Versatile and prolific, Robertson Davies was an actor, journalist and newspaper publisher, playwright, essayist, founding master of Massey College at the University of Toronto, and one of Canada’s greatest novelists. He was also an obsessive, complex, and self-revealing diarist. His diaries, which he began as a teenager, grew to over 3 million words and are an astonishing literary legacy. This first published selection of his diaries spans 1959 to 1963, years in which Davies, in mid-life, experienced both daunting failure and unexpected success.
Born in Thamesville, Ontario, in 1913, he was educated at local schools, then Upper Canada College, Queen’s University and Oxford University. He worked in England at the famous Old Vic theatre as an actor and literary advisor before returning to Canada where he became the editor and publisher of the Peterborough Examiner, established himself as a prominent Canadian playwright, and published his first three novels now known as the Salterton Trilogy. By 1959, at the age of forty-five, Robertson Davies was already one of Canada’s leading literary figures. Even so the diaries show that he was frustrated by the limitations of his literary success, often exasperated with the distractions of his daily life and buffeted by his mental and emotional state. They also show that he enjoyed life, was deeply interested in the society he lived in, and in the people he encountered. More often than not he found comedy in the world around him and delighted in recording it. He kept not only a daily journal, but also more focused diaries such as his accounts of the Toronto and New York production of his play Love and Libel, when he worked closely with the great British director Tyrone Guthrie, and of the founding of Massey College, the brainchild of Vincent Massey. The descriptions of backstage and academic politics are invariably entertaining, but in his diaries Davies also reveals himself as intensely self-critical, frequently insecure, and with a highly changeable nature that he described as his “celtic temperament.” We also see him as a partner in an intensely happy and creative marriage, and as a man with an astonishing capacity for hard work. By the end of 1963 his life had taken a new direction. As master of Massey College, he finds himself a public figure, but he is increasingly preoccupied with a new novel he wants to write which he is calling Fifth Business.
The publication of A Celtic Temperament establishes Robertson Davies as one of the great diarists. In their range, variety, intimacy, and honesty his diaries present an extraordinarily rich portrait of the man and his times.
About the authors
Robertson Davies, novelist, playwright, literary critic and essayist, was born in 1913 in Thamesville, Ontario. He was educated at Queen's University, Toronto, and Balliol College, Oxford. Whilst at Oxford he became interested in the theatre and from 1938 until 1940 he was a teacher and actor at the Old Vic in London. He subsequently wrote a number of plays. In 1940 he returned to Canada, where he was literary editor of Saturday Night, an arts, politics and current affairs journal, until 1942, when he became editor and later publisher of the Peterborough Examiner. Several of his books, including The Diary of Samuel Marchbanks and The Table Talk of Samuel Marchbanks, had their origins in an editorial column. In 1962 he was appointed Professor of English at the University of Toronto, and in 1963 was appointed the first Master of the University's Massey College. He retired in 1981, but remained Master Emeritus and Professor Emeritus. He held honorary doctorates from twenty-six universities in the UK, the USA and Canada, and he received numerous awards for his work, including the Governor-General's Award for The Manticore in 1973. It is as a writer of fiction that Robertson Davies achieved international recognition, with such books as The Salterton Trilogy (Tempest-Tost, Leaven Of Malice, winner of the Leacock Award for Humour, and A Mixture Of Frailties); The Deptford Trilogy (Fifth Business, The Manticore and World Of Wonders); The Cornish Trilogy (The Rebel Angels, What's Bred in the Bone, shortlisted for the 1986 Booker Prize, and The Lyre of Orpheus); Murther & Walking Spirits; and The Cunning Man. His other work includes One Half of Robertson Davies, The Enthusiasms of Robertson Davies, Robertson Davies: The Well-Tempered Critic, The Papers of Samuel Marchbanks, High Spirits, A Voice From The Attic and The Merry Heart, a posthumous collection of autobiography, lectures and essays. Many of his books are published by Penguin.
Robertson Davies died in December 1995. Malcolm Bradbury described him as 'one of the great modern novelists', and in its obituary The Times wrote: 'Davies encompassed all the great elements of life...His novels combined deep seriousness and psychological inquiry with fantasy and exuberant mirth.'
“Robertson Davies was an original and his diary may well prove to be the best and most riveting ever produced by a Canadian. It bears a welcome affinity to the diaries of Samuel Pepys and Sir Henry ‘Chips’ Channon, but because of Davies’ broad, complicated humanity, it also stands alone in its celebration of a life lived to the full in this remarkable man’s very own world of wonders.” —John Fraser, master emeritus, Massey College
“With frankness and humanity, A Celtic Temperament tracks the emerging Canadian literary soul, circa mid-20th century. Even better, these lovingly curated diaries summon the spirit of one great literary soul at a key juncture. Here is the Robertson Davies some may have forgotten – talented, ambitious, loving, stern, frail and very funny. Surely he is back among us for good.” —Charles Foran, author of Mordecai: The Life & Times
“Davies himself called his diary-keeping ‘thoroughly selective and dishonest,’ but in fact this installment is thoroughly disarming and engaging. Dinners, gossip, tantrums, deep thought—it’s like your own diary, but much more fun to read. His advice to self, his writing woes and resolutions, his New Year’s visit to an astrologer (‘I am on an upward pathway… Will in later life be very much a sage and teacher’). All the ephemera and permanence of life combine to give us a vivid and entertaining portrait of the man and the times.” —Marina Endicott, author of Close to Hugh
“This book sheds fascinating new light on Canada’s most famous man of letters. Davies’ witty observations about Canada in the 1960s contrast sharply with his own sense of failure and despair. He is funny, frank and unexpectedly fragile.” —Ann MacMillan, former CBC London Bureau Chief
"The diaries are irrepressible, erudite, gossipy, and extremely naughty. I literally could not put them down. Anyone interested in Davies’ thoughts on the theatre of Stratford and Toronto in the early 60s—and more importantly, in his description of the creation of Massey College —will find these diaries irresistible." —Martha Henry, actor and director