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Poetry Canadian

I Want to Tell You Love

A Critical Edition

edited by Eric Schmaltz & Christopher Doody

by (author) bill bissett & Milton Acorn

Publisher
University of Calgary Press
Initial publish date
Oct 2021
Category
Canadian, Poetry, General
  • Paperback / softback

    ISBN
    9781773852294
    Publish Date
    Oct 2021
    List Price
    $29.99

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Description

bill bissett and Milton Acorn are two of Canada's most significant, and most controversial, literary figures. In the 1960s, bissett's renown as an experimental poet was growing as his social and political concerns were stirred by the voice of the counterculture. Acorn, inspired by socialist theory and imagism, was building his reputation as a poet on the margin who ran against the grain of the literary establishment. Both were rising towards cultural prominence—one, a true beatnik and the other, a certifiably rugged lyric poet. In 1965 they came together in a remarkable collaboration, a challenge to the established literary tradition and a call for a better world.

 

Published for the very first time, I Want to Tell You Love is the combination of bissett and Acorn's seemingly incongruous poetics to confront the turbulent and swiftly changing world of the 1960s. A collection of poems and illustrations, it is a window into the lives and motivations of two soon-to-be-canonized cultural figures. I Want to Tell You Love is a work of friendship, a shared vision of resistance, and a mutual longing for a better world.

 

This critical edition offers the manuscript in its intended form alongside contextualizing scholarship in a significant contribution to literary history. I Want to Tell You Love offers an opportunity to reevaluate the nature and scope of Canadian poetry during a critical time of national cultural awakening.

 

 

About the authors

Eric Schmaltz is Writer-on-the-Grounds in the Department of English at York University’s Glendon College, where he teaches and coordinates the certificate in Creative Writing across Contexts. He holds a Ph.D. in English from York University and was a Social Sciences and Humanities Research Council Postdoctoral Fellow in the English Department at the University of Pennsylvania. He is the author of Borderblur Poetics: Multimodality and Avant-Gardism in Canada, 1963–1988 (University of Calgary Press) and co-editor (with Christopher Doody) of I Want to Tell You Love by bill bissett and Milton Acorn (University of Calgary Press). He is also the author of the poetry book Surfaces (Invisible Publishing) and numerous shorter works. His critical and creative work has been published in periodicals and anthologies, including Jacket2, Bomb, Canadian Literature, the Berkeley Poetry Review, the Capilano Review, and BAX 2020: Best American Experimental Writing (Wesleyan University Press). He lives in Tkaronto (Toronto).

Eric Schmaltz's profile page

Christopher Doody is a scholar whose work has focused on book history and mid-twentieth century authorship in Canada. With Suzanne Bailey, he is the co-editor of the revised edition of P.K. Page’s Brazilian Journal.

Christopher Doody's profile page

bill bissett
originalee from lunaria ovr 300 yeers ago in lunarian time
sent by shuttul thru halifax nova scotia originalee wantid 2
b dansr n figur skatr became a poet n paintr in my longings
after 12 operaysyuns reelee preventid me from following th
inishul direksyuns
?bill bissett
bill bissett garnered international attention in the 1960s as a pre-eminent figure of the counterculture movement in Canada and the United Kingdom. In 1964, he founded blewointment press, which published the works of bpNichol and Steve McCaffery, among others.
bissett’s charged readings, which never fail to amaze his audiences, incorporate sound poetry, chanting and singing, the verve of which is only matched by his prolific writing career?more than seventy books of bissett’s poetry have been published.
A pioneer of sound, visual and performance poetry?eschewing the artificial hierarchies of meaning and the privileging of things (?proper” nouns) over actions imposed on language by capital letters; the metric limitations imposed on the possibilities of expression by punctuation; and the illusion of formal transparency imposed on the written word by standard (rather than phonetic) spelling?bissett composes his poems as scripts for pure performance and has consistently worked to extend the boundaries of language and visual image, honing a synthesis of the two in the medium of concrete poetry.
Whether paying tribute to his hometown lunaria or exercising his native tongue dissent, bissett continues to dance upon upon the cutting edge of poetics and performance works.
bill bissett was recently a featured poet on the Heart of a Poet series, produced in conjunction with Bravo! TV.
Among bissett’s many awards are The George Woodcock Lifetime Achievement Award (2007); BC Book Prizes Dorothy Livesay Prize (2003) peter among th towring boxes / text bites; BC Book Prizes Dorothy Livesay Prize (1993) inkorrect thots.

bill bissett's profile page

Widely acknowledged to be Prince Edward Island’s greatest poet, Milton Acorn was born in Charlottetown in 1923 and died there in 1986. A significant contributor to the Canadian literary scene of the 1950s, 1960s and 1970s, he counted Al Purdy, Eli Mandel, Leonard Cohen, Irving Layton and Patrick Lane among his friends. The original “People’s Poet,” Acorn received a medal and cash prize from his peers at Toronto’s Grossman’s Tavern in 1970 when his selected poems, I’ve Tasted My Blood, failed to win the Governor General’s Award. He went on to receive Canada’s highest literary honour for The Island Means Minago, published in 1975. Acorn was the author of ten books of poetry, and, with Cedric Smith, he co-authored the play, The Road to Charlottetown. Although he lived in various Canadian cities between 1951 and 1981, Acorn’s finely tuned homing instincts always brought him back to the Island.

Milton Acorn's profile page

Editorial Reviews

I Want to Tell You Love has finally, like a letter lost and deferred in the mail, reached the ears of its public . . . [It is] an open-ended supplication to the world at large; an agapeic appeal, unencumbered by syntax, that tumbles from our mouths, to the page, and back again.

Prairie Fire

A must-have edition, not only for the purposes of a broader comprehension of Acorn and bissett’s individual careers, but of the hefty examination of the emergence of a particular period of Canadian writing and culture.

rob mclennan

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