In a thoroughly modernized, constantly updating society, where can true connection be found?
The bodies of citizens and the infrastructure surrounding them is constantly updating. People can’t recognize themselves in old pictures, and they wake up in apartments of completely different sizes and shapes. Commuter routes radically differ day to day. The citizens struggle with adaptability as updates happen too quickly, and the changes are far too radical to be intuitive. There is no way to resist—the updates are enacted by a nameless, faceless force.
The narrator of Familiar Face works in the government’s department of complaints, reading through citizens’ reports of the issues they’ve had with the system updates. The job isn’t to fix anything but rather to be the sole human sounding board, a comfort in a system so decidedly impersonal. These complaints aren’t mere bug reports—they can be anything: existential, petty, just plain heartbreaking.
Michael DeForge’s ability to find the humanity and emotional truth within the outlandish bureaucracy of everyday life is unparalleled. The signatures of his work—a vibrant color palette, surreal designs, and a self-aware sense of humor—enliven an often bleak technocratic future. Familiar Face is a masterful and deeply funny exploration of how we define our sense of self, and how we cope when so much of life is out of our control.

Michael DeForge's profile page

Michael DeForge was born in 1987 and has written eight books, including Ant Colony, Big Kids, Sticks Angelica, and Leaving Richard’s Valley. He has been a celebrity judge for the Midland Butter Tart Festival. He is currently on a treadmill.

In Familiar Face, Michael DeForge's genius brain foreshadows a not-so-distant future where optimization is the ruling dictator. Underneath DeForge's hyper-coloured, fragmented style and signature deadpan Is a prescient mourning for what is lost after the onslaught of updates and upgrades. One of the most compelling works to date by my favourite Canadian writer." - Vivek Shraya, author of Death Threat and I'm Afraid of Men

"At first glance, Familiar Face may seem to be set in a far-off dystopia, but the longer you remain in this strange world, the more it begins to feel uncannily familiar, an almost-too-accurate depiction of our world. Yet, for all its disquiet, this was a pleasure to read. Michael DeForge's elastic, friendly line is full of humour and wistful charm." - Ling Ma, author of Severance
"Familiar Face imagines a society in which the acceleration of capitalism has reached a feverish peak. In the name of optimization, the world is constantly reshaping itself. Citizens wake each morning in unfamiliar bodies, their features wholly transformed; the map shuffles weekly, sometimes even daily, resulting in inescapable culs-de-sac and sudden dead ends." - The Paris Review
"In this future [the] consumer complaint has become everyone's favourite mode of self-expression. Mourning the loss of her lover, DeForge's protagonist reads signs, explanations and epiphanies into everything. . . Come for the consumer satire; stay for the heartache." - The London Times
"If you feel like the ground has shifted under your feet, of late - that the terrain you face is utterly unrecognizable - have I got the book for you." - The Globe & Mail
"