A northern Canadian village, one of many remote settlements dotting the Quebec landscape, is in transition. Originally dependent on subsistence farming and logging, supplemented by winter hunting, its economy has gradually changed over the years: first increasingly dependent on guiding southern urbanites on hunting trips; then on providing a habitat for birdwatchers, nature tourists and collectors of antiques and local crafts; now primarily dependent on income flows from cottagers and retirees.
Each of these remarkably engaging stories is recounted by different narrators from the village’s diverse genders, social classes and employment and economic circumstances. This is a book of parentheses, which, like the spokes of a wheel or the sweep of the lines on a radar screen, gradually and collectively begin to delineate and define the eerie contemporary landscape of The Hunting Ground. Now devoid of any sense of a cohesive community or shared culture, each of these uncanny fragments of alienated and fragmented civilization and imagination is bracketed on the one hand by the passive and vacuous sentimentality of Reader’s Digest and television, and on the other by the senseless primal fury of killing and destruction. It is a clever and unsettling mockery of the many privately printed “local histories” of small towns, feeding only the yearning nostalgia of the few surviving original inhabitants; the tourist trade vainly promoted by the local town council; and the ethnographic interest of urban professionals researching and catalogueuing endangered species.
About the authors
Award-winning writer Lise Tremblay is one of Quebec’s most prominent novelists. Her first novel, L’hiver de pluie, was published by XYZ Éditeur in 1990 and won the Prix Découverte du Salon du livre du Saguenay-Lac Saint-Jean and the Joseph S. Stauffer Prize. Following this promising debut, Tremblay continued to wow critics with her skillful craft, winning the Governor General’s Award for Fiction with her third novel, Mile End.
Linda Gaboriau is an award-winning literary translator based in Montreal. Her translations of plays by Quebec’s most prominent playwrights have been published and produced across Canada and abroad. In her work as a literary manager and dramaturge, she has directed numerous translation residencies and international exchange projects. She was the founding director of the Banff International Literary Translation Centre. Most recently she won the 2010 Governor General’s Award for Forests, her translation of the play by Wajdi Mouawad.
Linda Gaboriau is a dramaturge and literary translator renowned for her translations of some 100 plays and novels by some of Quebec's most prominent writers, including many of the Quebec plays best known to English Canadian audiences. After studying French language and literature at McGill University, she freelanced as a journalist for the CBC and the Montreal Gazette. She has worked in Canadian and Québécois theatre and is founding director of the Banff International Literary Translation Centre, where she directed numerous translation residencies and international exchange projects. Her third translation of a Wajdi Mouawad play Forests in 2010 won her a second Governor General's Literary Award for translation. Originally from Boston, Linda Gaboriau has been based in Montreal since 1963. David Homel is a writer, journalist, filmmaker, and translator. He is the author of five previous novels, including The Speaking Cure, which won the J.I. Segal Award of the Jewish Public Library, and the Hugh MacLennan Prize for Best Fiction from the Quebec Writer's Federation. He has also written two children's books, including Travels with my Family, which was co-authored with his wife, Canadian children's author Marie-Louise Gay. He has translated several French works, receiving two Governor General's Literary Awards for translation. Homel was born and raised in Chicago and currently resides in Montreal.Maureen Labonté is a dramaturge, translator and teacher. She has also coordinated a number of play-development programs in theatres and playwrights' centres across the country. In 2006, she was named head of program for the Banff playRites Colony at The Banff Centre. She was dramaturge at the Colony from 2003-2005. She was also literary manager in charge of play development at the Shaw Festival from 2002-2004. Previous to that, she worked at the National Theatre School of Canada (NTSC), first developing and running a pilot directing program and then coordinating the playwrighting program and playwrights' residency. She still teaches at NTSC. She has translated more than thirty Quebec plays into English. Recent translations include: The Bookshop by Marie-Josée Bastien, Everybody's WELLES pour tous by Patrice Dubois, Martin Labreque and The Tailor's Will by Michel Ouellette, Wigwam by Jean-Frédéric Messier and Bienvenue à (une ville dont vous êtes le touriste) by Olivier Choinière.