Throughout the Cold War, Soviet citizens had limited access to US life and culture. Amerika, a glossy Russian-language magazine similar to Life, provided a rare exception. Produced by the United States Information Agency (USIA), America’s first peacetime propaganda organization, Amerika was used to influence the Soviet public and convince women in particular that an American-style consumer culture and conservative gender norms could better their lives. Winning Women’s Hearts and Minds relies on USIA archives, issues of Amerika, and American women’s magazines such as the Ladies’ Home Journal to show how, during the postwar period, USIA officials deployed idealized images of American women as happy, fulfilled, and feminine wives, mothers, and homemakers.

This study analyses how Amerika was used to appeal to Sovietwomen. Portrayed in the US media as "babushkas," they were considered unfeminine, overworked, and deprived of consumer goods and services by a repressive regime. Diana Cucuz provides a gendered analysis of the USIA and of Amerika, whose propaganda campaign relied heavily on postwar conservative gender norms and images of domestic contentment to convey positive messages about the American way of life in the hopes of undermining the Soviet regime. Winning Women’s Hearts and Minds sheds light on the significance of women, gender, and consumption to international politics during the Cold War.

Diana Cucuz holds a PhD and is an adjunct professor in the Department of History at Toronto Metropolitan University and the University of Toronto. br?

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“Diana Cucuz’s excellent monograph Winning Women’s Hearts and Minds: Selling Cold War Culture in the US and USSR makes the compelling case that the Kitchen Debate was far from anomalous — gender, consumerism, and women’s aspirations were all crucial battlegrounds in the US-Soviet ideological conflict.”

<em>Reviews in History</em>

“Cucuz makes outstanding use of archival materials in two presidential libraries, as well as State Department and USIA records held in the National Archives. On the U.S. side, her work deepens the intersecting historiographies of Cold War Studies, post-World War II cultural diplomacy, and American women’s history – literatures she engages with confidently throughout the study.”

<em>The Russian Review</em>