All the Feels / Tous les sens (by Marie Carrière; Ursula Mathis-Moser & Kit Dobson)

Marie Carrière is Professor of English and Director of the Canadian Literature Centre/Centre de littérature canadienne at the University of Alberta.

Kit Dobson is Associate Professor of Literature in the Department of English, Languages, and Cultures at Mount Royal University.

Maïté Snauwaert holds a PhD in French Literature from Université Paris 8. In Canada since 2004, she has been a postdoctoral researcher at the Centre de recherche sur le texte et l’imaginaire Figura at the Université du Québec à Montréal, at the CRILCQ/Université de Montréal, and at McGill University (Marie-Thérèse Reverchon scholarship). She is an assistant professor at the Campus Saint-Jean, University of Alberta.

Heather Milne is an associate professor at the University of Winnipeg. She is the author of Poetry Matters: Neoliberalism, Affect, and the Posthuman in Twenty-First Century North American Feminist Poetics (2018) and co-editor of Prismatic Publics, Innovative Canadian Women's Poetry and Poetics (2009).

Daniel Laforest is Associate Professor at the University of Alberta where he teaches Quebec and Canadian literatures, as well as French literature, cultural studies and critical theory. He has been Fulbright fellow at the Centre for Cultural Studies of the University of California Santa Cruz. He serves as associate editor for the academic journal Canadian Literature.

Ursula Mathis-Moser est professeure émérite au Département de langues romanes et directrice du Centre d’études canadiennes à l’Université d’Innsbruck.

Nicole Brossard was born in Montréal in 1943. Twice Governor General’s Award winner for her poetry, she has published more than thirty books since 1965. Many have been translated into English: Mauve Desert, The Aerial Letter, Picture Theory, Lovhers, Baroque at Dawn, The Blue Books, Installations, Museum of Bone and Water, Fluid Arguments, Notebook of roses and civilization and White Piano. She has co-founded and co-directed the literary magazine La Barre du Jour (1965-1975), co-directed the film Some American Feminists (1976), and co-edited the acclaimed Anthologie de la poésie des femmes au Québec (1991 and 2003).

She is an officer of the Order of Canada, chevalière of the National Order of Quebec, and a member of l’Académie des lettres du Québec. She has twice won the Trois-Rivières International Poetry Festival Grand Prix Québecor (1989 and 1999). In 1991 she was awarded le Prix Athanase-David (the highest literary recognition in Québec). Her work has been widely translated into English and Spanish and is also available in many other languages, including German, Italian, Japanese, Slovenian, Romanian, Norwegian, Catalan, and Portuguese. Two anthologies of her work in English have appeared: Selections: the poetry of Nicole Brossard (2010) and Mobility of Light (2009), with another planned for publication in 2020.

Nicole has been awarded le Prix international de la littérature francophone Benjamin Fondane, le Prix du CIÉF for International Francophone Studies, the W.O. Mitchell Prize, and the Canada Council for the Arts Molson Prize. In 2015, she was included in the dictionary Le Petit Robert des noms propres. In 2018, she was the recipient of the first Violet Prize awarded by the Blue Metropolis Festival. Mauve Desert has been presented as a multidisciplinary creation in 2018 and is slated for an opera adaptation in 2020-21.

In 2019, an anthology of her poetry in Portuguese and a translation of Mauve Desert in Catalan will be published. Her most recent book in English is an art chapbook titled A Cappella with illustrations by Mauricio Corteletti, translated by Erín Moure and Robert Majzels.