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list price: $37.95 USD
edition:Hardcover
category: Performing Arts
published: Oct 2004
ISBN:9780262050784
publisher: The MIT Press

Subtitles

On the Foreignness of Film

contributions by Fredric Jameson; Brenda Longfellow; Henri Béhar; Laurence A. Rickels; John Greyson; Amresh Sinha; Stephen Andrews; Claire Denis; Ian Balfour; Atom Egoyan; Jorge Luis Borges; B. Ruby Rich; Mary Ann Doane; Deborah Esch; John Mowitt; Isaac Julien; Anne Carson; Russell Banks; Jack Lewis; Kass Banning; Marie-Aude Baronian; Kent U. Enns; Patricia Rozema; Eric Cazdyn; Slavoj Žižek; Negar Mottahedeh; Trinh T. Minh-ha; Raymond Bellour; Hamid Nacify & R. Bruce Elder, series edited by John Knechtel

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0 of 5
0 ratings
rated!
rated!
list price: $37.95 USD
edition:Hardcover
category: Performing Arts
published: Oct 2004
ISBN:9780262050784
publisher: The MIT Press
Description

Translating the experience of film: filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time."

"Every film is a foreign film," Atom Egoyan and Ian Balfour tell us in their introduction to Subtitles. How, then, to translate the experience of film—which, as Egoyan says, makes us "feel outside and inside at the same time"? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks's novel The Sweet Hereafter as subtitles for publicity stills from Egoyan's film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled; and Eric Cazdyn's reading of the running subtitles on CNN's post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the "foreign film" category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages—"Somehow, I'd like to think it's harder to kill people when you hear their voices," she writes. And Slavoj Zizek considers the "foreign gaze" (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much. Designed by Egoyan and award-winning graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66:1. Subtitles gives us not only a new way to think about film but also a singular design object.Subtitles is being copublished by The MIT Press and Alphabet City Media (John Knechtel, Director). Subtitles has been funded in part by grants from The Canada Council for the Arts, The Henry N.R. Jackman Foundation, and the Toronto Arts Council, and the Ontario Arts Council.

About the Authors

Fredric Jameson

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Brenda Longfellow

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Henri Béhar

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Laurence A. Rickels

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John Greyson

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Amresh Sinha

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Stephen Andrews was born in 1956 in Sarnia, Ontario. Over the last twenty-five years he has exhibited his work in Canada, the U.S., Brazil, Scotland, France, and Japan. His work is represented in the collections of the National Gallery of Canada, the Art Gallery of Ontario, the Belkin Art Gallery, and the Schwarz Collection, Harvard.
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Stephen Andrews was born in 1956 in Sarnia, Ontario. Over the last twenty-five years he has exhibited his work in Canada, the U.S., Brazil, Scotland, France, and Japan. His work is represented in the collections of the National Gallery of Canada, the Art Gallery of Ontario, the Belkin Art Gallery, and the Schwarz Collection, Harvard.
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Ian Balfour is Associate Professor of English and Social and Political Thought at York University in Toronto and the author of The Rhetoric of English Poetry.
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Ian Balfour is Associate Professor of English and Social and Political Thought at York University in Toronto and the author of The Rhetoric of English Poetry.
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Ian Balfour is Associate Professor of English and Social and Political Thought at York University in Toronto and the author of The Rhetoric of English Poetry.
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Ian Balfour is Associate Professor of English and Social and Political Thought at York University in Toronto and the author of The Rhetoric of English Poetry.
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Ian Balfour is Associate Professor of English and Social and Political Thought at York University in Toronto and the author of The Rhetoric of English Poetry.
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Ian Balfour is Associate Professor of English and Social and Political Thought at York University in Toronto and the author of The Rhetoric of English Poetry.
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Ian Balfour is Associate Professor of English and Social and Political Thought at York University in Toronto and the author of The Rhetoric of English Poetry.
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Ian Balfour is Associate Professor of English and Social and Political Thought at York University in Toronto and the author of The Rhetoric of English Poetry.
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Ian Balfour is Associate Professor of English and Social and Political Thought at York University in Toronto and the author of The Rhetoric of English Poetry.
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Ian Balfour is Associate Professor of English and Social and Political Thought at York University in Toronto and the author of The Rhetoric of English Poetry.
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John Knechtel is Director of Alphabet City Media in Toronto.
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John Knechtel is Director of Alphabet City Media in Toronto.
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Kass Banning teaches Cinema Studies at the University of Toronto.

