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ISBN:9781772122848

Ten Canadian Writers in Context

edited by Marie Carrière; Jason Purcell; Curtis Gillespie, contributions by Joseph Pivato; Ying Chen; Jennifer Bowering Delisle; Caterina Edwards; Marina Endicott; Lawrence Hill; Daniel Laforest; Don Perkins; Julie Rodgers; Eden Robinson; Alice Major; Gregory Scofield; Winfried Siemerling; Pamela Sing; Maïté Snauwaert; Kim Thúy; Kit Dobson; Michael Crummey; Lynn Coady & Angela Van Essen

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list price: $19.99
edition:eBook
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published: Nov 2016
ISBN:9781772122848
Description

Ten years, ten authors, ten critics.

The Canadian Literature Centre/Centre de littérature canadienne reaches into its ten-year archive of Brown Bag Lunch readings to sample some of the most diverse and powerful voices in contemporary Canadian literature.

This anthology offers readers samples from some of Canada’s most exciting writers of fiction, nonfiction, and poetry. Each selection is introduced by a brief essay, serving as a point of entry into the writer’s work. From the east coast of Newfoundland to Kitamaat territory on British Columbia’s central coast, there is a story for everyone, from everywhere. True to Canada’s multilingual and multicultural heritage, these ten writers come from diverse ethnicities and backgrounds, and work in multiple languages, including English, French, and Cree.

Ying Chen | essay by Julie Rodgers Lynn Coady | essay by Maïté Snauwaert Michael Crummey | essay by Jennifer Bowering Delisle Caterina Edwards | essay by Joseph Pivato Marina Endicott | essay by Daniel Laforest Lawrence Hill | essay by Winfried Siemerling Alice Major | essay by Don Perkins Eden Robinson | essay by Kit Dobson Gregory Scofield | essay by Angela Van Essen Kim Thúy | essay by Pamela V. Sing

About the Authors
Marie Carrière is the Director of the Canadian Literature Centre/Centre de littérature canadienne and teaches French, English, and Comparative Literature at the University of Alberta. Her research focuses on contemporary women's writing and the theory and history of feminism.
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Marie Carrière is the Director of the Canadian Literature Centre/Centre de littérature canadienne and teaches French, English, and Comparative Literature at the University of Alberta. Her research focuses on contemporary women's writing and the theory and history of feminism.
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Jason Purcell is a graduate student at the University of Alberta in the Department of English and Film Studies. He is the Communications Officer for the Canadian Literature Centre/ Centre de littérature canadienne at the University of Alberta, the Circulation Coordinator for Eighteen Bridges magazine, and the Manuscript Coordinator at NeWest Press.
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Ying Chen left her native Shanghai and settled in Montreal in 1991. Her first novel, La mémoire de l’eau was published by Leméac in 1992. Subsequent novels include the award-winning Les Lettres chinoises (Leméac, 1993); L’ingratitude (Leméac, 1995), Immobile (Boréal, 1998) which won the Prix Alfred-DesRochers 1999), Un enfant à ma porte (Boréal, 2008) and La rive est loin (Boréal, 2013). Chen lives in Vancouver.
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Jennifer Bowering Delisle (she/her) is the author of the lyric family memoir The Bosun Chair (NeWest 2017). She is a settler living in Edmonton/ Amiskwacîwâskahican/ Treaty 6 territory.


Jennifer Bowering Delisle’s lyric family memoir The Bosun Chair was published with NeWest press in 2017. She has a PhD in English, and is also the author of The Newfoundland Diaspora: Mapping the Literature of Outmigration. She joined the board of NeWest in 2018, and regularly teaches creative writing at the University of Alberta Faculty of Extension. She is a settler living in Edmonton/ Amiskwacîwâskahican/ Treaty 6 territory with her husband and two young children.

