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list price: $29.95
edition:Paperback
category: Art
published: Aug 2017
ISBN:9781772031607

Out of Concealment

Female Supernatural Beings of Haida Gwaii

by Terri-Lynn Williams-Davidson, foreword by Gwaaganad (Diane Brown) & Wade Davis

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canadian, artists' books, native american
0 of 5
0 ratings
rated!
rated!
list price: $29.95
edition:Paperback
category: Art
published: Aug 2017
ISBN:9781772031607
Description

A stunning collection of powerful and whimsical photo collages celebrating supernatural female beings rooted in Haida culture.

 

Out of Concealment presents the oral narratives of the Haida Nation through the vibrant depiction of its female supernatural beings. Passed on from generation to generation through oral tradition, these stories are important historical narratives that illustrate the Haida’s values, customs, laws, and relationships with the earthly and metaphysical realms.

 

This book features over thirty full-colour surreal photo montages by Haida artist, performer, and activist Terri-Lynn Williams-Davidson. The montages also integrate traditional Haida form-line art by Robert Davidson. Each image is accompanied by insightful, reflective text describing the being’s place in Haida cosmology. Out of Concealment encourages readers&mdashboth within the Haida Nation and the general public&mdashto see the feminine and the powerful land and seascapes of Haida Gwaii through a worldview where the environment is worthy of respect, not to be dominated or exploited. The book is being released to coincide with an exhibition of Williams-Davidson’s work at the Haida Gwaii Museum in 2017.

About the Authors

Terri-Lynn Williams-Davidson is an activist through art and music, and also through law. Born in Haida Gwaii, Terri-Lynn has been a promoter of Haida music and culture since the age of thirteen. Since 1995, she has successfully represented the Haida Nation at all levels of court, including the Supreme Court of Canada. In 2014, she received the West Coast Environmental Law People's Choice Andrew Thompson Award for environmental advocacy. In 2000, she founded the Haida Gwaii Singers Society with other veteran Haida singers including her husband, artist Robert Davidson. For her music, she has received multiple Canadian Aboriginal Music Awards and several nominations for Aboriginal People’s Choice Awards, Canadian Folk Music Awards, a Western Canadian Music Award, and Native American Music Awards. An effective advocate, she integrates cultural knowledge and an Indigenous voice into her legal work. For more information, visit ravencallingproductions.ca.

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Terri-Lynn Williams-Davidson is an activist through art and music, and also through law. Born in Haida Gwaii, Terri-Lynn has been a promoter of Haida music and culture since the age of thirteen. Since 1995, she has successfully represented the Haida Nation at all levels of court, including the Supreme Court of Canada. In 2014, she received the West Coast Environmental Law People's Choice Andrew Thompson Award for environmental advocacy. In 2000, she founded the Haida Gwaii Singers Society with other veteran Haida singers including her husband, artist Robert Davidson. For her music, she has received multiple Canadian Aboriginal Music Awards and several nominations for Aboriginal People’s Choice Awards, Canadian Folk Music Awards, a Western Canadian Music Award, and Native American Music Awards. An effective advocate, she integrates cultural knowledge and an Indigenous voice into her legal work. For more information, visit ravencallingproductions.ca.

Author profile page >

Wade Davis is Professor of Anthropology and the BC Leadership Chair in Cultures and Ecosystems at Risk at the University of British Columbia. He served as Explorer-in-Residence at the National Geographic Society and is currently a member of the NGS Explorers Council. The author of 17 books, he has lived and worked in the Stikine as a park ranger and guide.

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Editorial Reviews

In this book, Terri-Lynn has given us a great gift. It is a work of exquisite power and beauty. As you follow its details, it will change how you see life itself.

— John Borrows, Canada Research Chair in Indigenous Law, University of Victoria

As Terri-Lynn Williams-Davidson transforms images of herself into powerful Beings such as SGuuluu Jaad (Foam Woman) and Xuuajii Jaad (Grizzly Bear Woman), she brings historical Haida narratives to life. More than 30 vivid photographs allow readers into the world of these Supernatural Beings, and Williams-Davidson’s accompanying narratives enhance the experience. As with many oral traditions, these narratives date back over many generations. They depict values, customs, rituals, laws, and relationships with the earthly and metaphysical realms, and reiterate an Indigenous worldview.

— Canadian Indigenous Books for Schools

SGaanaa qedas, Supernatural Beings, have been illustrated for millennia in art such as totem poles, paintings on bent-wood boxes, carved spoons, and button blankets. Terri-Lynn’s interpretations of the Female Supernatural Beings of Haida Gwaii give us a fresh personal look, in their natural settings. It’s exciting how she has brought them out of the treasure box to the forefront, broadening our awareness that they are truly still alive.

