loving without being vulnrabul
- Publisher
- Talonbooks
- Initial publish date
- Jan 1997
- Category
- LGBT, NON-CLASSIFIABLE, Canadian
-
Paperback / softback
- ISBN
- 9780889223721
- Publish Date
- Jan 1997
- List Price
- $17.95
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Description
Poems that tell stories on many different levels: through sound, visual images, political insights, non-narrative fusion and linguistic music.
accepting th radiant dances uv being
4 kleerances uv ko dependenseez n help
th selvs being plural storeez sound
vizual politikul non narrativ fuseyn
linguisteek mewsik letting go uv th
rashyunalizasyuns irrashyunalizaysyuns
blaming games they made me putting th
focus on wuns selvs irridescent tinkshurs
simultaneous shiftings th langwages 4
aims chill n th needs 4 health edukay
syun sochul programs n civil human rites
guaranteez 2 lift us n loving th reelee
nameless being within each diffrent n
same prson th lines defining n dissolving
th jade n gold fevr on th edg reseed
in th disapeering air mixes n arous
th senses th prfume hints n th tall
buildings tottr seegulls encirculing
th see fadid turquois wood frame hous
sew stung by salt spray th soul rocks
loving th nameless isnesses within
each prson being
About the author
bill bissett
originalee from lunaria ovr 300 yeers ago in lunarian time
sent by shuttul thru halifax nova scotia originalee wantid 2
b dansr n figur skatr became a poet n paintr in my longings
after 12 operaysyuns reelee preventid me from following th
inishul direksyuns
?bill bissett
bill bissett garnered international attention in the 1960s as a pre-eminent figure of the counterculture movement in Canada and the United Kingdom. In 1964, he founded blewointment press, which published the works of bpNichol and Steve McCaffery, among others.
bissett’s charged readings, which never fail to amaze his audiences, incorporate sound poetry, chanting and singing, the verve of which is only matched by his prolific writing career?more than seventy books of bissett’s poetry have been published.
A pioneer of sound, visual and performance poetry?eschewing the artificial hierarchies of meaning and the privileging of things (?proper” nouns) over actions imposed on language by capital letters; the metric limitations imposed on the possibilities of expression by punctuation; and the illusion of formal transparency imposed on the written word by standard (rather than phonetic) spelling?bissett composes his poems as scripts for pure performance and has consistently worked to extend the boundaries of language and visual image, honing a synthesis of the two in the medium of concrete poetry.
Whether paying tribute to his hometown lunaria or exercising his native tongue dissent, bissett continues to dance upon upon the cutting edge of poetics and performance works.
bill bissett was recently a featured poet on the Heart of a Poet series, produced in conjunction with Bravo! TV.
Among bissett’s many awards are The George Woodcock Lifetime Achievement Award (2007); BC Book Prizes Dorothy Livesay Prize (2003) peter among th towring boxes / text bites; BC Book Prizes Dorothy Livesay Prize (1993) inkorrect thots.
Excerpt: loving without being vulnrabul (by (author) bill bissett)
accepting th radiant dances uv being
4 kleerances uv ko dependenseez n help
th selvs being plural storeez sound
vizual politikul non narrativ fuseyn
linguisteek mewsik letting go uv th
rashyunalizasyuns irrashyunalizaysyuns
blaming games they made me putting th
focus on wuns selvs irridescent tinkshurs
simultaneous shiftings th langwages 4
aims chill n th needs 4 health edukay
syun sochul programs n civil human rites
guaranteez 2 lift us n loving th reelee
nameless being within each diffrent n
same prson th lines defining n dissolving
th jade n gold fevr on th edg reseed
in th disapeering air mixes n arous
th senses th prfume hints n th tall
buildings tottr seegulls encirculing
th see fadid turquois wood frame hous
sew stung by salt spray th soul rocks
loving th nameless isnesses within
each prson being
Editorial Reviews
“Anybody who’s never heard [bissett] really ought to, because you’ll never think of poetry the same way after you hear him.”
— Citylife
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