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Bressani Award-winning writer Caterina Edwards’s first novel, The Lion’s Mouth, was translated into French and will appear in Italian, as will her non-fiction book, Finding Rosa. Her radio drama The Great Antonio was chosen to represent Canada in an international radio competition, and a collection of critical essays on her work was the first book published by Guernica Editions in its series on Canadian writers. She lives in Edmonton.
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Marina Endicott was born in British Columbia and worked as an actor and director before going to London, England, where she began to write fiction. Her novel Open Arms was nominated for the Amazon/Books in Canada First Novel Award and her second won the Commonwealth Writers Prize for the Canada and Caribbean region.
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LAWRENCE HILL is the award-winning and internationally bestselling author of The Book of Negroes, which was made into a six-part TV mini-series. His previous novels, Some Great Thing and Any Known Blood, became national bestsellers. Hill’s non-fiction work includes Blood: The Stuff of Life, the subject of his 2013 Massey Lectures, and Black Berry, Sweet Juice, a memoir about growing up black and white in Canada. Lawrence Hill volunteers with Crossroads International, the Black Loyalist Heritage Society and Project Bookmark Canada. He lives with his family in Hamilton, Ontario, and Woody Point, Newfoundland.

www.lawrencehill.com

www.facebook.com/lawrencehillauthor

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Curtis Gillespie has written four books, including the memoir Playing Through: A Year of Life, Links Along the Scottish Coast, and the novel Crown Shyness. He has won numerous awards for his fiction and non-fiction, including the Danuta Gleed Literary Award and three National Magazine Awards. His journalism has been widely published, and he is the editor and co-founder of Eighteen Bridges magazine. He lives in Edmonton with his wife and two daughters.

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Daniel Laforest is Associate Professor at the University of Alberta where he teaches Quebec and Canadian literatures, as well as French literature, cultural studies and critical theory. He has been Fulbright fellow at the Centre for Cultural Studies of the University of California Santa Cruz. He serves as associate editor for the academic journal Canadian Literature.
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Don Perkins is a lecturer in the department of English and Film Studies at the University of Alberta, and has also taught for the Drama department and the Faculty of Native Studies. He teaches and publishes in the areas of non-fiction writing, Canadian drama, popular culture, literature and history, and Native literature.
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Julie Rodgers is a lecturer in French at Maynooth University, Ireland. She teaches and publishes on contemporary women’s writing and film in French. She has published two articles on Ying Chen to-date, with a third forthcoming in a special issue of Quebec Studies in 2015.
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Julie Rodgers is a lecturer in French at Maynooth University, Ireland. She teaches and publishes on contemporary women’s writing and film in French. She has published two articles on Ying Chen to-date, with a third forthcoming in a special issue of Quebec Studies in 2015.
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Julie Rodgers is a lecturer in French at Maynooth University, Ireland. She teaches and publishes on contemporary women’s writing and film in French. She has published two articles on Ying Chen to-date, with a third forthcoming in a special issue of Quebec Studies in 2015.
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Gregory Scofield is Red River Metis of Cree, Scottish and European descent whose ancestry can be traced to the fur trade and to the Metis community of Kinesota, Manitoba. He has taught First Nations and Metis Literature and Creative Writing at Brandon University, Emily Carr University of Art + Design, and the Alberta College of Art + Design. He currently holds the position of Assistant Professor in English at Laurentian University where he teaches Creative Writing, and previously served as writer-in-residence at the University of Manitoba, University of Winnipeg and Memorial University.



Scofield won the Dorothy Livesay Poetry Prize in 1994 for his debut collection, The Gathering: Stones for the Medicine Wheel. In addition to several volumes of poetry, Scofield is the author of the memoir, Thunder Through My Veins (1999), and his latest collection of poetry is Witness, I Am (2016). In 2016, The Writers' Trust of Canada awarded Scofield with the Latner Writers' Trust Poetry Prize.

