Description
On the eve of World War II in a Parisian café, Anaïs Nin and June Miller meet again after years and an ocean apart. There, they share the space with some of Paris's notorious and eccentric artists who are an orchestra of contrasting voices, reflecting on art and misery; creativity and identity; female sexuality and power. They battle with words and wills, a lingering violence in the air. Inspired by the real life, Anais Nin, June Miller and Antonin Artaud, Catherine Leger explores the language of power and the role of art for its creator and the world around them.
About the authors
Catherine Léger has written for theatre, television, and film. Her plays include Voiture américaine and the short pieces Perdus, Lost, and Catfight, and she was a writer for the Radio-Canada series La job and Toc toc toc. She is currently working with Ian Lauzon on the development of several television projects and feature films.
Catherine Léger's profile page
Leanna Brodie is an actor, writer and translator. Her plays (published by Talonbooks) include For Home and Country, The Vic and Schoolhouse, as well as CBC radio dramas Invisible City and Seeds of Our Destruction. She was the first Canadian invited to the ACT/Hedgebrook Women Playwrights’ Festival. She also translates Quebec drama into English—most recently, Louise Bombardier’s Ma mère chien and Hélène Ducharme’s Baobab. Her libretti were heard in Tapestry New Opera Works’ Opera to Go 2008; in David Ogborn’s acclaimed site-specific piece, Opera on the Rocks; and in Emergence, his song cycle featuring a singing robot. The Angle of Reflection, with New Zealand composer Anthony Young, was produced by the Auckland Philharmonia Orchestra. This season, The Book of Esther, a love story about urban queers and rural evangelicals, premieres at the Blyth Festival. Schoolhouse has been seen by over 20, 000 Canadians in multiple sold-out runs, and is slated for further productions in 2010.
