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list price: $29.00
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published: May 2019
ISBN:9781553797821
imprint: HighWater Press

This Place

150 Years Retold

by Kateri Akiwenzie-Damm; Brandon Mitchell; Sean Qitsualik-Tinsley; Niigaanwewidam James Sinclair; Jen Storm; Richard Van Camp; Katherena Vermette; Sonny Assu; Chelsea Vowel; David A. Robertson; Rachel Qitsualik-Tinsley, illustrated by Kyle Charles; GMB Chomichuk; Tara Audibert; Natasha Donovan; Scott B. Henderson; Andrew Lodwick; Scott A. Ford; Donovan Yaciuk & Ryan Howe, foreword by Alicia Elliott

0 of 5
0 ratings
rated!
rated!
list price: $29.00
edition:eBook
also available: Paperback
published: May 2019
ISBN:9781553797821
imprint: HighWater Press
Description

Explore the past 150 years through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact.

This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada.
 

About the Authors

Kateri Akiwenzie-Damm is a writer, poet, spoken-word performer, librettist, and activist from the Saugeen Ojibway Nation. She is the founder and Managing Editor of Kegedonce Press which was established in 1993 to publish the work of Indigenous creators. Kateri has written two books of poetry, was a contributor to the graphic novel anthology This Place: 150 Years Retold, was editor of the award-winning Skins: Contemporary Indigenous Writing, and has also released two poetry and music CDs. Kateri's work has been published internationally, and she has performed and spoken around the world. 

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Kyle Charles is a writer/illustrator living in Edmonton, Alberta. He has drawn for several series including Roche Limit: Clandestiny and Her Infernal Descent. He has also written and illustrated short stories for publishers like Heavy Metal and OnSpec Magazine. When not busy at the drawing table, Kyle spends much of his time teaching comics to local students. He is a member of Whitefish Lake First Nation.

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From Listuguj, Quebec, Brandon Mitchell is the founder of Birch Bark Comics and creator of the Sacred Circles comic series, which draws on his Mi’kmaq heritage. He has also written five books with the Healthy Aboriginal Network, (Lost Innocence, Drawing HopeRiver Run, Making it Right, and Emily’s Choice) and wrote and illustrated Jean-Paul’s Daring Adventure: Stories from Old Mobile for the University of Alabama.

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Of Scottish-Mohawk ancestry, Sean Qitsualik-Tinsley is a folklorist and fantasist, specializing in mythology, magic, and Inuit lore. He has won an award for writing short science fiction (?Green Angel?), but his focus is on fiction and non-fiction for a young audience.
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Niigaanwewidam James Sinclair, PhD., (he/him/his) is Anishinaabe (St. Peter’s/Little Peguis) and an associate professor at the University of Manitoba. He regularly speaks and writes about Indigenous issues for national and international media outlets and his writing appears bi weekly in the Winnipeg Free Press. He has also published short stories in books like The Exile Edition of Native Canadian Fiction and Drama and graphic novels like This Place: 150 Years Retold. He is the 2018 recipient of a National Newspaper Award for best Canadian Columnist and also was named 2019 Peace Educator of the Year by the Peace and Justice Studies Association at Georgetown University in Washington, D.C. Niigaan is co-editor of the award-winning Manitowapow: Aboriginal Writings from the Land of Water and Centering Anishinaabeg Studies: Understanding the World Through Stories and the editorial director of The Debwe Series (published by HighWater Press).

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Jen Storm is an Ojibway writer from the Couchiching First Nation in Northwestern Ontario. Born and raised in Winnipeg, Manitoba, Jen completed Deadly Loyalties, her first novel, at age fourteen. Fire Starters was her first graphic novel. Jen was a 2017 recipient for the CBC Manitoba’s Future 40 Under 40. She can be found on Instagram @jenstorm_art where she shares her passion for creating art and updates on future projects.

