Why have so many of this century's prominent political and literary critics wanted to find a single metaphor to describe the character of Canada? Why do so many use land-based metaphors to ask about the divisions between centres and margins, colony and empire, wealth and power? W.H. New, in Land Sliding: Imagining Space, Presence, and Power in Canadian Writing, investigates this established paradigm by examining why so many writers have accepted the land as a comprehensive image of nationhood. Is there in fact, he questions, a landscape which is 'natural,' unmediated by social values and literary representation?

Asking what 'land' as an abstract concept and a physical site has to do with writing, representation, and power, New looks at the 'sliding' relationship by which people associate their surroundings with their position in society. New's study of land in literature is a commentary on the way a culture produces values by transforming the 'natural' into literary idiom and, in turn, making literary convention seem natural. Land Sliding develops not as a history of uniformity or progress, but as a series of dialogues between past and present, between paradigms and disciplines. It draws on a wide range of texts including First Nations narratives, contemporary poetry and fiction, government documents, real estate ads, artwork, and photographs to illustrate the complex associations that link place, power, and language in Canada today.

W.H. New invites readers to look again at Canada's changing cultural character by rereading both the landscape and the people who have interpreted it. Land Sliding will have an important place in many disciplines, among them literary studies, geography, fine arts, and Canadian studies.

WILLIAM NEW is the author and editor of more than fifty books. A native of Vancouver, where he currently lives, he was educated at the University of British Columbia (where he later taught for 37 years) and the University of Leeds. From his first days as a student at UBC, he has been committed to the importance of Canadian writing and to making it accessible to readers around the world. His academic works include A History of Canadian Literature, the massive Encyclopedia of Literature in Canada, and several extensive studies of irony and the short story. Writing more personally, his Borderlands: how we talk about Canada and Grandchild of Empire consider how local perspectives inform our political judgments. A prize-winning teacher and researcher, he was awarded the Royal Society of Canada's Lorne Pierce Medal, and for his services to creative and critical writing he was appointed an Officer of the Order of Canada in 2006.

William New's creative publications include five books for children (including the internationally honoured The Year I Was Grounded) and eleven previous collections of poetry (including Underwood Log, shortlisted for the Governor General's Award; YVR, winner of the City of Vancouver Award; and New & Selected Poems). His latest collection, Neighbours, questions whether any of us ever lives alone.

These poems ask what it means to live near, whether in close proximity or in ragtag memory--and to consider what happens when closeness dissolves and a neighbourhood dies.

W.H. New's profile page