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Performing Arts History & Criticism

Manila by Night

by (author) Joel David

series edited by Matthew Hays & Thomas Waugh

Publisher
Arsenal Pulp Press
Initial publish date
Dec 2017
Category
History & Criticism, Reference, Southeast Asia, General
  • Paperback / softback

    ISBN
    9781551527079
    Publish Date
    Dec 2017
    List Price
    $18.95

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Description

A Queer Film Classic on a controversial 1980 film by queer Filipino filmmaker Ishmael Bernal.

A Queer Film Classic on Ishmael Bernal's 1980 film that follows a dozen characters, all denizens of Manila's sordid yet exuberant underworld, as they pursue life, love, and pleasure. Bernal cited Robert Altman's Nashville as one of the influences on his epic, multi-narrative approach to cinema, and Manila by Night ultimately won the Best Picture award from the Filipino Film Critics. But upon completion, the film was banned in the Philippines by the tyrannical Marcos regime for its "unsavory" depiction of life in the Philippine capital, beginning an arduous journey through repression and censorship before finally being released by the government as proof of its more tolerant policies on the eve of the "People's Power" uprising of 1986.

David's book explores the political, cultural, and historical ramifications of this important film.

QUEER FILM CLASSICS is a critically acclaimed film book series on many of the most important and influential films about and by LGBTQ people, made in eight different countries between 1950 and 2005, and written by leading LGBTQ film scholars and critics.

About the authors

Joel David is an Associate Professor of Cultural Studies at Inha University, South Korea. He holds a Ph.D. in Cinema Studies at New York University. The author of several books on Philippine cinema, he has won the Manila Critics Circle's National Book Award for Film Criticism, among other prizes. He was founding Director of the University of the Philippines Film Institute.

Joel David's profile page

Matthew Hays is a Montreal-based critic, author, film festival programmer, and university instructor. He is the co-editor (with Thomas Waugh) of Arsenal Pulp's Queer Film Classics series. He has been a film critic and reporter for the weekly Montreal Mirror since 1993. His first book, The View from Here: Conversations with Gay and Lesbian Filmmakers (Arsenal Pulp Press), was cited by Quill & Quire as one of the best books of 2007 and won a 2008 Lambda Literary Award. His articles have appeared in a broad range of publications, including The Guardian, The Daily Beast, The Globe and Mail, The New York Times, Vice, The Walrus, The Advocate, The Toronto Star, The International Herald Tribune, Cineaste, Cineaction, Quill & Quire, This Magazine, The Hollywood Reporter, Canadian Screenwriter, and Xtra!. He teaches courses in journalism, communication studies and film studies at Concordia University, where he received his MA in communication studies in 2000. A two-time nominee for a National Magazine Award, Hays received the 2013 Concordia President's Award for Teaching Excellence. .
Matthew is also co-editor (with Thomas Waugh) of the Queer Film Classics series.

Matthew Hays' profile page

Thomas Waugh is the award-winning author or co-author of numerous books, including five for Arsenal Pulp Press: Out/Lines, Lust Unearthed, Montreal Main: A Queer Film Classic (with Jason Garrison), Comin' At Ya! (with David L. Chapman) and Gay Art: A Historic Collection (with Felix Lance Falkon). His other books include Hard to Imagine, The Fruit Machine, and The Romance of Transgression. He teaches film studies at Concordia University in Montreal, Canada, where he lives. He has published widely on political discourses and sexual representation in film and video, on lesbian and gay film and video, and has more recently undertaken interdisciplinary research and teaching on AIDS. He is also the founder and former coordinator of the Minor Programme in Interdisciplinary Studies in Sexuality at Concordia.

In addition to the titles below, Thomas is also co-editor (with Matthew Hays) of the Queer Film Classics series.

Thomas Waugh's profile page

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