Description
Set in Calgary in 1982, during the recession that arrived on the heels of Canada’s National Energy Program, The Western Alienation Merit Badge follows the Murray family as they struggle with grief and find themselves on the brink of financial ruin. After the death of her stepmother, Frances “Frankie” Murray returns to Calgary to help her father, Jimmy, and her sister, Bernadette, pay the mortgage on the family home. When Robyn, a long-lost friend, becomes their house guest old tensions are reignited and Jimmy, Bernadette and Frances find themselves increasingly alienated from one another.
Part family drama, part queer coming-of-age story, The Western Alienation Merit Badge explores the complex dynamics of a small family falling apart.
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About the authors
Nancy Jo Cullen’s poetry and fiction have appeared in The Puritan, Grain, filling Station, Plenitude, Prairie Fire, Arc, This Magazine, Best Canadian Poetry 2018, Room, Journey Prize and Best Canadian Fiction 2012. Nancy is the 2010 recipient for the Dayne Ogilvie Prize for LGBTQ+ Emerging Writers. She’s published three collections of poetry with Frontenac House and a collection of short stories, Canary, with Biblioasis. Her first novel, The Western Alienation Merit Badge, was shortlisted for the 2020 Amazon Canada First Novel Award.
Editorial Reviews
“At first blush, this is a quirky, queer coming-of-age novel. In her stripped-down, everyday prose, Cullen details the small hurts and moments of silence that break Frankie’s heart when she refuses to hide her sexuality from her conservative family.… The Western Alienation Merit Badge is a moving portrait of fathers and daughters, sisters, friendship and the mistakes we all make along the way.” — Dene Moore, Toronto Star
“The Western Alienation Merit Badge was a pleasure to read, and in terms of craft is remarkable for two particular features. The first is for its points of view, which move between characters providing vastly different perspectives on the same situation, and while the few times this happened mid-chapter it was a bit jarring, the result of this approach is a complex and multi-layered narrative that is really effective in particular because of how Cullen avoids cliches and sentimentality in creating her characters and their dynamic.” — Kerry Clare, Pickle Me This