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Poetry Canadian

Ground Water

by (author) Colin Browne

Publisher
Talonbooks
Initial publish date
Mar 2002
Category
Canadian
  • Paperback / softback

    ISBN
    9780889224650
    Publish Date
    Mar 2002
    List Price
    $19.95

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Description

Colin Browne’s exciting new work Ground Water received a glowing review in The Georgia Straight (June 6-13, 2002 issue). In all map making, one begins with the representation of ‘ground’ and ‘water,’ and what grows or is constructed on these representations is rendered by a series of conventional symbols-the ‘elements of topography.’ This book of poems is an investigation of the elements of the spiritual topography of the 20th century, and a close examination of the conventional symbology passed on to the poet/map-maker by his ancestors-his father and mother, his grandparents, his aunts and uncles. It is a paralysing inheritance which is rendered here-an entire century, not begun with ‘the war to end all wars,’ but a century through which that great calamity of mechanized and mass-produced misunderstandings was perpetually reproduced.
These ancestors have abetted suffering they could never have imagined. Accessories to crimes against whole populations that made possible their pleasures and their grace, they’re humiliated and ashamed, mortified by themselves, by their indignity and complicity. Incapable of reversing the inhumanity of what they have created, they have left the traces of their deeds on the landscape, fragments of correspondence for their sons and daughters to decipher.
Within this wilderness of the 20th century, the green flame of life continually presents itself in these poems as an emergency-an emergence, a coming-out, a flower, a bloom of identity, shape and form, requiring immediate attention and action, asserting itself as mimesis, and constituting a disruption of the conventional representations of the symbolic.

About the author

Clint Burnham is widely published as a critical theorist, poet, and author of books on digital culture. He is the author of book-length studies of Steve McCaffery and Fredric Jameson, a novel titled Smoke Show (2005), and several books of poetry, including The Benjamin Sonnets (2009). His most recent critical book is The Only Poetry that Matters: Reading the Kootenay School of Writing (2012). His most recent art writing includes a catalogue essay on Canadian photographer Kelly Wood; an essay on Edward Burtynsky is in the forthcoming Petrocultures collection from McGill-Queens. During a residency at the Urban Subjects Collective in Vienna in 2014–15, he wrote books on Slavoj Žižek and digital culture, and on Fredric Jameson and Wolf of Wall Street.Burnham is an associate member of the SFU Department of Geography and a member of SFU’s Centre for Global Political Economy. He is a founding member of the Vancouver Lacan Salon.

Colin Browne's profile page

Awards

  • Short-listed, BC Book Prize: Dorothy Livesay Poetry Prize
  • Short-listed, Governor General’s Literary Award for Poetry

Editorial Reviews

“You are different after you have read this book.” — The Georgia Straight

“Browne fosters in Ground Water not only polyvocality but a ranging polyformality of spacious collage, tight lists, knotted rambunctious densities of word and sentence, sonic wordplay, narrative and lyric.” — Publishers Weekly

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