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Richard Van Camp is a proud member of the Tlicho Dene Nation from Fort Smith, Northwest Territories. A graduate of the En'owkin International School of Writing, the University of Victoria's BFA in Creative Writing program and the MFA in Creative Writing at the University of British Columbia, Richard is the author of over twenty books in just about every genre, including Little You and Welcome Song for Baby. His novel The Lesser Blessed is now a movie with First Generation Films.
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Katherena Vermette is a Métis writer from Treaty 1 territory, the heart of the Métis nation, Winnipeg, Manitoba, Canada. Her first book, North End Love Songs(The Muses Company) won the Governor General’s Literary Award for Poetry. Her National Film Board documentary, this river, won the 2017 Canadian Screen Award for Best Short, and her novel, The Break (House of Anansi), won the 2017 Amazon.ca First Novel Award. She holds a Master of Fine Arts from the University of British Columbia, and lives in Winnipeg, Manitoba.

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Sonny Assu is an interdisciplinary artist whose diverse practice is informed by a deep connection to Kwakwaka’wakw art and culture and melded with
western/pop principles of art making. His work has been accepted into the National Gallery of Canada, Seattle Art Museum, Vancouver Art Gallery and into various public and private collections across Canada, the US, and the UK. He currently resides in unceded Ligwilda’xw territory (Campbell River, BC).

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Chelsea Vowel is Métis from manitow-sâkahikan (Lac Ste. Anne) Alberta, currently residing in amiskwacîwâskahikan (Edmonton). Mother to six girls, she has a BEd and LLB, and is currently a graduate student and Cree language curriculum developer. Chelsea is a public intellectual, writer, speaker, and educator whose work intersects language, gender, Métis self-determination, and resurgence. Her collection of essays, Indigenous Writes, is a national bestseller (HighWater Press, 2016). Cohost with Molly Swain of Indigenous feminist sci-fi podcast Métis in Space, Chelsea blogs at apihtawikosisan.com and makes auntie-approved legendary bannock.

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GMB Chomichuk is an award-winning writer and illustrator whose work has appeared in film, television, books, comics and graphic novels. His most recent work with HighWater Press, Will I See?, was a collaboration with writer David A. Robertson and singer/songwriter Iskwe. He writes and/or illustrates occult suspense stories like Midnight City, science fiction works like Red Earth, or inspirational all-ages adventure stories like Cassie and Tonk. He is the host of Super Pulp Science a podcast about how genre gets made. His newest full length graphic novel Apocrypha: The Legend of Babymetal was featured on The Hollywood Reporter, The Nerdist, and Billboard Magazine.

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Tara Audibert is a Wolatoqiyik artist, film maker, and illustrator with 20 years’ experience in animation, comics, and fine art. Tara aspires to combine traditional First Nations art and storytelling with contemporary design and digital mediums. She runs Moxy Fox Studio and her first independent animated film The Importance of Dreaming, was released in 2017. She is a founder of the Ni’gweg Collective and the app “NITAP: Legends of the First Nations”.

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Natasha Donovan (she/her/hers) is a freelance artist and illustrator from Vancouver, British Columbia. Her sequential work has been published in The Other Side and This Place: 150 Years Retold anthologies. She is the illustrator of the award-winning graphic novel Surviving the City, as well as the award-winning children’s book, The Sockeye Mother (shortlisted for the Norma Fleck Award for Canadian Children’s Non-Fiction), the first book in the Mothers of Xsan series. Natasha is a member of the Métis Nation of British Columbia.
@natashamdonovan

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Scott Henderson (he/him/his) is author/illustrator of the sci-fi/fantasy comic, The Chronicles of Era and has illustrated select titles in the Canadian Air Force’s For Valour series and Tales From Big Spirit series, the graphic novel series 7 Generations and A Girl Called Echo, select stories in This Place: 150 Years Retold, Fire Starters, an AIYLA Honour Book, and Eisner-award nominee, A Blanket of Butterflies. In 2016, he was the recipient of the C4 Central Canada Comic Con Storyteller Award.
https://scotthendersonart.wordpress.com/

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Andrew Lodwick is a lifelong resident of Winnipeg and has a BA (Hons) from the University of Manitoba School of Art. He has worked for many years at Martha Street Studio as technician, custom screen printer, and Studio Manager. He also maintains a personal art practice including printmaking and design work as well as the Riso print collective, Parameter Press (parameter-press.com), which he co-founded in 2014. His first time illustrating a graphic novel was The Rebel: Gabriel Dumont (HighWater Press).

