Twelve-year-old Molly was riding her new bicycle on a deserted road when a man in a truck pulled up next to her, saying he was lost. He asked if she could get in and help him back to the highway, and said he could bring her back to her bike after. Molly declined, out of interest for her own safety. The next things Molly remembers are dirt, branches, trees, pain, and darkness.
Molly is now a spirit.
Mustering up some courage, she pieces together her short life for herself and her family while she reassembles her bicycle—the same one that was found thrown into the trees on the side of the road. Juxtaposed with flashes of news, sounds, and videos, Molly’s chilling tale becomes more and more vivid, challenging humanity not to forget her presence and importance.
Tara Beagan is a proud Ntlaka’pamux and Irish “Canadian” halfbreed based in Calgary, Alberta. She is co-founder/director of ARTICLE 11 with her most cherished collaborator, Andy Moro. She served as the artistic director of Native Earth Performing Arts from February 2011 to December 2013. A Dora Mavor Moore Award–winning playwright, she has been in residence at Cahoots Theatre, NEPA, the National Arts Centre, and Berton House. Five of her twenty plus plays have been published, and her first film script, 133 Skyway, co-written with Randy Redroad, won the imagineNATIVE award for best Canadian drama. Beagan is also a Dora and Betty Mitchell Award–?nominated actor.
“In Spirit is a very touching piece, not only for the content, but also because of how we were transported into this little girl’s world… It is a refreshing change to see a play tackle a societal defect without hate and guilt. Through love and empathy it reminds us of the missing women and the horrors that are still taking place in our county.” —Emma Letki, Mooney on Theatre
“In Spirit, though perfectly straightforward, packs a cumulative emotional wallop, asking viewers simply to care about the loss of a precious life.” —Jon Kaplan, NOW Magazine
“Tara Beagan's In Spirit distills the tragic disappearance of hundreds of native women along BC's Highway of Tears into a powerful theatrical experience.” —Jon Kaplan, NOW Magazine