Everything Colin Browne has made up or invented in The Shovel seems written in prose; everything in it he has “unearthed”—from research, the stories of others and source texts—appears as poetry. In this extraordinary book, he has inverted the way we have been defining and privileging forms of language in English for the last century; self-expression becomes prosaic, the recording of history, poetic.

While The Shovel contains a range of styles and voices—everything from concrete poetry to “recollections of things past in tranquility” to delightfully humourous accounts of the poet’s accidental encounters with prominent philosophers—this book lives and sings through its epic passages. Ezra Pound defined the epic as “a poem containing history,” and in these necessary poems Browne is a restless prowler through history’s layers, sudden veerings and terrible, wonderful intersections. The Shovel is a book composed in wartime, an act of reckoning, a record of unkept anniversaries and possible histories (in texts devoted to the likes of Duke Ellington, Billy Strayhorn, Linton Garner). In exhuming the mesopelagic shades of the 20th century, The Shovel collapses, at last, the reigning fiction of time.

Every age demands a poetry to contain it, and here Colin Browne takes a measure of both the privileges and the appalling costs of service and citizenship, from colonial British Columbia to World War I Mesopotamia.

Colin Browne’s most recent book of poetry, Here, was published by Talonbooks in September 2020. His extended essay, Entering Time: The Fungus Man Platters of Charles Edenshaw (Talonbooks, 2016), is a poetic exploration of three argillite platters made by Haida artist Da.a xiigang (Charles Edenshaw) between 1885 and 1895. In 2018, Browne and composer Alfredo Santa Ana collaborated on the creation of Music for a Night in May, three new works for string quartet, soprano, and spoken voice, presented at the Vancouver East Cultural Centre. He was the guest curator in 2016 for the Vancouver Art Gallery exhibition I had an interesting French Artist to see me this summer: Emily Carr and Wolfgang Paalen in British Columbia, a show that featured the largest number of Paalen’s paintings ever exhibited in Canada. He has recently written catalogue essays for exhibitions in New York and Vienna that reflect on the history and legacy of the Surrealist engagement with the ceremonial and monumental arts of the Northwest Coast. Browne is currently working on a book about Wolfgang Paalen’s 1939 journey from Alaska to Victoria, tentatively entitled Wolfgang Paalen’s Northwest Passage.

Colin Browne's profile page

• Short-listed, ReLit Award for Poetry

“The epic sweep of pieces is impressive, at times rapturous. They are worth digging for.”
—Quill & Quire

“The skill and intense ardor of the mind at work … is delightful.” — Fred Wah

“The Shovel is a major work, confirmation of Colin Browne’s exacting artistry, his ability to bring such a wide range of materials into a single, epic (in the sense that Pound gave to that term), and devastatingly concentrated unity of purpose. One of those necessary books, it earns and deserves our closest attention.”
—Canadian Literature