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Winfried Siemerling is a professor in the department of English Language and Literature at the University of Waterloo. His current research includes African Canadian writing, literary history, and the presence of the past. He is co-researcher of "International Institute for Critical Studies in Improvisation: A Partnered Research Institute," funded by the SSHRC Partnership Grant.
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Winfried Siemerling is a professor in the department of English Language and Literature at the University of Waterloo. His current research includes African Canadian writing, literary history, and the presence of the past. He is co-researcher of "International Institute for Critical Studies in Improvisation: A Partnered Research Institute," funded by the SSHRC Partnership Grant.
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Maïté Snauwaert holds a PhD in French Literature from Université Paris 8. In Canada since 2004, she has been a postdoctoral researcher at the Centre de recherche sur le texte et l’imaginaire Figura at the Université du Québec à Montréal, at the CRILCQ/Université de Montréal, and at McGill University (Marie-Thérèse Reverchon scholarship). She is an associate professor at the Campus Saint-Jean, University of Alberta.
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Maïté Snauwaert holds a PhD in French Literature from Université Paris 8. In Canada since 2004, she has been a postdoctoral researcher at the Centre de recherche sur le texte et l’imaginaire Figura at the Université du Québec à Montréal, at the CRILCQ/Université de Montréal, and at McGill University (Marie-Thérèse Reverchon scholarship). She is an associate professor at the Campus Saint-Jean, University of Alberta.
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Kit Dobson is an assistant professor of Canadian literature at Calgary’s Mount Royal University. He is the author of Transnational Canadas: Anglo-Canadian Literature and Globalization (WLU Press, 2009) and co-author, with Smaro Kamboureli, of Producing Canadian Literature: Authors Speak on the Literary Marketplace (WLU Press, 2012).

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Michael Crummey was born in Buchans, Newfoundland. His debut novel, River Thieves (2001), was nominated for the Giller Prize and won the Winterset Award, the Thomas Head Raddall Atlantic Fiction Award, and the Atlantic Booksellers' Choice Award. He also won acclaim for Flesh and Blood (1998), a book of short fiction. His most recent collection of poetry is Salvage (2002). He lives in St. John's, Newfoundland.
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Lynn Coady now lives in Edmonton, though she was born and raised in Cape Breton. She has published a collection of short stories, Play the Monster Blind, and four novels. Her first novel, Strange Heaven, was nominated for the 1998 Governor General's Award for Fiction, while her latest novel, The Antagonist, was shortlisted for the 2011 Scotiabank Giller Prize.

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Angela Van Essen is a PhD candidate in the English and Film Studies department at the University of Alberta where she is writing a dissertation on contemporary Cree bilingual literature. She has taught English courses at The King’s University and at the University of Alberta and published on Indigenous writers in Canada.
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Awards
  • Runner-up, Independent Publisher Awards, Anthology
Editorial Reviews

#6 on the Edmonton Journal's Non-fiction Bestsellers list for the week of October 28, 2016 The Edmonton Journal

— The Edmonton Journal

"[A] compilation of excerpts of creative non-fiction, fiction, and poetry.... Each of the ten featured works is preceded by a critic’s essay, giving sharp insight into this transcultural anthology and further contextualizing individual works for the reader. The selections...are...preoccupied...with the relationship between spatiality, geography, and Canadian identity. Displacement and journeying—the impulse to search for the self—are most clearly seen in the anthology’s latter works." Canadian Literature 233 (Summer 2017) [Full review at http://canlit.ca/article/landscapes-of-the-mind]

— Rachel Lallouz

"...the collection is ideal for students and teachers of Canadian Literature at the high school or undergraduate levels, but would also be a useful resource for any active, engaged reader.... Overall, it imparts the impression of a vibrant, lively Canadian literature ranging widely in interests and preoccupations. The editors have been careful to select a diverse range of writers.... The net impact of this slim volume is to force a reconsideration of who in the world of Canadian literature is canonical and worthy of sustained, thoughtful examination. Every writer selected lives up to this standard.... [the] collection functions as something of a sampler pack of some of the most interesting writers working in Canada today."

— Event Poetry and Prose, 46.1

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