In The Time of Her Life, David Helwig draws us into the world of a woman of character. Indeed how Helwig tells the tale is as absorbing as the tale itself as we follow Jean from small-town Ontario to a privileged life as la contesse de Serviède in wartime France to genteel poverty in Montreal, adapting her actions and values to survive in the world around her.

At fifteen, Jean is ready to slip into the secret life of adults; already she enjoys the attention of a cross-border whiskey smuggler. When he is shot by other smugglers, she rows out to him. Close to shore, she admits to herself that he is dead. Setting the course of her life, she sidesteps explanation by rolling the body overboard and sneaking home. Soon, she accepts a movie cameraman's impulsive proposition and heads for New York disguised as a boy. Being beautiful, being looked at becomes Jean's métier. In New York, working as nude model, she learns the value of her youth and beauty and what sex can buy her if she uses it judiciously. In Hollywood, silent-film stardom is soon hers. Asked to make a movie in France, she says Yes, as always. She says Yes again to a much-older count, has a son, and lives as a Paris aristocrat until her life is devastated by World War II. Her husband dead and her apartment commandeered, she huddles at the family's country home with her child until the war is over. Trading on her title, Jean opens a gallery, and, in the postwar confusion about ownership, she carefully sells a parcel of Picassos left with her by a missing Russian Jewish designer. But peace is transitory. She loses her son to the war in Indochina, her lover to family duties, her womb to a hysterectomy.

Stricken with restlessness, she sells the gallery, moves to Montreal, and starts a new career in films and commercials. In old age, she measures out her last days in her Montreal apartment, her resilience undimmed by history and human folly.

In The Time of Her Life David Helwig has created a highly entertaining and provocative work. This is an inspired exploration of time and memory skillfully crafted by a veteran Canadian writer.

Born in Toronto in 1938, David Helwig attended the University of Toronto and the University of Liverpool. His first stories were published in Canadian Forum and The Montrealer while he was still an undergraduate. He then went on to teach at Queen's University. He worked in summer stock with the Straw Hat Players, mostly as a business manager and technician, rubbing elbows with such actors as Gordon Pinsent, Jackie Burroughs and Timothy Findley.

While at Queen's University, Helwig did some informal teaching in Collins Bay Penitentiary and subsequently wrote A Book About Billie with a former inmate.

Helwig has also served as literary manager of CBC Television Drama, working under John Hirsch, supervising the work of story editors and the department's relations with writers.

In 1980, he gave up teaching and became a full-time freelance writer. He has done a wide range of writing -- fiction, poetry, essays -- authoring more than twenty books. Helwig is also the founder and long-time editor of the Best Canadian Stories annual. In 2009 he was named as a member of the Order of Canada.

David Helwig lives in the village of Eldon on Prince Edward Island, where he is the third Poet Laureate. He indulges his passion for vocal music by singing with choirs in Montreal, Kingston, and Charlottetown. He has appeared as bass soloist in Handel's Messiah, Bach's St Matthew Passion and Mozart's Requiem.

David Helwig's profile page

"[Jean] comes alive as a woman of spirited playfulness, with stubborn common sense tempered by a sensibility that allows her to see deeply."

<i>Quill & Quire</i>

"A meditation in a minor key ... Helwig, one of Canada's well-known writers, is a novelist of considerable talent, and he knows how to enchant."

<i>Globe and Mail</i>