Since its beginning, Comparative Literature has been characterized as a discipline in crisis. But its shifting boundaries are its strength, allowing for collaboration and growth and illuminating a path forward. In Comparative Literature for the New Century a diverse group of scholars argue for a distinct North American approach to literary studies that includes the promotion of different languages.
Chapters by senior scholars such as George Elliott Clarke, E.D. Blodgett, and Sneja Gunew are placed in dialogue with those by younger scholars, including Dominique Hétu, Maria Cristina Seccia, and Ndeye Fatou Ba. The writers, many of whom are multilingual, discuss problems with translation, identity and belonging, the modern epic, the role of tradition, minority writing, Francophone and Anglophone novels in Africa, and politics in literature. Engaging with theory, history, media studies, psychology, translation studies, post-colonial studies, and gender studies, chapters exemplify how the knowledge and tools offered by Comparative Literature can be applied in reading, exploring, and understanding not only literary productions but also the world at large.
Presenting some of the most current work being carried out by academics and scholars actively engaged in the field in Canada and abroad, Comparative Literature for the New Century promotes the value of Comparative Literature as an interdisciplinary study and assesses future directions it might take.
Contributors include George Elliott Clarke (University of Toronto), Dominique Hétu (Alberta & Montreal), Monique Tschofen (Ryerson), Jolene Armstrong (Athabasca), E.D. Blodgett (Alberta), Ndeye Fatou Ba (Ryerson), Maria Cristina Seccia (Hull), Sneja Gunew (UBC), Deborah Saidero (Udine), Elizabeth Dahab (CSULB), Gaetano Rando (Wollongong), Anna Pia De Luca (Udine), Mark A. McCutcheon (Athabasca), Giulia De Gasperi (PEI), and Joseph Pivato (Athabasca).
About the authors
Giulia De Gasperi is an independent scholar, editor, and translator living in Prince Edward Island.
Joseph Pivato has been a Professor of English and Humanities at Athabasca for many years, and has also been Visiting Professor at other universities. In 1984-85 he was Research Fellow in the Ethnic and Immigration Studies Program at the University of Toronto. In 1987-88 he was the M.A. Elia Chair in Italian-Canadian Studies at York University and taught the first course on Italian-Canadian writing offered anywhere. In 1991 he was The Canadian Visiting Fellow at Macquarie University, Sydney, Australia. On these occasions he was able to do original research in Ethnic Minority Writing and the History of Italian-Canadian writing. His books include: Contrasts: Comparative Essays on Italian-Canadian Writing (Guernica, 1985), Echo: Essays on Other Literatures (1994) and The Anthology Of Italian-canadian Writing (Guernica, 1998). He was one of the writers included in Pier Giorgio Di Cicco'sRoman Candles (1978).
Linda Hutcheon holds the rank of University Professor of English and Comparative Literature at the University of Toronto. A specialist in postmodernist culture and in critical theory, on which she has published nine books, she has also worked collaboratively in large projects involving hundreds of scholars.
Other titles by Giulia De Gasperi
Other titles by Joseph Pivato
Almond Wine and Fertility
Building on a Literary Identity
Ten Canadian Writers in Context
Essays on Her Works
Essays on George Elliott Clarke
Pier Giorgio Di Cicco
Essays on His Works
Mary di Michele
Essays on Her Works
Writing the Terrain
Travelling Through Alberta with the Poets
Essays on His Work
Essays on Other Literatures
Other titles by Linda Hutcheon
Greening the Maple
Canadian Ecocriticism in Context
The Canadian Postmodern
A Study of Contemporary Canadian Fiction, Reissue
The Postwar Novel in Canada
Narrative Patterns and Reader Response
Rethinking Literary History
A Dialogue on Theory
George Woodcock's Introduction to Canadian Fiction
Essays on Verbal and Visual Ironies in Canadian Contemporary Art and Literature
Leonard Cohen and His Works
The Metafictional Paradox