What comes to mind when we hear that a friend or colleague is studying unpublished documents in a celebrated author’s archive? We might assume that they are reading factual documents or, at the very least, straightforward accounts of the truth about someone or some event. But are they?
Working in Women’s Archives is a collection of essays that poses this question and offers a variety of answers. Any assumption readers may have about the archive as a neutral library space or about the archival document as a simple and pure text is challenged.
In essays discussing celebrated Canadian authors such as Marian Engel and L.M. Montgomery, as well as lesser-known writers such as Constance Kerr Sissons and Marie Rose Smith, Working in Women’s Archives persuades us that our research methods must be revised and refined in order to create a scholarly place for a greater variety of archival subjects and to accurately represent them in current feminist and poststructuralist theories.

Marlene Kadar is an associate professor in humanities and women’s studies at York University, and the former director of the graduate programme in interdisciplinary studies. Her publications include Essays on Life Writing, which won the Gabrielle Roy Prize (English) for 1992. Kadar’s research interests include the politics of life writing, especially as represented in survivor narratives; the construction of privilege and knowledge in women’s life writing; and, Hungarian and Romani autobiography and historical accounts, biographical traces and fragments.

Susanna Egan is a professor in the department of English at the University of British Columbia. Her most recent monograph is titled Mirror Talk: Genres of Crisis in Contemporary Autobiography.

Jeanne Perreault is a professor in the Department of English at the University of Calgary and is the author of Writing Selves: Contemporary Feminist Autography.

Linda Warley teaches in the Department of English Language and Literature at the University of Waterloo. She has published articles in journals such as Canadian Literature, a/b: Auto/Biography Studies, and Reading Canadian Autobiography, a special issue of Essays on Canadian Writing.

Marlene Kadar's profile page

Anne McWhir is a professor of English at the University of Calgary and has written extensively on William Wordsworth, Mary Shelley and P.B. Shelley.

D.L. Macdonald teaches English at the University of Calgary. He is the author of Poor Polidori: A Critical Biography of the Author of “The Vampyre” (1991) and of Monk Lewis (2000).

Helen M. Buss is a professor of English at the University of Calgary. Her book on Canadian women’s life writing, Mapping Our Selves, won the Gabrielle Roy Prize. As Margaret Clarke, she has published novels, short stories and poetry.

Helen M. Buss' profile page

The book is unique not only in theorizing female archival subjectivity but also in its focus on Canadian archives and resources.... This collection emphasizes those concerns unique to studying women's life-texts, and includes an interrogation of archives as socially constructed sites.

Laurie McNeill, Canadian Literature, 172, Spring 2002

You could teach a course from Working in Women's Archives preferrably an interdisciplinary one combining graduate students in history and literature. The exploration of their different takes on how to work in archives would do them--and their work--a world of good.

Janice Dickin, Biography, 25.3, Summer 2002

This collection of seven articles marks the beginning of a record of women's archival research on Canadian women. All the papers are important and informative, giving heartening encouragement to the many others who will follow them. All of them are noteworthy in their practical detail.

Clara Thomas, York University, Papers of the Bibliographical Society of Canada, 39, #2, Fall 2001