The Obese Christ
- Publisher
- Talonbooks
- Initial publish date
- Apr 2014
- Category
- Literary
-
Paperback / softback
- ISBN
- 9780889228429
- Publish Date
- Apr 2014
- List Price
- $14.95
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Description
Edgar, a timid, asocial thirty-something, witnesses the brutal rape of a young woman and subsequently bears the unconscious victim home. Haunted by the death of his overbearing mother, he pledges to act as the mysterious woman’s saviour. Gothic and darkly humorous, The Obese Christ explores the nebulous divide between Good and Evil, while demonstrating a powerful mastery of suspense.
About the authors
Larry Tremblay
Larry Tremblay is a writer, director, actor and specialist in Kathakali, an elaborate dance theatre form which he has studied on numerous trips to India. He has published twenty books as a playwright, poet, novelist and essayist.
The recent publication of Talking Bodies (Talonbooks, 2001) brought together four of his plays in English translation. He played the role of Léo in his own play Le Déclic du destin in many festivals in Brazil and Argentina. The play received a new production in Paris in 1999 and was highly successful at the Festival Off in Avignon in 2000.
Thanks to an uninterrupted succession of new plays (Anatomy Lesson, Ogre, The Dragonfly of Chicoutimi, Les Mains bleues and Téléroman, among others) in production during the 1990s, Tremblay’s work continues to achieve international recognition.
His plays, premiered for the most part in Montreal, have also been produced, often in translation, in Italy, France, Belgium, Mexico, Columbia, Brazil, Argentina and Scotland. In 2001, Le Ventriloque had three separate productions in Paris, Brussels and Montreal; it has since been translated into numerous languages.
More recently, Tremblay collaborated with Welsh Canadian composer John Metcalf on a new opera, A Chair in Love, a concert version of which premiered in Montreal in April 2005. One of Quebec’s most versatile writers, Tremblay currently teaches acting at l’École supérieure de théâtre de l’Université du Québec à Montréal.
Keith Turnbull
Keith Turnbull served as the artistic director of Theatre Arts programs at the Banff Centre for the Arts from 1993 to 1999 and was also the co-director of the Banff playRites Colony and director of the Contemporary Opera and Song Training Program from 1997 to 2000. His career as a director, producer, designer and dramaturge is highlighted by a commitment to contemporary and new work in both theatre and opera.
In addition, Turnbull has a particular interest in the pedagogy, performance practice and interpretation of the works of Shakespeare and of other language-based texts. He has directed more than seventy plays at various theatres throughout the world.
Turnbull also founded a First Nations theatre company from which emerged many of Canada’s most noted Native performers. He was the founding co-artistic director of the Toronto Theatre Festival and the president of the Toronto Theatre Alliance, as well as a board member of the Canadian Actors’ Equity Association. He has taught at the University of Manitoba, the National Theatre School, the University of Calgary and the Banff Centre for the Arts.
Editorial Reviews
“Larry Tremblay has concocted an amazing psycho-religious thriller.”
– Voir
"And though he talks to people, there’s not a single dialogue exchange in the entire book. This dehumanizing device depicts the way Edgar uses others solely to enact his mutating justifications as he moves from rescue to kidnapping to murder to exorcism – it’s dreadful, but incredibly effective as a technique. There are not many books that make this reader’s flesh crawl, but The Obese Christ is undoubtedly one of them."
– Montreal Review of Books
“This cinematographic novel advances with machinelike precision worthy of Hitchcock.”
– Le Soleil
“This disturbing novel slowly and ingeniously unfolds, revealing an ever-darkening scenario. … Suspense is cleverly built up, understanding subtly created. … an intense and gripping journey enhanced by Tremblay’s lyrical, evocative language, his effective narrative technique, and his meticulous attention to the everyday, often unappetizing, details of housework, clothing, bodies.”
– Event magazine
