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Drama Canadian

Salt-Water Moon

by (author) David French

Publisher
Talonbooks
Initial publish date
Jan 1988
Category
Canadian
  • Paperback / softback

    ISBN
    9780889222571
    Publish Date
    Jan 1988
    List Price
    $16.95

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Description

It’s a splendid moon-filled night at Coley’s Point in August, 1926. Eighteen-year-old Jacob Mercer has returned from Toronto to the tiny Newfoundland outport, hoping to win back his former sweetheart, Mary Snow. But Mary has become engaged to wealthy Jerome McKenzie, and she is still hurt and bewildered by Jacob’s abrupt departure a year earlier. She will not be easily wooed.

Cast of 1 woman and 1 man.

About the author

David French
Born in Coley’s Point, Newfoundland, David French was one of Canada’s best-known and most critically acclaimed playwrights. His work received many major awards, and French was one of the first inductees into the Newfoundland Arts Hall of Honour.

Among his best-loved works are the semi-autobiographical Mercer plays: Salt-Water Moon, 1949, Leaving Home, recently named one of Canada’s 100 Most Influential Books (Literary Review of Canada) and one of the 1,000 Most Essential Plays in the English Language (Oxford Dictionary of Theatre), Of the Fields, Lately and Soldier’s Heart. The Mercer plays have received hundreds of productions across North America, including a Broadway production of Of the Fields, Lately. This quintet of plays about a Newfoundland family has also touched audiences in Europe, South America and Australia. In addition, French produced skillful adaptations of Alexander Ostrovsky’s The Forest, Anton Chekhov’s The Seagull and August Strindberg’s Miss Julie.

David French's profile page

Awards

  • Winner, Dora Mavor Moore Award (Outstanding New Play)
  • Winner, The Floyd S. Chalmers Canadian Play Award
  • Winner, Canadian Authors Association Literary Award

Editorial Reviews

“Small-scaled and delicate, Salt-Water Moon is a radiant affirmation of the gifts French exhibited in his earlier plays. Spare, lyrical and tightly constructed, there’s nothing in it that isn’t essential, yet the images the writer conjures up stay in the mind long after the play is finished. It’s a long time since Canadian theatre has been graced by a play as well written as this one.”
—Ottawa Citizen

“[Ravi Jain’s 2016 production] sheds a new light on Jacob’s relationship with his father. … But more than anything, … Jacob and Mary are two people trying to balance love, independence and responsibility. … It does what any good production of a classic does: reminds us why it’s a classic in the first place.”
Toronto Star

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