Two grown sisters face off over their mother's deathbed. Together they confront one another, their own identities, and what will remain when their mom leaves this world. A contemporary look at the significance of faith and family, Honour Beat evokes both laughter and tears as three women grapple with one of life's most difficult inevitabilities.

p style="MARGIN: 0cm 0cm 0pt" class="MsoNormal"&gtspan style="mso-ansi-language: EN-CA"&gtfont face="Times"&gtTara Beagan is a proud halfbreed of Ntlakaâ??pamux and Irish Canadian heritage. She is Artistic Director of Native Earth Performing Arts. Her debut play, i style="mso-bidi-font-style: normal"&gtThy Neighbourâ??s Wife/i&gt garnered three Dora Award nominations in â??05, winning for Best New Play. Ensuing plays include i style="mso-bidi-font-style: normal"&gtDreary and Izzy/i&gt, i style="mso-bidi-font-style: normal"&gtThe Fort at York/i&gt, for which she was head writer and co-director, and i style="mso-bidi-font-style: normal"&gtMiss Julie: Shehâ??mah/i&gt, which earned five â??09 Dora nominations. Short plays include i style="mso-bidi-font-style: normal"&gtQuilchena/i&gt, i style="mso-bidi-font-style: normal"&gtHere, Boy!/i&gt, i style="mso-bidi-font-style: normal"&gtFoundlings/i&gt, i style="mso-bidi-font-style: normal"&gtBLUEBEARDâ??S WI7E/i&gt, i style="mso-bidi-font-style: normal"&gtTransCanada/i&gt, and i style="mso-bidi-font-style: normal"&gtAnatomy of an Indian/i&gt. She was playwright-in-residence at the National Arts Centre in 2011, at NEPA in 2009/2010, and at Cahoots in 2007/2008. As well as a mentor for emerging theatre artists, Tara has written for film and radio, and is a Dora- and Betty-nominated actor.?xml:namespace prefix="o" ns="urn:schemas-microsoft-com:office:office" /&gto:p&gt/o:p&gt/font&gt/span&gt/p&gt

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“Honour Beat is an important work of art...celebrates — honours —women as the givers and sustainers of life…The ending is extraordinary.” —Globe & Mail

“The final uplifting, spiritual moments of Honour Beat will linger with you long after you’ve left the theatre…the beautiful sentiments at the heart of the play. —Calgary Herald