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Scott A. Ford is an award-winning comic creator, illustrator, and designer from Winnipeg, Manitoba. His comic projects include Romulus + Remus, Giants’ Well, and Ark Land. His work has been featured in galleries and publications, on beer cans and book covers. He has also spoken about his artistic practice at numerous public presentations about art and design. Check out all of Scott’s art and comic projects at scottafordart.com.

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Since 1998, Donovan Yaciuk has done colouring work on books published by Marvel, DC, Dark Horse comics, and HighWater Press including A Girl Called Echo series and This Place: 150 Years Retold. Donovan holds a Bachelor of Fine Arts (Honours) from the University of Manitoba and began his career as a part of the legendary, now-defunct Digital Chameleon colouring studio. He lives in Winnipeg, MB Canada, with his wife and daughter.

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Since 1998, Donovan Yaciuk has done colouring work on books published by Marvel, DC, Dark Horse comics, and HighWater Press including A Girl Called Echo series and This Place: 150 Years Retold. Donovan holds a Bachelor of Fine Arts (Honours) from the University of Manitoba and began his career as a part of the legendary, now-defunct Digital Chameleon colouring studio. He lives in Winnipeg, MB Canada, with his wife and daughter.

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David A. Robertson (he/him/his) is an award-winning writer. His books include When We Were Alone (winner of the Governor General’s Literary Award), Will I See? (winner of the Manuela Dias Book Design and Illustration Award), Betty, The Helen Betty Osborne Story (listed In The Margins), and the YA novel Strangers (winner of The Michael Van Rooy Award for Genre Fiction). David educates as well as entertains through his writings about Indigenous Peoples in Canada, reflecting their cultures, histories, communities, as well as illuminating many contemporary issues. David is a member of Norway House Cree Nation. He lives in Winnipeg.

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Born in an Arctic wilderness camp and of Inuit ancestry, Rachel Qitsualik-Tinsley is a scholar specializing in world religions and cultures. Her numerous articles and books concerning Inuit magic and lore have earned her a Queen Elizabeth II Diamond Jubilee Medal.
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Ryan Howe is a prairie Canadian cartoonist and graphic designer who fell in love with comics’ unique storytelling language at some point earlier than he can remember, and has been hooked ever since. He’s been collaborating with other comics creators since 2003, providing art for a wide variety of projects and genres on both the web and in print. Ryan’s recently tried his hand at writing as well as drawing, the ‘Daisy Blackwood: Pilot for Hire’ series being the rip roarin’ result.

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Recommended Age, Grade, and Reading Levels
Age:
15 to 18
Grade:
9 to 12
Editorial Reviews

In all the hoopla about Canada's sesquicentennial, where were the indigenous peoples? Where was their celebration? Was there even a celebration, since as this book points out, in story after story, Canada has done everything in its power to make sure the native peoples are corralled, stripped of their tradition, their language, their land, every change they got.

Each contributor to this volume draws on stories of the Metis, Inuit, and First Nations, that happened in the last 150 years. And Chelsea Vowel, looks back on things that have happened, from the future, when the land has been restored.

This is an amazing book, packed with stories based on fact, of times that Metis, First Nations and Inuit have fought back. Of the residential schools, to the 60s scoop, to land and water rights protests.

Highly recommended to schools, libraries and individuals.

Thanks to Netgalley for making this book available for an honest review.

— NetGalley

gorgeous illustrations and colour accompany engaging stories written by a host of acclaimed Indigenous authors and illustrators.

