The landlord, the husband, the wife, and the lover. Giulio di Orio, an assistant lecturer in Philosophy, brings one of his students, known as Torp to the Vancouver flat he shares with his wife Nicole. Soon their landlord is convinced that Torp is the devil incarnate, and the police have arrested him for the street bombings that have been plaguing the city. A sexually-charged tale bubbling with lust, suspected murder, and the twilight of the flower children--all set against the backdrop of martial law in 1970 Vancouver.
About the author
Born in Italy, and arriving in Canada at the age of five, Michael Mirolla calls himself a Montreal-Toronto corridor writer (because he spends so much time travelling between the two cities). He’s a novelist, short story writer, poet and playwright. Publications include two novels, the recently-released The Facility, and Berlin (a 2010 Bressani Prize winner and finalist for the 2009 Indie Book and National Best Books Awards); two short story collections—The Formal Logic of Emotion (recently translated into Italian and released in 2010) and Hothouse Loves & Other Tales; and two poetry collections: the English-Italian Interstellar Distances/Distanze Interstellari (2008), and Light and Time (2010), His short story, “A Theory of Discontinuous Existence,” was selected for The Journey Prize Anthology, while another short story, “The Sand Flea,” was nominated for the Pushcart Prize. His short fiction and poetry has been published in numerous journals in Canada, the U.S. and Britain, including anthologies such as Event’s Peace & War, Telling Differences: New English Fiction from Quebec, Tesseracts 2: Canadian Science Fiction, the Anthology of Italian-Canadian Writing (Guernica), New Wave of Speculative Fiction Book 1, and The Best of Foliate Oak.
Mirolla's vivid writing and the psychological intrigue will pull readers through to the last page.--Publishers Weekly