From the Booker Prize–winning author of Oryx and Crake, the first book in the MaddAddam Trilogy, and The Handmaid’s Tale. Internationally acclaimed as ONE OF THE BEST BOOKS OF THE YEAR by, amongst others, the Globe and Mail, the New York Times, the New Yorker, and the Village Voice
In a world driven by shadowy, corrupt corporations and the uncontrolled development of new, gene-spliced life forms, a man-made pandemic occurs, obliterating human life. Two people find they have unexpectedly survived: Ren, a young dancer locked inside the high-end sex club Scales and Tails (the cleanest dirty girls in town), and Toby, solitary and determined, who has barricaded herself inside a luxurious spa, watching and waiting. The women have to decide on their next move--they can’t stay hidden forever. But is anyone else out there?
MARGARET ATWOOD, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. In addition to The Handmaid’s Tale, now an award-winning TV series, her novels include Cat’s Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; The MaddAddam Trilogy; and Hag-Seed. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka International Literary Prize, the PEN Center USA Lifetime Achievement Award, and the Los Angeles Times Innovator’s Award. She lives in Toronto.
#1 NATIONAL BESTSELLER
FINALIST FOR THE TRILLIUM BOOK AWARD
FINALIST FOR CBC CANADA READS
LONGLISTED FOR THE INTERNATIONAL IMPAC DUBLIN LITERARY AWARD
LONGLISTED FOR THE SCOTIABANK GILLER PRIZE
A Globe and Mail Best Book
A New York Times Notable Book
“A gripping and visceral book that showcases Atwood’s pure storytelling talents.” The New York Times
“A heart-pounding thriller.” The Washington Post
“Atwood is funny and clever. [She] knows how to show us ourselves, but the mirror she holds up to life does more than reflect.... The Year of the Flood isn’t prophecy, but it is eerily possible.” The New York Times Book Review
“A gripping read, revealing Atwood in her most masterful storytelling mode.... The book is a cracked mirror of the times we live in.” The Gazette