Between 1860 and 1930 an officially sanctioned child migration from Britain to Canada took place. During that time over 80,000 children, unaccompanied by their parents or siblings and often separated from them forever, were placed at Canadian factories and farms where, more often than not, they were exploited as indentured child labourers.
Alistair is a retired farmer who lives with his sister-in-law Flora and son Ewan on their family homestead. No longer a profitable or even a viable enterprise, the fields have long been leased out and the house is in serious disrepair. The scattered remnants of the family are vainly trying to hold it together and not doing a very good job of it. Lorna, Alistair’s daughter, comes to visit for the first time since her marriage failed, for a shaky reunion that soon turns acrimonious. Alistair, grumpy and distracted as ever, suffers a stroke and his illness finally releases the memory of a secret that he had buried deep within himself years ago. He longs for Katie, the younger sister he was forced to leave behind in Scotland when he came to Canada in 1922 as a “home child.”
This is a play about family secrets and about the many forms of love, longing and aspiration they conceal. And it’s about loss. It takes a piece of history from a dark corner of our country’s past and dramatizes its tragic impact through the generations of one family. Homechild is set in Glengarry County in eastern Ontario where both of Joan MacLeod’s parents were raised on farms just a few miles apart. Each had home children working on their family’s farms in the 1920s, something she wasn’t aware of when she first started her research for this play.
Homechild premiered at The Belfry in Victoria on September 18, 2007.

Multiple Betty Mitchell, Chalmer’s, Dora ,and Governor General’s Award-winning author Joan MacLeod grew up in North Vancouver and studied Creative Writing at both the University of Victoria and the University of British Columbia.Now an internationally celebrated star of the world of the theatre, MacLeod developed her finely honed playwriting skills during seven seasons as playwright-in-residence at the Tarragon Theatre in Toronto. She turned her hand to opera with her libretto for The Secret Garden, which won a Dora Award. She has had many radio dramas produced by CBC Stereo Theatre, including Hand of God, a one-hour drama adapted from her play Jewel. She has also written numerous scripts for film and television productions.Translated into eight languages, her work has been extensively produced around the world. Multiple simultaneous productions of her hit play Shape of a Girl toured internationally for four years, including a sold-out run in New York. Her play Amigo’s Blue Guitar won the 1991 Governor General’s Drama Award. Her Governor General’s Award nominations include one in 1996 for The Hope Slide / Little Sister and one in 2009 for Another Home Invasion.Talon has also published her 2000, Gracie, The Valley, Toronto, Mississippi, and Homechild.MacLeod also writes prose and poetry, which has been published in a wide variety of literary journals. She also teaches Creative Writing at the University of Victoria.

Joan MacLeod's profile page

"MacLeod has written a moving story of hugh implications—what family, identity and personal history mean."
— CBC