Playwriting

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The Blunt Playwright

The Blunt Playwright

An Introduction to Playwriting
edition:Paperback
also available: Paperback
tagged : playwriting
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Excerpt
Welcome

 

Welcome to the second edition of the The Blunt Playwright.

I initially wrote this book over a decade ago when I realized how thoroughly colonized Canadian theatre remained, even after decades of notable, homegrown, work. In Canadian classrooms, libraries, and bookstores you could find any number of texts on the topic of playwriting, but not one that employed regular exemplars written by Canadians. It was as though Canadian playwrights and playwriting had never existed.

I embarked on a search, found—?of course—?that there was no shortage of terrific Canadian plays to draw from, and so set out to create a text that used examples from many countries, including Canada.

Since the book was first launched, however, many things have changed. The technology employed in the profession is probably the most noticeable aspect. It was, for example, standard at one time for a playwright to slip their brand new script into a brown envelope and mail it to a potential producing theatre. Now, although some theatres continue to require a hard copy, the majority request electronic submissions. At the same time, adaptations and improvisational approaches to playwriting have gained greater currency. This second edition attempts to reflect these changes.

As might be expected, new and exciting plays have been written since The Blunt Playwright first hit the bookshelves. I’ve included scenes from several recent works in this edition.

As well, I received feedback from readers that found the writing exercises included in the book enormously useful, and consequently have added a couple more to the roster.

Over a decade after having written The Blunt Playwright, I remain convinced that there is no livelier, more genuinely human form of writing than playwriting, and this book continues to offer the same message about the writing process that it did when it was first released. There are no easy routes to success; no secrets, no rules, no shortcuts. There continues to be only one way to find your way to the audience and that is to write your way there.

So enjoy the process, set your fears aside, and get busy.

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King Arthur's Night and Peter Panties

King Arthur's Night and Peter Panties

A Collaboration Across Perceptions of Cognitive Difference
edition:Paperback
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Theatre of the Unimpressed

Theatre of the Unimpressed

In Search of Vital Drama
edition:eBook
also available: Paperback
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