At 2:21 am on September 8, 1896, authorities in Nova Scotia killed an innocent man. Peter Wheeler — a "coloured" man accused of murdering a white girl — was strung up with a slipknot noose. The hanging was state-sanctioned but it was a lynching all the same. Now, a re-examination of his case using modern forensic science reveals one of the greatest miscarriages of justice in Canadian history.

On the night of January 27, 1896, 14-year-old Annie Kempton found herself home alone in the picturesque village of Bear River, Nova Scotia. She did not live to see the morning. Shortly after midnight, Annie was assaulted and bludgeoned with a piece of firewood. Her killer slit her throat three times with a kitchen knife then coldly sat and ate a jar of homemade jam before fleeing into the night. The senseless and brutal slaying devastated the town and plunged her parents into a near-suicidal abyss of guilt and grief. At trial, the prosecution's case focused on the inconsistencies in Wheeler's statements, the testimony of two children who placed Peter near the house on the night in question, and the detective's novel analysis of the physical evidence.

It was one of the first trials in Canada to use forensic science, albeit poorly. Wheeler's defense team called no witnesses and did little to challenge the evidence presented. The jury deliberated less than two hours before declaring Peter Wheeler guilty of murder.

The trial itself was a media sensation; every word was front page news. Several papers each ran their own version of "Wheeler's confession," an admission of guilt supposedly authored by the condemned man. Each rendition tried and failed to make sense of the conflicting timeline. With every new iteration, it became clearer that the case against Wheeler was not as airtight as the detective in charge, Nick Power, and the media had proclaimed.

The Lynching of Peter Wheeler is a story of one town's rush to judgment. It is a tale of bigotry and incompetence, arrogance and pseudoscience, fear and misguided vengeance. It is a case study in media distortion, illustrating how the print media can manipulate the truth, destroy reputations, and so thoroughly taint a jury pool, that the notion of a fair trial becomes a statistical impossibility. At the height of the Victorian era, the media created a super villain in the mold of Jack the Ripper, the perfect foil for its other creation, super-sleuth Nick Power. The masterfully constructed narrative was perfect, save for one glaring detail: Peter Wheeler did not kill Annie Kempton.

Debra Komar has worked as a forensic anthropologist in the US, UK, and Canada for over twenty years. She has investigated human-rights violations resulting in violent deaths for the United Nations and Physicians for Human Rights, testified as an expert witness in The Hague and across North America, and authored the authoritative Forensic Anthropology: Contemporary Theory and Practice for Oxford University Press. The Lynching of Peter Wheeler is her second book on historic crimes. Her first, The Ballad of Jacob Peck, was published in 2013 and was met with considerable critical acclaim.

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"As the narrative of one man's misfortune, The Lynching of Peter Wheeler, is lucid and readable."

<i>The National Post</i>

"A fascinating account of historical racism and injustice in the True North — strong, but NOT so free. Komar writes with great clarity of prose and mind. The Lynching of Peter Wheeler is an indispensable book for any lover of Canadian true crime or criminal history. Highly recommended!"

Lee Mellor

"Debra Komar brings a career's worth of modern-day forensic smarts to her dissection of this more than 100-year-old miscarriage of justice. But she brings something more — and more important: the sure hand of a natural storyteller who can make us see, feel, and understand the injustice of it all."

Stephen Kimber

"The prose is concise and fast-paced ... Komar's relish at digging for the truth comes through . . . In this gripping story aimed to clear a man's good name, Komar succeeds in delivering timeless lessons for the reader to ponder."

<i>Maple Tree Literary Supplement</i>