SHORTLISTED FOR THE 2013 OTTAWA BOOK AWARD
SHORTLISTED FOR THE 2013 ARCHIBALD LAMPMAN AWARD
SHORTLISTED FOR THE 2013 RELIT AWARD
Conflict interweaves ghosts, bad communication, the uncanny and the archival, to create a collection of poems that break down remembrance into abandoned historic markers, jet fuel, keening, or teeth. What you are given (this is a gift) is an insistent refusal to silence or shift. In exchange, the reader must face the impossibility of erasure, a gritty resistance to mourn a fight. Conflict is a collection of red balloons that intersplices and interweaves through various forms of conflict that occur in language, motion, architecture, emotions; between individuals, systems, and mechanical silences.

Christine McNair is the author of Charm (winner of the 2018 Archibald Lampman Award), Conflict (finalist for the City of Ottawa Book Award, the Archibald Lampman Award, and the ReLit Award for Poetry), and Toxemia. She was also nominated for the Robert Kroetsch Award for Innovative Poetry. Her chapbook pleasantries and other misdemeanours was shortlisted for the bpNichol Chapbook Award. Her work has appeared in sundry literary journals and anthologies. McNair lives in Ottawa where she works as a book doctor.

Christine McNair's profile page

• Short-listed, City of Ottawa Book Award
• Short-listed, Archibald Lampman Award
• Short-listed, ReLit Award for Poetry

“There are so many striking moments of self-reflection and they are all so interesting that my readings prompt me to make an evidentiary list of some of them. It is particularly fruitful to hold these reflective moments up against the other primary modality of this book: which is an intense, intimate-driven, chaotic, incarcerating, phrasal composition by sonic vivacity. McNair has got a near ear. Her textural play is fantastic… This is a terrifically loaded book.” —Margaret Christakos, Arc Poetry Magazine

“There are so many striking moments of self-reflection and they are all so interesting that my readings prompt me to make an evidentiary list of some of them. It is particularly fruitful to hold these reflective moments up against the other primary modality of this book: which is an intense, intimate-driven, chaotic, incarcerating, phrasal composition by sonic vivacity. McNair has got a near ear. Her textural play is fantastic… This is a terrifically loaded book.” —Margaret Christakos, Arc Poetry Magazine