It is 1976. In a tavern in the Point Saint Charles working class district of Montreal, three friends gather on their lunch hour and reminisce about the past. They are survivors of a decade. One is Jerry Nines, a writer who has had some success, having written a novel and a hit play. The others are Jackie Robinson and Frank Saladini, old friends of Jerry’s from the Point. They work in a warehouse across the street. During the course of their reunion, Jackie leaves his truck parked at the loading dock of the warehouse and fights the foreman, actions which precipitate a worker’s sit-down strike which David Fennario uses as a demand for workers’ control of industry.

Cast of nine men.

Anglophone playwright born David Wiper in Montreal, Quebec, 1947. He was raised in the working class district of Pointe-St-Charles, an area he would make the centre of most of his plays. He was one of six children, his father was a housepainter. His pen name, given to him by a girlfriend, was part of a Bob Dylan song, “Pretty Peggy-O.” David Fennario has described his life as: Born on the Avenues in the Verdun-Pointe Saint Charles working-class district of Montreal; one of six kids growing up in Duplessis’ Quebec, repressed, depressed, oppressed and compressed. “School was a drag. My working experience turned me into a raving Red calling for world revolution. The process of becoming a political activist gave me the confidence to be a writer. Up to then, I thought only middle-class people could become artists, because they were not stupid like working-class people, who were working-class because they were stupid. But reading Socialist literature convinced me that working-class people can change themselves and the world around them. We are not chained to fate, Freud, God, gender or a genetic code. We can make ourselves into what we want. I’ve been trying my best to do that ever since, and have had some success as a playwright and a prose writer.”

David Fennario's profile page

“Restores one’s faith in theatre as a medium of continuing vitality and relevance.”
— Southam News Service