Performing Arts History & Criticism
Film and the City
The Urban Imaginary in Canadian Cinema
- Publisher
- Athabasca University Press
- Initial publish date
- Apr 2014
- Category
- History & Criticism, Urban
-
Paperback / softback
- ISBN
- 9781927356593
- Publish Date
- Apr 2014
- List Price
- $29.95
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Description
Most Canadians are city dwellers, a fact often unacknowledged by twentieth-century Canadian films, with their preference for themes of wilderness survival or rural life. Modernist Canadian films tend to support what film scholar Jim Leach calls “the nationalist-realist project,” a documentary style that emphasizes the exoticism and mythos of the land. Over the past several decades, however, the hegemony of Anglo-centrism has been challenged by francophone and First Nations perspectives and the character of cities altered by a continued influx of immigrants and the development of cities as economic and technological centers. Examining fourteen Canadian films produced from 1989 to 2007, Film and the City is the first comprehensive study of Canadian film and “urbanity”—the totality of urban culture and life. Melnyk considers how filmmakers, films, and urban audiences experience, represent, and interpret urban spatiality, visuality, and orality. In this way, Film and the City argues that Canadian narrative film of the postmodern period has aided in articulating a new national identity.
About the author
George Melnyk is an associate professor of Canadian studies and film studies in the Faculty of Communication and Culture, University of Calgary. He is a cultural historian who specializes in Canadian cinema. Among his film publications are One Hundred Years of Canadian Cinema (2004) and Great Canadian Film Directors (2007). Most recently he has published The Young, the Restless, and the Dead: Interviews with Canadian Filmmakers (2008) in the Film and Media Studies series at WLU Press.
Editorial Reviews
Film and the City puts forth a new paradigm for the consideration of Canadian identity in cinema. Contending that earlier models were dependent on a largely rural representation of the nation. Melnyk shows how recent urban films facilitate and showcase a new mode of identity formation and articulation ... Through examining specific films and filmmakers with an eye to their locality, and by folding them into a composite constellation that illustrates new ideas of Canadian identity, this text will surely provide a new marker for discussions of this evergreen topic.
?William Beard, University of Alberta
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