— The Teaching Librarian Magazine, Ontario School Library Association

If you’re used to looking at Canadian history one way, a new graphic novel anthology will help you see it from new perspectives – Indigenous ones.

— Prairie Books NOW

This makes few concessions to newcomers to the topic (which is an approach that itself makes a point), but it will be an eyeopener for people mostly familiar with U.S. history or colonialist viewpoints, and it could galvanize young readers with an interest in social equity.

— The Bulletin of the Center for Children's Books (BCCB)

Thoughtful, inspiring, and moving...But first and foremost, it's a collection of exciting, entertaining, beautifully drawn stories

— Foreword Reviews

This is the first time I've ever read a graphic novel that is a collection of stories rather than one single tale and it was certainly a rather interesting experience.This Place: 150 Years Retold is a collection of short stories in a graphic format which tell the tales of real people from the past of Canada whose stories have been told by people who do not even share their race or stories that simply may not have been told at all. Indigenous authors Kateri Akiwenzie-Damm, Chelsea Vowel, Katherena Vermette, Jen Storm, Niigaanwewidam James Sinclair, David Alexander Robertson, Richard Van Camp, and Brandon Mitchell have come together to provide the world with accounts of indigenous people who helped Canada become what it is today and, sometimes, of their own ancestors and the hardships that they all went through.  It is a collection that portrays history from eyes that, for once, do not belong to the conquerors who invaded and changed their world as we so often see in today's society.

Admittedly, history is not always my favorite subject to read about, but many of these stories were thoroughly engaging and interesting. I definitely feel that I prefer them, to an extent, in graphic format as it allowed me the opportunity to enmesh myself with the story in an entirely new way. The inclusion of various authors within one graphic novel was a little rough at times as the artistic style would consistently change from story to story and some were far better than others. This made the transition from story to story somewhat staggered rather than smooth and I think perhaps a reordering of which stories come after each other might benefit the book greatly.

As for the stories themselves, they were all well done and enjoyable to read. I'm certainly very glad that these authors had the opportunity to put these tales out into the world and I hope that they are read by many. Some, particularly the one about the war hero returned home to nothing, were truly poignant and devastating to read. Ultimately, I had a good time reading this graphic novel and would certainly recommend it.

— NetGalley

The artwork is simply stunning, spanning a wide variety of styles from a large number of artists. I’m impressed by the scope of the project - tackling such a long and varied history is an impressive feat. It’s a great history book to be sure, especially due to its unique storytelling format.

— NetGalley

I don't know a huge amount about Canadian history or the struggles of indigenous people. This graphic novel is an interesting and thought-provoking read, which fills in some of the holes.

Each story is introduced by a foreword from the author, and a timeline of events surrounding the narrative; these where both fascinating and added to my appreciation of each story. Beautifully drawn, with a different style being used for each story, This Place is a book that all teenagers should read.

— NetGalley

[A] breathtaking comics anthology...this mix of powerful storytelling and memorable illustrations is a place to begin a dialogue with Indigenous peoples in Canada.

— The Globe and Mail

This is an incredible volume. The collection of stories, from a fantastic collection of writers and artists is a masterpiece. The weaving together of storytelling, art, history and opinion is just wonderful.

As an educator, I would gladly add this to my humanities courses. Perhaps we'd study the whole thing, perhaps we'd use it as a way to look at various aspects of Indigenous history in Canada. It's unflinching and honest in its look at the history of our nation.

In the spirit of truth and reconciliation, there is a thread of hope that runs through this collection. It reflects past, present and future.

— NetGalley

This Place: 150 Years Retold is part of a larger Canadian project called the New Chapter Initiative. The goal is to retell history through the eyes of Indigenous people. You know the saying; history is decided by those that won? Well, this is sort of a twist on that. This is history from the perspective of people who normally don’t have the opportunity to share their side of things.

This is an absolutely brilliant collection. It was eye opening and beautifully done. I’m ashamed to say that I had never considered a project like this before, but I am so happy that one exists. I hope to see more like this in the future.

