Dr. David Suzuki has made it his life's work to help humanity understand, appreciate, respect and protect nature. A scientist, broadcaster, author, and co-founder of the David Suzuki Foundation, he is a gifted interpreter of science and nature who provides audiences with a compelling look at the state of our environment, underscoring both the successes we have achieved in the battle for environmental sustainability, and the strides we still have to make. Both inspiring and realistic, he offers leading-edge insights into sustainable development and model for a world in which humanity can live well and still protect our environment.

‍

He is familiar to television audiences as host of the CBC science and natural history television series The Nature of Things, and to radio audiences as the original host of CBC Radio's Quirks and Quarks, as well as the acclaimed series It's a Matter of Survival and From Naked Ape to Superspecies. David was the recipient of The Canadian Academy of Cinema and Television's 2020 Lifetime Achievement Award.

An award-winning writer and former faculty member of Harvard University, Tara Cullis has been a key player in environmental movements in the Amazon, Southeast Asia, Japan and British Columbia.

She was a founder of the Turning Point Initiative, now known as the Coastal First Nations Great Bear Initiative. This brought First Nations of British Columbia’s central and northern coasts into a historic alliance, protecting the ecology of the region known as the Great Bear Rainforest.

‍

In 1990 Dr. Tara Cullis co-founded, with Dr. David Suzuki, the David Suzuki Foundation to “collaborate with Canadians from all walks of life including government and business, to conserve our environment and find solutions that will create a sustainable Canada through science-based research, education and policy work.” Tara founded or co-founded nine other organizations before co-founding the David Suzuki Foundation.

‍

Tara has been adopted and named by Haida, Gitga’at, Heiltsuk, and Nam’gis First Nations.

Miriam Fernandes is a Toronto-based artist who has worked as an actor, director, and theatre-maker around the world. Recent directing and creation credits include Hayavadana (Soulpepper Theatre), Nesen, (MiniMidiMaxi Festival, Norway) The First Time I Saw the Sea (YVA Company, Norway). She is currently is co-writing/adapting for the stage the ancient epic, Mahabharata (Why Not Theatre/Shaw Festival), is developing a Deaf/hearing production of Lady Macbeth (in partnership with 1S1 Collective), and is the co-writer of What You Won’t Do for Love with Drs. David Suzuki and Tara Cullis. Miriam is the recipient of the JBC Watkins Award and was nominated for the inaugural Johanna Metcalf Performing Arts Prize. She is also the co-artistic director of Why Not Theatre and has trained with Anne Bogart’s SITI Company, and is a graduate of École Internationale de Théâtre Jacques Lecoq in Paris.

Toronto-based stage director Ravi Jain is a multi-award-winning artist known for making politically bold and accessible theatrical experiences in both small indie productions and large theatres. As the founding artistic director of Why Not Theatre, Ravi has established himself as an artistic leader for his inventive productions, international producing/collaborations and innovative producing models which are aimed to better support emerging artists to make money from their art.

Ravi was twice shortlisted for the 2016 and 2019 Siminovitch Prize and won the 2012 Pauline McGibbon Award for Emerging Director and the 2016 Canada Council John Hirsch Prize for direction. He is a graduate of the two-year program at École Internationale de Théâtre Jacques Lecoq. He was selected to be on the roster of clowns for Cirque du Soleiiel. Currently, Sea Sick, which he co-directed, will be on at the National Theatre in London, his adaptation of The Indian epic Mahabarata will premier at the Shaw Festival, and What You Won’t Do For Love, starring David Suzuki will premier in 2021.

David Suzuki's profile page

Margaret Atwood was born in 1939 in Ottawa and grew up in northern Ontario, Quebec, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College.
Throughout her writing career, Margaret Atwood has received numerous awards and honourary degrees. She is the author of more than fifty volumes of poetry, children’s literature, fiction, and non-fiction and is perhaps best known for her novels, which include The Edible Woman (1970), The Handmaid's Tale (1983), The Robber Bride (1994), Alias Grace (1996), and The Blind Assassin, which won the prestigious Booker Prize in 2000. Atwood's dystopic novel, Oryx and Crake, was published in 2003. The Tent (mini-fictions) and Moral Disorder (short stories) both appeared in 2006. Her most recent volume of poetry, The Door, was published in 2007. Her non-fiction book, Payback: Debt and the Shadow Side of Wealth, part of the Massey Lecture series, appeared in 2008, and her most recent novel, The Year of the Flood, in the autumn of 2009. Ms. Atwood's work has been published in more than forty languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian. In 2004 she co-invented the Long Pen TM.
Margaret Atwood currently lives in Toronto with writer Graeme Gibson. 

Margaret Atwood's profile page

p class=review_text>David Suzuki is one of the loudest voices in the global green community, and is surely the elder statesman of Canadian environmentalism. [He] adds to an already impressive body of work with The Legacy. —Quill & Quire

p class=review_text>We should publish stories about the future we want, gets kids to write about the future they want. Then I realize I'm still holding on to The Legacy, and that my panic has been replaced by wild excitement, and I think, 'Thank you Dr. Suzuki. Thank you very much.' —Alternatives Magazine

p class=review_text>The expanded version of a lecture given by Suzuki in 2009, The Legacy is a discussion on population growth, technological developments and globalization, as well as the basic facts about existence: earth, air, fire and water. —Globe & Mail

p class=review_text>The book reads as if Suzuki is speaking to you, taking you by the hand on a journey. —Green Living

p class=review_text>With environmental crises facing the planet—climate change, ocean acidification and loss of biodiversity, to name a few—Suzuki says this is the time to act. The Legacy is part autobiography, part history, part basic science—and above all, a plea for the planet. Buy it. —National Post

p class=review_text>Occasionally we encounter someone who appeals to the better angels of our nature and reminds us of values we once held dear. For me that person was David Suzuki. It was a privilege and a joy collaborating with him on this project for the past two years and I take great pride in the result. —Sturla Gunnarsson

p class=review_text>Readers . . . will find Suzuki's tangential musings on subjects like argon molecules, shrinking swordfish, or the role of salmon in fertilizing forests some of the book's best reading . . . at the core of his writing lurks a scientist's wonder at the world, and a compelling sincerity that makes you believe—or at least, want to believe—[there is] still some hope for this muddled planet. —Winnipeg Free Press

p class=review_text>Suzuki, one of the planet's best-known environmentalists, explains how earth got where it is today and presents his vision for a better future—The Legacy encapsulates Suzuki's thoughts, philosophies and hopes for a sustainable future. —Arabella Magazine

p class=review_text>Suzuki locates his vision of natureís order even more deeply, as an 'elder,' in the healing resources of aboriginal wisdom . . . The imaginative reach of Suzuki's earth-vision grounded in scientific fact is astounding. Single sentences can change our perceptions of space and time ranging from the pre-Cambrian era to future millennia . . . to this reader, Suzuki's grasp of the magic, profound complexity of nature's underlying matrix is the strength of his new book. —Telegraph-Journal

p class=review_text>The 'legacy' in this lecture is one of truthful words about the hard place we're in, but it's also one of hopeful words: our chance if we will take it for 'opportunity, beauty, wonder and companionship with the rest of creation.' My hope is that we ourselves will emulate David Suzuki and leave legacies in our turn. —Margaret Atwood