre of Form and the Production of Meaning, Shakespeare and Canada, and Reading the Material Theatre, co-author (with the Cultural Memory Group) of Remembering Women Murdered by Men, editor of Theatre in Atlantic Canada, Judith Thompson, and The Masks of Judith Thompson, and co-editor (with Joanne Tompkins and W.B. Worthen) of Modern Drama: Defining the Field. He is general editor of the book series, Critical Perspectives on Canadian Theatre in English and New Essays on Canadian Theatre from Playwrights Canada Press.

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