I cannot state the important of this graphic novel enough. We all can afford to work on understanding other people’s perspectives, and this couldn’t be truer here. This collection really was enlightening.

Along with being important, the stories being told are rich and beautiful. Normally I’d use this time to point out my favorite story or two in a collection. But honestly? I don’t think I could pick a favorite here if I tried. They were all lovely, and as I said before, extremely important.

I hope that the New Chapter Initiative continues moving forward and coming out with collections like this. I also hope to see more people reading them that would be absolutely amazing.

— NetGalley

Oh my god ya'll, I had better see this on absolutely everybody's TBR.

This is amazing, this is important, and this is wonderfully encapturing. From the many different art styles, I got to experience, to the rich story-telling from different authors, reading this was an experience I've never encountered before.

This book is so important, to have been written and to be read in turn. We are coming to see a lot more diversity in fiction, such as a lot more books written by authors of colour about main characters of colour, with many a supporting cast featuring POC, however the minority group I see the least would have to be indigenous people. This is extremely unfortunate, as genocide and colonialism have made generations of Indigenous peoples voices unheard, and we can still see the effects of this today, as we can with any other minority group in society, but especially Indigenous communities and their lack of content written about them. This book specifically delves into this, and as a result, most of the stories told are relatively sad but are telling the stories of important Indigenous figures which stories have been silenced by forced assimilation for so long.

I've decided to highlight some of my favourite stories that I read.

Red Clouds by Jen Storm. This story was tragic, beautifully told by some amazing and haunting artwork. As is unfortunately common in stories told about Indigenous people, the story revolves a woman who is tragically killed. However, I liked the question throughout the novel revolving around the difference between the Queen's laws and the laws the Indigenous people follow and govern by themselves, should white man's law be used to judge an act that happens within Indigenous land and jurisdiction? It was a concept I enjoyed thinking about extensively.

Peggy by David Robertson. This one made me cry like you wouldn't believe. This story explores Indigenous men being summoned to war despite not actually being allowed to have any decent human rights. It also centers around one of the greatest snipers during the war. Our main character is brave and inspirational, we get to see him influence his fellow soldiers in his ways when the beliefs and traditions of Indigenous people were being threatened by bigotry and fear. This story explores a man who risked his life to serve, and serve well, get rewarded and recognized with metals, and still struggles to be granted simple things as an Indigenous person.

Nimkii by Kateri Aikwenzie-Damm. This story is the saddest one by far, I bawled my eyes out reading this. This story follows a woman telling her daughter her story of being ripped from her loving mother at a young age and forced into a residential school, then to be circled around from home to home in the adoptive system. The numbers of Indigenous children in foster care compared to white children is shocking and was a bitter reality for a lot of children after surviving residential school. If you thought a residential school was the worst to happen to Indigenous people, this book may be a rude awakening.

— NetGalley

"This Place" delivers spectacularly with its diverse collection of gorgeously illustrated stories. Although as an American my grasp of Canadian history is exactly as weak as one would expect, I still enthusiastically devoured the anthology. The stories of the Indigenous peoples of the Americas overall are still stories that one doesn't get to hear all too often, so I find any opportunity to hear and read this often-ignored perspective is a welcome one irregardless of any official borders. When it comes out, "This Place" will have a spot eagerly waiting for it in my library's graphic novel collection.

— NetGalley

this collection provides invaluable opportunity to hear voices that are featured all too rarely in literature and is a worthwhile addition to collections.

— Booklist

This is the power of storytelling. It's going deeper and truer than the history books and the newspaper accounts. It's bringing the stories to the people for the people and doing it for the right reasons: to teach and to illuminate. This Place: 150 Years Retold is the dawn to a new storytelling tradition that doesn't need to be held back. It should be shouted forward from now on.

— CanLit for LittleCanadians

An illuminating, self-assured graphic novel anthology in which every panel reads like a radical act.

— Kirkus Reviews

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