— Robert Davidson Guud San Glans, CM, OBC

A critical, original, and wondrous iteration of ancient histories and wisdoms.

— Nika Collison, curator, Haida Gwaii Museum at Kay Llnagaay

A critical, original, and wondrous iteration of ancient histories and wisdoms.

— Nika Collison, curator, Haida Gwaii Museum at Kuay Llnagaay

In this learned, sensual, moving celebration of the female supernatural beings who animate the waters, land, and skies of Haida Gwaii, Terri-Lynn Williams-Davidson prepares a roadmap for the future . . . . Out of Concealment; is a book of wondrous transformations and a call for justice.

— Colin Browne, author, Entering Time: The Fungus Man Platters of Charles Edenshaw

In her own life, this amazing Haida woman has transformed herself through many careers, from a computer scientist to the lawyer for the Haida Nation, to a beautiful dancer and singer of Haida songs, and altogether a great Haida Raven woman of Skedans. Terri-Lynn wants our children to become familiar with the Supernaturals like Nil Jaad, Killer Whale Woman, so that they become part of their learning and part of our natural ways again, as it was with our grandparents.

— GwaaGanad Diane Brown

“[Terri-Lynn Williams-Davidson’s] new book, Out of Concealment: Female Supernatural Beings of Haida Gwaii (Heritage, $29.95), not only sets down oral accounts of literal and metaphysical female characters but contains numerous photos of a costumed Williams-Davidson portraying them in forested and oceanside locales. Few others who took cases to the Supreme Court of Canada have likely done that.”

— The Vancouver Sun

This work presents the Haida view of the natural world, cosmology, their values, and belief system. Useful for grades 9-10, the text can be used for study and comparison of origin stories to examine how narrative conveys societal values and beliefs, and as an exemplar of how art is used by society to reflect its values and point of view.

— BC Educational Resource Consortium (ERAC)

“Like her great-grandmother, who gave her the Haida name Lalaxaaygans or “beautiful sound,” Williams-Davidson has done much to keep Haida culture alive. Her latest work, Out of Concealment: Female Supernatural Beings of Haida Gwaii, is also rooted in the deep past. But it feels strikingly new.”

— Haida Gwaii Observer

This book is a mind-blowing masterpiece. Like all great art, it pierces the heart and electrifies the mind. Beauty and brilliance burst from the pages like a killer whale breaching from the sea.

— David R. Boyd, environmental laywer and author of The Rights of Nature

In this brave and original book, Terri-Lynn imagines and gives form to the invisible dimensions of the Haida world, the female Supernatural Beings of the Sky Realm, of the Land and Sea. As a performance artist, for that indeed is what she is, she takes on the persona of each spiritual entity, imagining and crafting their adornments, clothing and hair, magical wings and feathers, the eyes of the divine. Each new role implies an act of transformation, which she embraces and celebrates as an essential force in Haida life.

— Wade Davis

This work presents the Haida view of the natural world, cosmology, their values, and belief system. Useful for grades 9-10, the text can be used for study and comparison of origin stories to examine how narrative conveys societal values and beliefs, and as an exemplar of how art is used by society to reflect its values and point of view.

— BC Educational Resource Consortium (ERAC)

a critical, original and wondrous iteration of ancient histories and wisdoms.

— Nika Collison, curator, Haida Gwaii Museum at Kay Llnagaay

In this book Terri-Lynn has given us a great gift. It is a work of exquisite power and beauty. As you follows its details, it will change how you see life itself.

— John Borrows, Canada Research Chair in Indigenous Law, UVic Victoria

In this brave and original book, Terri-Lynn imagines and gives form to the invisible dimensions of the Haida world—the female Supernatural Beings of the Sky Realm, of the Land and Sea. As a performing artist . . . she takes on the persona of each spiritual entity, imagining and crafting their adornments, clothing and hair, magical wings and feathers, the eyes of the divine. Each new role implies an act of transformation, which she embraces and celebrates as an essential force in Haida life. . . She deliberately uses her own body and being as a vehicle of expression, not as an act of vanity but rather as homage to the primordial forces that she honors with every portrait.

— Wade Davis, author of The Serpent and the Rainbow

This book is a mind-blowing masterpiece. Like all great art, it pierces the heart and electrifies the mind. Beauty and brilliance burst from the pages like a killer whale breaching from the sea.

— David R. Boyd, environmental lawyer, professor, and author

Williams-Davidson does a great job of not only contextualizing the supernatural narrative but also applying it to current events that the Haida nation continues to experience.

— Canadian Journal of Native Studies

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