Two gay men with a lifetime of secrets face their insular, homophobic island’s rancour.

Growing up in neighbouring villages on the tiny island nation of St Vincent, teenage best friends Gordon and Allen are secret lovers until their community’s traditional expectations and fear of how others will react forces them apart. They each complete their university studies abroad, encountering worlds where there is less hostility toward LGBTQ+ people. Tempted to stay, both men ultimately return home, hiding who they are.

Their secret lives come at the expense of others, and Gordon’s wife, Maureen, is the first to be irreparably harmed. She has confided her secrets to an accusatory journal, and it is now up to Gordon to keep it from the local media and the unforgiving eyes of the authorities. If the truth is revealed, he and Allan will be the next victims.

H[ubert] Nigel Thomas grew up in St Vincent and the Grenadines but moved to Montreal in 1968. He is the author of 11 books and dozens of essays. His novels Spirits in the Dark and No Safeguards were shortlisted for the Quebec Writers Federation Hugh MacLennan Fiction Prize. Des vies Cassées (the translation of Lives: Whole and Otherwise) was shortlisted for le Prix Carbet des Lycéens. He holds the 2000 Professional of the Year Jackie Robinson Award, the 2013 Université Laval’s Hommage aux créateurs, and the 2020 Black Theatre Workshop’s Martin Luther King Jr. Achievement Award. The Canadian High Commission to Barbados and the Eastern Caribbean States deems him to be one of Canada’s outstanding immigrants from St Vincent and the Grenadines. His books Behind the Face of Winter and Lives: Whole and Otherwise have been translated into French.

H. Nigel Thomas' profile page

Dispassionate and yet profoundly engaged, employing a fraught double lens, A Different Hurricane is a generational saga in which emotions and their consequent behaviours are Category Five winds surging about an eye of enforced inauthenticity, causing catastrophic damage, shattering homes, destroying dreams. Superb at creating landscapes and fathoming the manners and mores of Caribbean island societies, master storyteller H. Nigel Thomas continues his decades-old project of exploring how gay men from small places risk life and limb to discover how to be themselves in the world.

Pamela Mordecai, author of A Fierce Green Place

In this powerful novel, H. Nigel Thomas reminds us that shame is an outcome of an intolerant society, but friendship, forgiveness, and ultimately, love are choices that each of us has the power to make. A Different Hurricane, with its examination of love between mature black gay and bisexual men, is reminiscent of James Baldwin’s masterpiece Just Above My Head and Bernadine Evaristo’s Mr. Loverman.

Charles I. Nero, Professor of Rhetoric, Film, and Screen Studies and Africana

H. Nigel Thomas guides us to the tempest’s deceptively calm eye, where each soul is revealed in subtle shades of light and dark and the faintest whispers of their human spirit heard.

Clayton Bailey, author of Optiques

H. Nigel Thomas’s novel shines unsparing light on a hypocritical society where reputation can make or break a person’s career and where public disclosure of homosexuality can lead to physical violence and social ostracism.

Ifeona Fulani, author of Ten Days in Jamaica and Seasons of Dust

While Caribbean queerness always looks and feels different to its Western counterparts, H. Nigel Thomas opens up once again the always emerging Caribbean-Canadian novel to his signature LGBTQ themes of community, family, spirituality and diaspora. A Different Hurricane’s significant departure in queer Caribbean writing lies in its exploration of queer aging with HIV/AIDS. Told from multiple points of view, A Different Hurricane offers a portrait of a queer protagonist — husband, father, friend, lover — never before seen in the pages of our literature.

Faizal Deen, author of Land Without Chocolate

In Caribbean society, where homosexuality is often seen as a secret vice, this is a story of unflinching loyalty and genuine love. For years, Gordon has struggled to fulfill the role of husband and father, all the while longing to face society honestly. In this threatening atmosphere, instead the dénouement offers a revelation of courage and lucid humanism.

Judith Elaine Cowan, author of The Permanent Nature of Everything