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Biography & Autobiography Composers & Musicians

Ghost Rider

Travels on the Healing Road

by (author) Neil Peart

Publisher
ECW Press
Initial publish date
Jun 2002
Category
Composers & Musicians, General
  • Paperback / softback

    ISBN
    9781550225488
    Publish Date
    Jun 2002
    List Price
    $24.95
  • Hardback

    ISBN
    9781550225464
    Publish Date
    Jun 2002
    List Price
    $34.95
  • eBook

    ISBN
    9781554907069
    Publish Date
    Jun 2002
    List Price
    $15.99

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Description

 

Within a ten-month period, Neil Peart lost both his 19-year-old daughter, Selena, and his wife, Jackie. Faced with overwhelming sadness and isolated from the world in his home on the lake, Peart was left without direction. This memoir tells of the sense of personal devastation that led him on a 55,000-mile journey by motorcycle across much of North America, down through Mexico to Belize, and back again.

Peart chronicles his personal odyssey and includes stories of reuniting with friends and family, grieving, and reminiscing. He recorded with dazzling artistry the enormous range of his travel adventures, from the mountains to the seas, from the deserts to the Arctic ice, and the memorable people who contributed to his healing.

Ghost Rider is a brilliantly written and ultimately triumphant narrative memoir from a gifted writer and the drummer and lyricist of the legendary rock band Rush.

 

About the author

Neil Peart is an internationally acclaimed, bestselling, and award-nominated author, and for more than thirty-five years has been the celebrated drummer and lyricist for Rush, the most successful band in the history of Canadian rock music. Defying categorization, his books have earned a devoted, ever-growing readership by combining elements of memoir, travel writing, and social commentary with a thoughtful, musical sense of self-discovery. His previous books include ROADSHOW: Landscape With Drums, A Concert Tour by Motorcycle (2006), the story of Peart’s two-wheeled travels on Rush’s 30th Anniversary tour in 2004; TRAVELING MUSIC: The Soundtrack to My Life and Times (2004), a unique triple memoir of a man, a musician, and a traveler; and THE MASKED RIDER: Cycling in West Africa (1996), a richly textured account of bicycle touring in “the continent where both life and art began.” The relentlessly soul-searching GHOST RIDER: Travels on the Healing Road (2002) was chosen by The Writers’ Trust of Canada as a Drainie-Taylor Biography Prize finalist for its “exceptional merit” as one of the five best biographies of the year. For their achievements, Peart and his Rush bandmates have been appointed Officers of the Order of Canada, the country’s highest civilian honor.

Neil Peart's profile page

Excerpt: Ghost Rider: Travels on the Healing Road (by (author) Neil Peart)

 

Outside the house by the lake the heavy rain seemed to hold down the darkness, grudging the slow fade from black, to blue, to gray. As I prepared that last breakfast at home, squeezing the oranges, boiling the eggs, smelling the toast and coffee, I looked out the kitchen window at the dim Quebec woods gradually coming into focus. Near the end of a wet summer, the spruce, birch, poplars, and cedars were densely green, glossy and dripping.

For this momentous departure I had hoped for a better omen than this cold, dark, rainy morning, but it did have a certain pathetic fallacy, a sympathy with my interior weather. In any case, the weather didn’t matter; I was going. I still didn’t know where (Alaska? Mexico? Patagonia?), or for how long (two months? four months? a year?), but I knew I had to go. My life depended on it.

Sipping the last cup of coffee, I wrestled into my leathers, pulled on my boots, then rinsed the cup in the sink and picked up the red helmet. I pushed it down over the thin balaclava, tightened the plastic rainsuit around my neck, and pulled on my thick waterproof gloves. I knew this was going to be a cold, wet ride, and if my brain wasn’t ready for it, at least my body would be prepared. That much I could manage.

The house on the lake had been my sanctuary, the only place I still loved, the only thing I had left, and I was tearing myself away from it unwillingly, but desperately. I didn’t expect to be back for a while, and one dark corner of my mind feared that I might never get back home again. This would be a perilous journey, and it might end badly. By this point in my life I knew that bad things could happen, even to me.

I had no definite plans, just a vague notion to head north along the Ottawa River, then turn west, maybe across Canada to Vancouver to visit my brother Danny and his family. Or, I might head northwest through the Yukon and Northwest Territories to Alaska, where I had never travelled, then catch the ferry down the coast of British Columbia toward Vancouver. Knowing that ferry would be booked up long in advance, it was the one reservation I had dared to make, and as I prepared to set out on that dark, rainy morning of August 20th, 1998, I had two and a half weeks to get to Haines, Alaska — all the while knowing that it didn’t really matter, to me or anyone else, if I kept that reservation.

Out in the driveway, the red motorcycle sat on its centerstand, beaded with raindrops and gleaming from my careful preparation. The motor was warming on fast idle, a plume of white vapor jetting out behind, its steady hum muffled by my earplugs and helmet.

I locked the door without looking back. Standing by the bike, I checked the load one more time, adjusting the rain covers and shock cords. The proverbial deep breath gave me the illusion of commitment, to the day and to the journey, and I put my left boot onto the footpeg, swung my right leg high over the heavily laden bike, and settled into the familiar saddle.

My well-travelled BMW R1100GS (the “adventure-touring” model) was packed with everything I might need for a trip of unknown duration, to unknown destinations. Two hard-shell luggage cases flanked the rear wheel, while behind the saddle I had stacked a duffel bag, tent, sleeping bag, inflatable foam pad, groundsheet, tool kit, and a small red plastic gas can. I wanted to be prepared for anything, anywhere.

Because I sometimes liked to travel faster than the posted speed limits, especially on the wide open roads of the west — where it was safe in terms of visible risks, but dangerous in terms of hidden enforcement — I had decided to try using a small radar detector, which I tucked into my jacket pocket, with its earpiece inside the helmet.

A few other necessities, additional tools, and my little beltpack filled the tankbag in front of me, and a roadmap faced up from a clear plastic cover on top. The rest of the baggage I would carry away with me that morning had less bulk, but more weight — the invisible burdens that had driven me to depart into what already seemed like a kind of exile.

 

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