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Kass Banning teaches Cinema Studies at the University of Toronto.

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Kass Banning teaches Cinema Studies at the University of Toronto.

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Kass Banning teaches Cinema Studies at the University of Toronto.

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Kass Banning teaches Cinema Studies at the University of Toronto.

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Slavoj Žižek, a philosopher and cultural critic, is Senior Researcher in the Department of Philosophy at the University of Ljubljana, Global Distinguished Professor of German at New York University, and International Director of the Birkbeck Institute for the Humanities at the University of London. He is the author of more than thirty books, including Looking Awry: An Introduction to Jacques Lacan through Popular Culture, The Puppet and the Dwarf: The Perverse Core of Christianity, The Parallax View, The Monstrosity of Christ: Paradox or Dialectic (with John Milbank), and Žižek's Jokes (Did you hear the one about Hegel and negation?), these five published by the MIT Press.
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Slavoj Žižek, a philosopher and cultural critic, is Senior Researcher in the Department of Philosophy at the University of Ljubljana, Global Distinguished Professor of German at New York University, and International Director of the Birkbeck Institute for the Humanities at the University of London. He is the author of more than thirty books, including Looking Awry: An Introduction to Jacques Lacan through Popular Culture, The Puppet and the Dwarf: The Perverse Core of Christianity, The Parallax View, The Monstrosity of Christ: Paradox or Dialectic (with John Milbank), and Žižek's Jokes (Did you hear the one about Hegel and negation?), these five published by the MIT Press.
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Slavoj Žižek, a philosopher and cultural critic, is Senior Researcher in the Department of Philosophy at the University of Ljubljana, Global Distinguished Professor of German at New York University, and International Director of the Birkbeck Institute for the Humanities at the University of London. He is the author of more than thirty books, including Looking Awry: An Introduction to Jacques Lacan through Popular Culture, The Puppet and the Dwarf: The Perverse Core of Christianity, The Parallax View, The Monstrosity of Christ: Paradox or Dialectic (with John Milbank), and Žižek's Jokes (Did you hear the one about Hegel and negation?), these five published by the MIT Press.
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Slavoj Žižek, a philosopher and cultural critic, is Senior Researcher in the Department of Philosophy at the University of Ljubljana, Global Distinguished Professor of German at New York University, and International Director of the Birkbeck Institute for the Humanities at the University of London. He is the author of more than thirty books, including Looking Awry: An Introduction to Jacques Lacan through Popular Culture, The Puppet and the Dwarf: The Perverse Core of Christianity, The Parallax View, The Monstrosity of Christ: Paradox or Dialectic (with John Milbank), and Žižek's Jokes (Did you hear the one about Hegel and negation?), these five published by the MIT Press.
Author profile page >

Slavoj Žižek, a philosopher and cultural critic, is Senior Researcher in the Department of Philosophy at the University of Ljubljana, Global Distinguished Professor of German at New York University, and International Director of the Birkbeck Institute for the Humanities at the University of London. He is the author of more than thirty books, including Looking Awry: An Introduction to Jacques Lacan through Popular Culture, The Puppet and the Dwarf: The Perverse Core of Christianity, The Parallax View, The Monstrosity of Christ: Paradox or Dialectic (with John Milbank), and Žižek's Jokes (Did you hear the one about Hegel and negation?), these five published by the MIT Press.
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R. Bruce Elder is an award-winning filmmaker and teaches media at Ryerson University. His book Harmony & Dissent (WLU Press, 2008) received the prestigious Robert Motherwell Book Prize and was named a Choice Outstanding Academic Book. Rudolf Kuenzli described DADA, Surrealism, and the Cinematic Effect (WLU Press, 2013) as “that rare book that casts the early twentieth-century avant-garde in a very new light.”
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Editorial Reviews

A big treat of Subtitles is the 'art object' graphic design... and the book's unusual Cinemascope shape.

Gerald Peary, The Boston Phoenix


With this lovingly edited and designed collection, filmmaker Atom Egoyan (The Sweet Hereafter, Ararat) and literature professor Ian Balfour celebrate the much-maligned middlemen of world cinema: subtitles. While definitely a high-brow gift-tome, it's an approachable one, thanks in large part to its exceptional attention to design. The book's gorgeous layout was created by Egoyan with designer Gilbert Li, and they've simply outdone themselves. It's the little things that matter: the book's wide-format layout mimics a silver screen, right down to an insanely anal use of the cinematic 1.66:1 ratio.

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