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Drama Women Authors

White Biting Dog and Other Plays

by (author) Judith Thompson

Publisher
Playwrights Canada Press
Initial publish date
Oct 2014
Category
Women Authors, Anthologies (multiple authors)
  • Paperback / softback

    ISBN
    9781770913011
    Publish Date
    Oct 2014
    List Price
    $18.95
  • eBook

    ISBN
    9781770913035
    Publish Date
    Aug 2014
    List Price
    $13.99

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Description

This book collects some of Judith Thompson’s earlier, hard- to-find plays, including White Biting Dog, a poetic black comedy about a divorced lawyer who prepares to kill himself by jumping off the Bloor Street Viaduct, until he encounters a small dog who sets him on a different path; I Am Yours, a harrowing story about a group of characters on the brink of despair as each tries to escape what haunts them the most; and Pink, a moving monologue set in 1970s South Africa that centres on a young girl’s surprising reaction after her nanny is murdered during a protest.

About the author

Ali Joy Richardson is a playwright, director, and producer. Originally from Dartmouth, Nova Scotia, she has been Artistic Producer of Toronto’s Paprika Festival for young artists, was a director in residence with Canadian Stage’s RBC Emerging Artists Program, and a playwright in Nightwood Theatre’s Write from the Hip unit. She is a book writer and director with Education Arts Canada (creating touring musicals about mental health for preteens) and directed In Real Life (Nick Green & Kevin Wong) for Sheridan College’s Canadian Music Theatre Project. Ali has created multiple hit fringe shows including her solo show Roxy about an unorthodox motivational speaker/self-defence coach. She lives, bikes, and works in Toronto.

Judith Thompson's profile page

Editorial Reviews

“[In White Biting Dog] Thompson has crafted each line with precision, and all the characters speak with their own rhythm." —Debbie Fein-Goldbach, NOW Magazine

“Judith Thompson’s White Biting Dog… is orgiastic and poetic in its use of language, excessive in its theatricality, and achieves its power by an accretion of extraordinary images.” —Carole Corbeil, Globe and Mail

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