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list price: $29.95 USD
edition:Paperback
category: Art
published: Sep 2007
ISBN:9780262693608
publisher: The MIT Press

Stelarc

The Monograph

contributions by Jane Goodall; Arthur Kroker; Brian Massumi; Marquard Smith; Stelarc; Amelia Jones; Marilouise Kroker; Timothy Druckrey & Julie Clarke, foreword by William Gibson

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0 of 5
0 ratings
rated!
rated!
list price: $29.95 USD
edition:Paperback
category: Art
published: Sep 2007
ISBN:9780262693608
publisher: The MIT Press
Description

A user's guide to Stelarc, the international performance artist whose extreme performances explore the borderland between bodies and machines.

Stelarc is the most celebrated artist in the world working within technology and the visual arts. He is both an artist and a phenomenon, using his body as medium and exhibition space. Working in the interface between the body and the machine, employing virtual reality, robotics, medical instruments, prosthetics, and the Internet, Stelarc's art includes physical acts that don't always look survivable—or, as science fiction novelist William Gibson puts it in his foreword, "sometimes seem to include the possibility of terminality."

Stelarc's projects include Third Hand, a grasping and wrist rotating mechanism with a rudimentary sense of touch that is attached to the artist and activated by EMG from other body areas; Amplified Body, in which the artist performs acoustically with his brainwaves, muscles, pulse, and blood flow signals; and the Stomach Sculpture, a device—or "aesthetic adornment"—placed in the artist's stomach and presented through video. Works in progress include the Extra Ear Project, a soft prosthesis of skin and cartilage to be constructed on the artist's arm. Stelarc's work both reflects and determines new directions in performance art and body art. Although there have been hundreds of articles written about Stelarc since he began performing in the late 1960s, Stelarc: The Monograph is the first comprehensive study of Stelarc's work practice in over thirty years. Gathering a range of writers who approach the work from a variety of perspectives, it includes William Gibson's account of his meetings with Stelarc, Arthur and Marilouise Kroker's emphatic "WE ARE ALL STELARCS NOW," and Stelarc himself in conversation with Marquard Smith. Taken together, these writers give us a multiplicity of ways to think about Stelarc.

About the Authors

Jane Goodall

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Arthur Kroker is the director of the Pacific Centre for Technology and Culture, and Canada Research Chair in Technology, Culture, and Theory at the University of Victoria.

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Brian Massumi is Professor in the Department of Communication Sciences at the University of Montréal. He is the author of Parables for the Virtual: Movement, Affect, Sensation and A User's Guide to Capitalism and Schizophrenia: Deviations from Deleuze and Guattari (MIT Press).
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Marquard Smith is Director of the Institute for Modern and Contemporary Culture, University of Westminster, London. He is a Founder and Editor-in-Chief of Journal of Visual Culture.
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Stelarc is a leading international performance artist.
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Amelia Jones is Grierson Chair in Art History and Communication Studies at McGill University. Her books include Irrational Modernism: A Neurasthenic History of New York Dada (MIT Press), Self/Image: Technology, Representation and the Contemporary Subject, and Seeing Differently: A History and Theory of Identification and the Visual Arts.
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Marilouise Kroker is a senior research scholar in the Pacific Centre for Technology and Culture at the University of Victoria.
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Timothy Druckrey is an independent curator and writer and editor of Ars Electronica: Facing the Future (MIT Press, 1999). He lectures internationally on the social impact of digital media, the transformations of representation, and communication in interactive and networked environments.
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Timothy Druckrey is an independent curator and writer and editor of Ars Electronica: Facing the Future (MIT Press, 1999). He lectures internationally on the social impact of digital media, the transformations of representation, and communication in interactive and networked environments.
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Julie Clarke has written widely on the posthuman and the visual arts.
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